Music Essay African music roots start in every aspect of society. Their culture is formed from there environment hunting but mostly on their tradition. Their music reflects this not only is it entertaining it serves as a way to pass knowledge and stories to the next generation. African music has a variety of different instruments that they use throughout their songs. Music in African culture also has very strong spiritual and religious meanings. The recent history of African musical influence has played a large part in encouraging the current trend toward African musical appreciation.
During the 1950s, when the Africans experienced rapid urbanization and a relatively booming economy, the two French-speaking colonies of the Congo area witnessed the birth of an African version of the Cuban rumba played by small American-style orchestras. Some artists that are African are Afro-National, Khaled Agag, Eric Agyeman, and Mahmoud Ahmed. Other than using their voices, which has been developed to use various techniques, they use a wide array of musical instruments are used. African musical instruments include a wide range of drums, slit gongs, rattles, double bells, and melodic instruments including string instruments.
Other percussion instruments include many rattles and shakers, such as the kosika, rain stick, bells and wood sticks. Also, Africa has lots of other types of drums, and lots of flutes, and lots of stringed and wind instruments. The traditional tribal African music has deep meaning in its lyrics along with its rhythm and beat, its lyrics often tell of struggles, religion, and day to day life. The Africans would perform rituals to try to please the gods, these rituals would include music made by the high priest the instruments used would be tribal drums and a rain stick. The lyrics would be similar to Christian hymns in our modern culture
The Essay on African American Music
... knew how to play a musical instrument or sing a song. The new music was being produced for ... known as Holiness and Sanctified. (5) African American gospel music was a twentieth century phenomenon which evolved ... previous to hers with Jukebox Berman. Tharp?s contract included veto power on any gospel competitor that ... along with the freedom to adlib new lyrics, break time and alter the melodies in ...
