Jane Smiley’s A THOUSAND ACRES Jane Smiley’s A Thousand Acres tells a dark tale of a corrupt patriarchal society which operates through concealment. It is a story in which the characters attempt to manipulate one another through the secrets they possess and the subsequent revelation of those secrets. In her novel, Smiley gives us a very simple moral regarding this patriarchal society: women who remain financially and emotionally dependent on men decay; those able to break the economic and emotional chains develop as women and as hum ans. Roots of A Thousand Acres can be seen in numerous novels and plays, the most obvious of which is King Lear. The parallels are too great to ignore. Smiley is successful because she fills in so many of the gaps left open in the play.
She gives us new an d different perspectives. One of the particular strengths of the novel lies in its depiction of the place of women in a predominantly patriarchal culture. In this male dominated culture, the values privileged in women include silence and subordination. Ginny is acceptable as a woman as long as she remains “oblivious” (121).
She is allowed to disagree with men, contingent upon her doing so without fighting (104).
Ultimately, her opinion as a woman remains irrelevant. Ginny remarks, “of course it was silly to talk about ‘my po int of view.’ When my father asserted his point of view, mine vanished” (176).
When she makes the “mistake” of crossing her father, she is referred to as a “bitch,”whore,” and “slut” (181, 185).
The Essay on King Lear And A Thousand Acres A Comparison
In William Shakespeare s King Lear and Jane Smiley s A Thousand Acres, the reader will find that both works use similar character types that mirror each other to increase further the similarities and meaning of the works. Perhaps no similarity is as striking as that of the fathers. They share three characteristics which bind them and make their parallels unmistakable. The first, and most obvious, ...
It could be argued that many of the male characters in the novel are suffering from a type of virgin / whore syndrome. As long as the women remain docile receptacles they are “good”; when they resist or even question masculine authority, they are “bad.” Rose complains, “When we are good girls and accept our circumstances, we ” re glad about it…
When we are bad girls, it drives us crazy” (99).
The women have been indoctrinated to the point that they initially buy into and accept these standards of judge ent. The type of patriarchy described by Smiley simply serves to show the inscription of the marginalization of women by men in the novel and in our society. Another strength of the novel is its treatment of secrets and appearances. Like characters in a Lewis or Bellow novel, the characters in A Thousand Acres are more concerned with maintaining a veneer of social respectability than with addressing reality. Life, for them, becomes some kind of facade.
Nearly everyone has a secret and nothing is as it seems. Our narrator tell us, “They all looked happy” (38); and later, “Most issues on a farm return to the issue of keeping up appearances” (199).
Amid all of the sub-plots and mini-themes (and there are many) in Thousand Acres, the one recurring theme which stands out is Smiley’s criticism ofa masculine-dominated culture. The one element clearly valued in a woman by this patriarchal society is silence.
“The girls sat quietly” (95) and they are good girls. For a woman to express her own feelings in the novel can lead to harmful repressions. So it is that Ginny suppresses her voice. Her inability and unwillingness to stand up to her father, and even to Ty (in reference to the babies especially), shows that she allows herself to remain marginalized throughout much of the novel. In A Thousand Acres, Smiley tries to capture the tensions of real everyday living in her representation of a dysfunctional rural family steeped in patriarchal tradition. She shows the effects of the unreasonableness of our patriarchal society and indi cts it in the process.
Ginny is defined within a double set of cultural constraints. She is confined not only by prevailing expectations regarding social behavior but also by those governing the proper behavior of women. Reticence is an essential part of the code of feminine decorum based on the idea of woman’s inherent weakness and the need to defer to and rely upon masculine strength and protection. By allowing Ginny to break the chains of reticence and flee, literally, to a new life, Smiley turns w eakness into strengths she envisions a more reasonable (and perhaps more feminized) social order. She forces us to ask what ideals we are being sacrificed to… patriotism Maintaining appearances Maintaining patriarchal standards Smiley speaks forall who have been marginalized when she states (through Jess), “Maybe to you it looked like I just vanished, but I was out there” (55)! Smiley, Jane.
The Term Paper on I Being Born Women and Distressed
Edna St. Vincent Millay’s sonnet, “I, Being Born a Woman and Distressed,” serves as an excellent example of a multi-faceted piece. From one angle, it is simply a Petrarchan sonnet, written with a slight variation on rhyme scheme – but that variation, taken deeper, reveals new layers of meaning. Added to Millay’s choice of meter and end-stop, along with a background of Millay’s person, this sonnet ...
A Thousand Acres. New York: Fawcett Columbine, 1991.
