Moulin Rouge is celebrated for its art direction, music, and performances. One of its biggest endeavors is the set design. With a combination of real sets and computer generated images, Moulin Rouge manages to showcases a 19 th century Paris, France as a world of moral decadence but undeniable beauty. The set design further pushes the message of France, at this time, being a place of plague, poverty and sin; but also a place of art, music and beauty. In the introduction of the film, we see an elaborate design of 19 th century Paris, France. We have a detailed and inside look at Paris through the allies, cabaret bars, prostitutes, and up the rooftops to reveal a colorful and vibrant fantasy world.
Just the opening sequence emphasizes how the people of France, through poverty and plague, live a life of love, art and music. So we have these two characteristics, these two sides of Paris that seem to juxtapose each other. We see this constantly through out the film; sin and beauty, love and poverty, etc. After the view of the city, we then see an old broken down apartment where Christian, one of the central characters, live. The room is cluttered with broken bottles, clothes on the floor, old wooden floor, worn out walls, and the centerpiece of the room; a polished type writer on the table.
This illustrates the idea that art and creativity rise above the poverty and sin of this world. One of the Main sets of the film are the rooftops of Paris. There we have another open view of the city at night and how it comes alive. This film is unique when it comes to set design because it uses the aid of computer generated images.
The Essay on Theater 12 Film As Art
Theater 12/ Film as Art 1. Art analysts consider Casablanca to be the most classic romantic melodrama of the last century. Being a masterful tale of two men struggling and vying for a woman in the familiar love triangle, the film itself constitutes peculiar interest in terms of its appearance and approach to cinematography. Casablanca became one of the first films that depicted contemporary ...
So there are many instances where a character can travel through the city in an unrealistic manner. The train station, most of the city, and the Moulin Rouge are altered with computer generated images. One of the most important aspects of the art design is how the film’s visual language and message is established through color. The Moulin Rouge, compared to the rest of the city, is colorful and alive. The rest of the city is painted with sepia and dark colors, while the Moulin Rouge is bright with many colors; mainly gold and red. And yet it’s supposed to be an underworld where love is for sale and sin is everywhere.
Colors, in the film, are used as archetypes as well. The elephant room is mostly bright red, which indicates passion and love. The elephant room is of course where the prostitutes would take their clients. Color themes are constantly used through out the film. When we see Christian heart broken by the death of Satin e, his room is dark and gloomy and has colors of black and dark blue. It further conveys his feeling of depression.
One of the main Set designs is the inside of the Moulin Rouge. The Moulin rouge has several areas with specific designs. The dance hall, during the “can-can” dance sequence, shows the vibrant colors of the entertainers and dancers which juxtaposes the black and white tuxedo-wearing aristocrats. This is one of the major themes of the film, exemplified through the art direction. All the aristocrats pretty much look the same. They all have black and white tuxedos, top hats, white gloves, canes, and 19 th century facial hair.
It’s as if they are dressed as if they ” re in uniform, hiding any individuality they may have. With the black and white colors, it also makes them look emotionless. On the other hand, the dancers and entertainers of the Moulin Rouge, are wearing elaborate, multi-colored dresses with a lot of detail. And each dress, like each dancer, is unique.
The Term Paper on Moulin Rouge
Moulin Rouge film review Moulin Rouge is a film about a wannabe bohemian writer who meets a courtesan at the Moulin rouge, they instantly fall in love yet they cannot be together because of ‘the Duke’ he is a jealous man that has lots of money and wants to keep the courtesan to himself. The film Moulin Rouge has been made many times but the one that this review is about is the Baz Luhrmann 2001 ...
This is the perfect summary of the film’s theme of how the two types of people live. The aristocrats are emotionless but well groomed and the poor are artistic, talented and full of passion. Another good example of this, is the home of the Duke. The Duke is the villain of the film and lives in a large house with wide rooms.
The room is made too look like an old castle of the middle ages with large stones and dark wooden furniture. The room is dark and wide and shows how evil and yet how alone the Duke is. The final sequence takes place at the Moulin Rouge which is by now re-designed into a theatre. The theatre is glamorous and very elaborate. This is a key point in the film for many reasons. Not only is it the conclusion of the narrative, but it also reveals a change in the theme.
It shows how the people of the Moulin Rouge have transformed for the final act. Through out the film most of the characters were colorful but dressed in clearly inexpensive clothes. In the final performance they ” re all dressed glamorously. For example, the corky pianist, who was dressed ridiculously through out the film, is now wearing a tuxedo like the rich. The set is bigger and clearly more expensive. It sort of shows everyone, in one way or another has matured and grown.
The once house of exotic dancers who sold themselves, is now a theatre; a true place of art. One of the major techniques of Moulin Rouge’s set design is what makes the film feel more theatrical than cinematic. This makes the spectators feel like they are at a musical play. At the same time, the sets are vast enough to feel like a real fantasy world.
And yet the film personifies certain truths of back-then as well as now. This film is very specific on how the world looks like. It isn’t just glamour, song and dance. There is a tragedy underneath the art of the people. The art direction is very complex. It was able to show how the flaws and imperfections of the world force art out of the people who suffer from these flaws and imperfections.
It’s as if art cannot exist without these challenges that the people of that time met. This theme is one that applies to almost every film that talks about the struggle that artists go through. A very common picture, almost a stereotype, is the writer with a broken heart, the penniless musician, and the artist who dies of hunger. There is something romantic about the tragedy that most talent has to go through.
The Term Paper on What defines the tone of a literary text, and how can this be translated into film?
The tone of a literary text is often particularly one-dimensional. Unless other characters’ viewpoints are presented, the narrator and his or her point of view that is consistently revealed throughout the book, define the tone. The Talented Mr Ripley by Patricia Highsmith is no exception. Although the main protagonist, Tom Ripley, does not narrate, the narration is only ever filtered through Tom ...
There are several beliefs that one is caused by the other. Some would say that art and talent is forged through the difficulties of life and that through art we are able to out live these threats. The set design and art direction almost scream the idea of how all the bad things of the world are almost worth it because of the good that comes from them. The beauty of the torn down buildings, the dying walls, the old floors, the old bed spring mattresses, men in wife beaters and suspenders, women in shredded but colorful dresses all personify this idea that people suffer and die; but through that arises art, music, poetry, beauty, truth and love.
