In Antigone, the first episode concerns Creon s announcement to the Chorus of Theban elders that he has forbidden the burial of Polynices. It also includes the arrival of the watchman who informs Creon of the perfunctory night burial of Polynices by an unknown hand. Creon lashes out at him and accuses him of conspiring in this act. The stasi ma (plural for stasimon) were expressions of emotion evoked by the preceding episodes, given mainly by the Chorus and serving as interludes between episodes. The first stasimon follows the first episode: the Chorus sings a song in praise of the human race and of the state. The second episode follows, during which one sees Antigone, captured by the watchman, being brought befor Creon to face trial and punishment.
This episode constitutes the climax of the play and proves the great strength of Antigone s character. This great scene of confrontation is followed by the second stasimon which begins: Blest is the life that never tasted woe. It mentions the evil fate tormenting the house of Cadmus. In the third episode, Creon is confronted by his son, Harmon, who is betrothed to Antigone. The father-son conflict provides a secondary agon (debate) in the play, following the primary agon between Antigone and Creon in the second episode. Appropriately, the third episode is followed by the third stasimon, whose theme is love: Love unconquered in fight..
