Like a Virgin… or not Madonna had always been a holy icon until the early 1980’s when the name “Madonna” developed a dual connotation. The introduction of America’s top female sex symbol Madonna created an image far opposite of the previously known hallowed one. In John Fiske’s essay “Madonna,” he depicts the singer’s character, portraying her as socially and semiotically powerful. Although his essay is currently outdated, Fiske illustrates an illusion of Madonna that Generation X ers eventually accepted and will probably never forget. Sex has always been a controversial matter in American society.
Before the 1980’s, those that openly articulated their views about sex were thought of as promiscuous and perverse, unless they were male. Perhaps, that is why the aura of Madonna stirred raving controversy across America. Fiske notes that her image was not a “model meaning for young girls in patriarchy, but a site of semiotic struggle between the forces of patriarchal control and feminine resistance, of capitalism and the subordinate, of the adult and the young (Fiske 282).” Never before had a woman presented herself so provocatively yet so comfortably. In the beginning, Madonna ultimately sacrificed sexual purity. Her daring exploitation of sex from a feminine point of view was definitely a breakthrough in 1980’s American society.
Often, she dressed like a man and grabbed herself in “sacred” and “unseen” places. Actions like these, as Fiske points out, presented a threat but “not the traditional and easily contained one of woman as a whore but the more radical one of woman as independent of masculinity (Fiske 284).” Young girls regarded her actions not as “tarty” or “seductive” but as completely “acceptable.” Eventually, they embraced her image and strive d to follow her example of the independent and sexually licentious woman (Fiske 283).
The Essay on Attractive Woman Sex Women Ads
America faces today important controversial issue, which is the debate of sex in advertising. Edward A. McCabe and John Carroll are two authors that present opposing arguments about this issue. McCabe persuades the reader into thinking that sex in advertising is no big deal, while Carroll explains why this is a major problem in America. Sex ads are defined as any type of advertising that shows ...
Society has finally accepted feminine independence and accredited Madonna as the pioneer for introducing that autonomy. In many ways, she now represents the woman’s metamorphosis. As Fiske noted she began by showing “both her pleasure in her own physicality and the fun she finds (found) in admitting and expressing pleasure: it is (was) a sexual-physical pleasure that has (had) nothing to do with men… (Fiske 285).” While this may have been an impression of Madonna in the 1980’s, she has evolved into what society deems as the epitome of bad ass woman: utterly independent.
Fiske’s essay does not really have much application to the perception of Madonna in today’s society. Fiske presents Madonna as an illusive character, one who “frequently shows herself in postures of submission (Fiske 282).” Indeed, Madonna will always remain a sexual symbol; however, her current lifestyle does not involve illicit attitudes or perverse actions. At age 41, Madonna has revamped her solitary image but with much more reverence. Her latest experience with single parenthood has enabled her to complete her transformation. One author in the May 1998 issue of Spin magazine reports that “through her latest experiences, Madonna has become a culmination of sexuality and spirituality… a combination that has made her ripen (76).” This statement can be confirmed by evaluating her newest album, which implies more spirituality and mysticism, integral elements that have progressed into her persona.
In reality, Madonna no longer represents the supreme sexual being; she has developed into a much more humble and spiritual individual, one much like her name originally implied. John Fiske’s intuition was correct when he first evaluated the controversy surrounding young Madonna. Indeed, Madonna was an upset to parochial American society. However, fifteen years later she no longer upholds her nasty-girl image. Her metamorphosis from young and crude to old and wise has given her a superlative identification that will linger with our generation forever and remind us all that she was the first woman to daringly “express herself.” Works Cited: Fiske, John. “Madonna.” Media Journal: Reading and Writing about Popular Culture.
The Essay on Sexual Assault Women Men Man
Amongst the ancient Hebrews, who flourished about 1000 B. C. women were portrayed as more sexual than men, and their status was inferior to that of men. Sexual activities were supposed to be confined to one's spouse, but women who failed to uphold these rules was dealt with more severely than those by males because women were considered to be man's property. The Jewish law of that time was defined ...
Eds. Joseph Harris and Jay Rosen. Boston: Allyn and Bacon, 1995. 281-295.
