The movie, A River Runs Through It, directed by Robert Redford, and starring Craig Sheffer as Norman and Brad Pitt as Paul the younger brother, is about two brothers that have a close relationship. As their growing up they both rebel against their stern minister father, each in their own way. This movie takes place in the entrancing mountains of Montana, with a magnificent river that runs through it. The bond between the boys starts to fall apart as they face their future both taking two very different roads. The director effectively uses shots, action and mise en scene to show the directions both boys have chosen to take. In the middle of the clip where the boys are carrying the boat to the river, shots are used to show which direction the brothers have chose to take. The close up shot of Paul smiling shows a very eager person. Paul is in the front of the boat showing the viewer that he is leading the way. Norman on the other hand, is becoming aggravated by Paul?s anticipation for trying this brainless stunt. The close up of Norman portrays to the viewer that he is not sharing the same feeling as Paul and is wondering how he is going to get out of shooting the chutes. Later in the scene, there is a close up shot of Paul standing in front of the river and all the viewer can see behind Paul is the water.
This symbolizes to the viewer that Paul has become one with the water. The viewer at this point knows that Paul is actually going to go through with this reckless idea. After, the McLain brothers go over the chutes and are safely on shore, the director shoots a close up shot of Norman siting on a hill away from the water. In this close up of Norman the viewer can not see his face it is absent of light showing the viewer that Norman is very different than Paul. All the viewer can see behind this shot of Norman is the sky, symbolizing that Norman wants to go out in to the world and not to recklessly throw his life away. As with shots, action is directed in this clip to show the viewer the uniquely different directions in life the brothers choose. Norman?s actions seem to be enjoying the boat ride, when Paul and Norman are in the boat and the water is calm. Norman?s actions here show the viewer that he likes life at a calm and soothing flow. As the water becomes rougher Norman starts to pull back on his oar trying to slow the boat down. The viewer can see that he is trying to keep the boat from getting closer to the falls. Paul is laughing and paddling faster. His actions show that he is not concerned whether he lives or dies.
The Term Paper on Shots Of The Radiator Henry Viewer Shot
In this essay, I will pay close attention to the use of the camera in Eraserhead, (David Lynch, 1976), and look at the effect such camera work has on the viewer, in conjunction with other signifying systems. This film, marking Lynch's proper debut as a director, is rife with exciting touches that, though the film has little dialogue, keeps the viewer entertained throughout. If each shot could be ...
The action of the dangerous waters roaring over the cliff resembles the life Paul has chose to live. Norman is found at the top of the hill after going over the cliff, his action show the viewer that he has distanced himself away from Paul and has chosen to go out into the world and live a safe life. Not only were shots and action used to show the different paths in life the boy?s chose to take; mise en scene also played an important part in accomplishing this task. The mise en scene shows the brother?s futures unfolding to the viewer in the first scene. The Mclain brothers are close, the viewer can tell because the brothers share the same friends and enjoy being together. The viewer can tell that Norman and Paul are both starting to rebel against their father, because they are both out drinking, going against their parents rules. In this first scene the brothers are out drinking with their friends. All the boys including Norman are sitting on the car. This shows the viewer that Norman likes to be part of the group. Paul is sitting on the ground with his back toward the viewer. The viewer does not even acknowledge Paul. The mise en scene portrays Paul as being separated from the group.
This indicates to the viewer that Paul?s views are distinctly different from the rest of the group. In the middle of the clip when the boys have arrived at the river and begin getting out of the car Paul is the first to get out of the car and grabbing the boat. This shows the viewer that he is eager to try his wild idea of shooting the chutes. Norman is the last to exit the car. This shows Norman?s reluctance to try Paul?s foolish idea. The mise en scene definitely shows the different directions in life the brothers have chosen to pursue. The director expertly uses shots, action and mise en scene to show the different lifestyles that Norman and Paul have chose for the future of their lives. The director portrays a levelheaded Norman and a daredevil Paul, using these tools. The director dramatically shows the distance between the brothers. Through out the whole clip the viewer is given wonderful clues to what lies ahead. The clip emotionally touches the lives of the viewers because they know that at any time that Paul is going to die and it will have a huge impact on Norman. The director did a wonderful job on using these tools to capture the viewers emotions.
The Essay on View Of Paul Actors Scene Camera
The film Pauls Case is by Lemont Johnson but is written by Willa Cather. Its about Paul, a sensitive high school student, felt very frustrated with his home life and his family's expectations that he would grow up to work in a factory or the steel mills as his father and most of his neighbors did. He was not close to anyone in his family and had no neighborhood or school friends. Instead, he spent ...