The boy in the story Araby is intensely subject to the city’s dark, hopeless conformity, and his tragic yearning toward the ugly reality in the center of the story. On its simplest level, Araby is a story about a boy’s first love. On a deeper level, however, it is a story about the world in which he lives. A world adverse to ideals and dreams.
This deeper level is introduced and developed in several scenes: the opening description of the boy’s street, his house, his relationship to his aunt and uncle, the information about the priest and his belongings, the boy’s two trips, his walks through Dublin shopping and his subsequent ride to Araby. North Richmond Street is described metaphorically and presents the first view of the boy’s world. The street is blind; it is a dead end, yet its inhabitants are smugly complacent; the houses reflect the attitudes of their inhabitants. The houses are imperturbable in the quiet, the cold, the dark muddy lanes and dark dripping gardens. The first use of situational irony is introduced here, because anyone who is aware, who is not spiritually blinded or asleep, would feel oppressed and endangered by North Richmond Street. The people who live there (represented by the boy’s aunt and uncle) are not threatened, but are falsely devout and cautious but deeply self-satisfied.
Christian symbols transforms a perfectly ordinary girl into an enchanted princess: untouchable, promising, saintly. Setting in this scene depicts the harsh, dirty reality of life which the boy blindly ignores. The contrast between the real and the boy s dreams is ironically drawn and clearly foreshadows the boy s inability to keep the dream, to remain blind. The boy s final disappointment occurs as a result of his awakening to the world around him. The cheap superficiality o the bazaar, which in his mind had been an Oriental enchantment, strips away his blindness and leaves him alone with the realization that life and love contrast from the dream. Araby, the symbolic temple of love, is profane, love is represented as an empty, passing flirtation.
The Term Paper on Adolf Hitler and the Story of World War II
Hitler, leader of the German Nazi party and, from 1933 until his death, dictator of Germany. He rose from the bottom of society to conquer first Germany and then most of Europe. Riding on a wave of European fascism after World War I and favored by traditional defects in German society, especially its lack of cohesion, he built a Fascist regime unparalleled for barbarism and terror. His rule ...
Araby is a story of first love; even more, it is a portrait of a world that defies the ideal and the dream. The boy’s feelings for the girl are a confused mix-mixture of sexual desire and of sacred adoration, as examination of the images of her reveals. He is obsessed at one and the same time with watching her physical attractions (her white neck, her soft hair) and with seeing her always surrounded by light, as if by a halo. He imagines that he can carry her image as a chalice through a throng of foes the cursing, brawling infidels at the market to which he goes with his aunt. A strong physical attraction and a strong pull to the holiness is missing. Thus setting in this story becomes the true subject, embodying an atmosphere of spiritual breakdown against which a young boy s idealistic dreams are no match.
Realizing this, the boy takes his first step into adulthood. Araby is filled with symbolic images of a church as well. It opens and closes with strong symbols, and in the body of the story, the images are shaped by the young impressions. Succession of experiences forces him to see that his determination is in vain. At the climax of the story, when he realizes that his dreams of holiness and love are inconsistent with the actual world, his anger and anguish are directed, not toward the Church, but toward himself as a creature driven by vanity. In addition to the images in the story that are symbolic of the Church and its effect upon the people who belong to it, there are descriptive words and phrases that add to this representational meaning.
Symbolic images in the description of the setting shows that the boy is sensitive to the lack of spiritual beauty in his surroundings. Outside the main setting are images symbolic of those who do not belong to the Church. The boy and his companions go there at times, behind their houses, along the dark muddy lanes. Here odors arise from the ash pits, those images symbolic of the moral decay of his nation.
The Essay on Religion Boy Church Rules
Religion, it is one of the main themes in The Dubliners, it can consistently be found in Joyce s book of short story. It can all be traced back to Joyce s experiences with religion as a youngster. He developed a dislike of religion, finding hypocrisy in it. Religion becomes the key of the stories and you begin to search for the religious factors of each story. The key is to find the character that ...
Despite these discouraging surroundings, the boy is determined to find some evidence of the loveliness his idealistic dreams tell him should exist within the Church. His first love becomes the focal point of this determination.
