Adam Gopnik states that the writers of modern fantasy fiction are mostly, more or less, influenced by the medieval stories and myths told and believed in the early ages. Starting with J. R. R Tolkien, the writers of the so told genre always used the same concept; a good man or side, against an evil ruler or side, trying to defeat each other with the help of a magical artifact. He even claims that the theme of those stories and books are dull and boring just because same basis with a slight difference than the others is constantly used.
In addition to this idea of his, he also points out that this kind of a stereotype can be written by anyone by quoting Dr. Johnson, but gives credit to the legendary “The Lord of the Rings” of J. R. R Tolkien at the same time for its originality. The “gloomy gray seas and doomy gray mountains” of a typical fantasy fiction is replaced by a birthday party full of fireworks in a green and peaceful place like Shire at the beginning of the story, which is quite new and extraordinary for such a work.
He is quite right at this point, since that atmosphere neither is expected by the reader nor giving any evidences about what is going to happen in the mysterious environment of The Middle Earth next. However, he also says that the earlier works of J. R. R Tolkien like “The Silmarillion” and “The Children of Hurin” are dull just because of the “pipe-somking wizards and humorless” concept. At this point, I strongly disagree with him, as most people who has done a little research about J. R. R Tolkien’s life and his books would do. Firstly, “The Silmarillion” is a synopsis of a work which J.R. R Tolkien could never complete, and was published by his son years after J. R. R Tolkien’s death, by compiling the irregular notes of his father. Secondly, yes, “The Children of Hurin” may lack humor and pipes in that sense, but how could anyone possibly expect a book of series of tragedies to be warm and funny like “The Cosby Show”? Furthermore, he does a brief analysis of J. R. R Tolkien’s characters and claims that they are either pure good or evil, and rarely both. He is quite right until claiming there are no inner doubts for any characters in the trilogy.
The Term Paper on Outline for a Story Book
I propose to design a book for children 7 to 8 years old. In this modern world of technology, books are set aside in favor of computers and other highly technical gadgets. The innovation of computers has pushed man into heights of advancement but the need for leisure stays untouched in his heart. A good book read at leisure brings this kind of comfort and relaxation and the best time to inspire ...
They constantly doubt about whether they made a right decision or not (like Gandalf thinking his head off if it was a good idea to send Frodo Baggins into Mordor) or whether they are suitable for or will succeed in their mission (like Aragorn doubting if he is strong and wise enough for the crown of all mankind).
Moreover, Gopnik thinks the legendary “The Lord of the Rings” lacks lust. Completely true, but this does not mean the book lacks love. How many men can turn a woman like the heroine Eowyn, who plays a far larger and complicated role in the story, for the almost-imaginary Arwen whom we rarely hear about?
Despite these, he comes up with a great comment, saying “Big writers become a kind of shared climate”. He says that another fantasy fiction writer, Christopher Paolini, used almost the same characters which J. R. R Tolkien created; his elves, his dwarves and his evil enemy, in his Eragon series. The only difference is the mortal hero he used, since C. Paolini prefered a younger and unexperienced man of commons as his hero, with the guidance of a dragon. That is how literature grows up and gets stronger, and is the duty of all writers in that sense.
Create something that can aid the new generation, which can be modified and improved by them to achieve better. On the other hand, Gopnik is not amazed by the works of Stephenie Meyer, and accuses her for not being constructive, especially in her “Twilight”. He complains about the “boyly concept” of Twilight and claims that the storyline of vampires and werewolves lacks escapism in that sense. He is almost right about how little a teenager can get from the book except thinking how cool it would be to live amongst all those mysterious creatures, but not every fictional work can be didactic.
The Term Paper on The Tale of Captain Bookbeard: an Account of Book Piracy
The Tale of Captain BookBeard: An account of Book Piracy A bibliophilic stroll in the streets and lanes of Kolkata is bound to get across the cries of Captain BookBeard coming from the Sea of Poppies1, The Sea of Monsters2 and The Ship of Stars3, and as one starts to wonder about the whereabouts of this ever present, as almost in every pavementbookstalls, yet elusive pirate lord, a tale starts to ...
Myths were created because mankind couldn’t explain what was going on around them. Their fears and wonders made them create the imaginary figures of their myths, and they eventually started to believe what they have created. Now, all those myths are used for fun but nothing else, and a book or story of something mysterious can not be accused just because it’s not educational. There also are some other things to have fun with, apart from the moral to get; not only in fiction, but also in any other human affairs or facts of daily life. Eating a strawberry does not teach you a cruical lesson, but only puts a smile on your face.
Staring at the sky, watching the stars does not teach you anything about astronomy, but makes you lay down and close your eyes in a peaceful state of mind. Nevertheless, even S. Meyer’s Twilight has moral points and didactic parts for a careful observer, yet there is almost nothing a writer can do if the reader (or the new generation in that sense) is not capable or eager to get something out of the book he or she reads. Undoubtedly, almost all writers try to share their thoughts or feelings with the combination of the places and the characters they create in their minds when it comes to fantasy fiction.
Humankind is not flawless, hence, their art is not perfect either. If it was the opposite, one could have gotten all he or she needs for his life out of a book of a perfect author, and would have not needed to read any other source to improve him or herself. Besides, it is also about the style, manner and aspect of the writer. A writer of an old and stuffy city who had a poor and miserable childhood would surely put out something different than another who has lived his or her whole life in peace in a cottage placed in the woods near a lake with animals such as dogs and such.
In conclusion, as Gopnik mentions; “Fantasy fiction tells you that history is available, that the past counts”. Men believed in myths in the past, so we can have faith in fantasy fiction and get no harm out of it. We may not have magical rings, but we have our smart phones. We may not fight on a horse, but we do struggle with traffic in our automobiles. We may not be able to interract with Gods as they did, but we still have love in the leftish side of our chests. One can not see the future without checking the past, so we better not totally ignore the fantastic works of our time.
The Essay on Influential Comedy Writers Of The Past Two Decades
Who are the most influential writers of comedy on screen over the last two decades? It would be hard to argue that any genre on TV hasn’t changed, followed social trends or broken out into sub-genres in the past twenty years but comedy specifically has changed drastically since the early nineties. Being a genre that relies heavily on social issues and the public perception of what is accepted as ...
