Ballroom Dancing: The Development of Two Techniques It is a fact that emotion stimulates the body into movement. It has been said that “dancing is older than anything except eating, drinking and love.” Civilization and conditioning has taught people to suppress this natural response but the primitive desire still remains. Prehistoric man expressed his emotions by movement. When speech was just developing, even primitive cave drawings depict men dancing. As time went on and language was developed, the expressive movements of early man continued but transformed from spontaneous, formal and lastly traditional aspects. These dances were adapted as parts a social custom.
This became the foundation of folk dances. Throughout the earlier dark ages, dancing was found in every country in the form of traditional folk dances. Dancing was a regular feature of the church festival days in Italy, France and England. Showing as long as people exist, the desire to move will survive. This instinct for movement enabled crude folk dance to survive the dull dark ages. Dances from this period were drawn from the Christian Era and by the 15 th century dance records became popular, documenting the actual dances then in “vogue.” This is when the earliest ballroom dances were documented.
The Essay on Dance Dances Dancing Ancient
A series of set of movements to music, either alone or with a partner. That is the definition of dancing. Dancing is a way to express one's feeling and to get active. Dance has been a part of human history since the earliest records of human life. Cave paintings found in Spain and France dating from 30, 000 -10, 000 BC. have vivid drawings of dancing figures in association with ritual illustrating ...
One documenter, Thoimot Arbeau published ‘Orchesographie’ in 1588. Arbeau lived in a time of transition where solemn dance was giving way to a livelier dance form. Even in the days of Arbeau, technique was slowly being formed by the dancing masters of the period, but it was not until the latter half of the 17 th century, after Louis XIV that the hard and fast rules for execution of the every dance were laid down by the members of the Academy and the five positions of the feet were formulated for the first time. The ballets presented in these days were spectacular based on technique. The first intertwining of the ballet and ballroom came when professional dancers appeared in ballets and the ballets left the court and went to the stage. When the ballet moved to the stage its technique became considerably enriched.
Such changes went on also in ballroom dancing, in 1812, the modern hold made its appearance in ballroom waltzes. And the next advance towards what we call modern dancing was made in the 1840’s when several dances made their appearances in the ballroom. These included the Polka, Mazurka and the Schottische. There was also a trend to drop all decorative steps in ballroom.
At the close of the Victorian era ballroom dancing was stagnate, without any new developments. Not until the present century did a new way of dancing introduce fresh life back into the art of ballroom dancing. These changes appealed to the younger generation who danced at the clubs before the 1914 War and after the World War. These were the times when institutions went by the board and rebellion was encouraged. There was a free and easy going style forming resulting in old tradition being fully broken and the evolution towards a modern ballroom technique based on natural movements with feet alignment. These dancers formed the first Committee of the Ballroom Branch of the Imperial Society of Teachers of Dancing.
The style, which they developed, is what we call the “English Style.” This style of ballroom has influenced modern ballroom dancing throughout the world and is the style of ballroom that we see today. 2 questions: Would ballroom have ever been if it did not evolve from folk dance? Would ballroom be as popular as it is today if not for the changes that began after the war?
The Term Paper on Dance Styles
Dance * To move with measured steps, or to a musical accompaniment; to go through, either alone or in company with others, with a regulated succession of movements, (commonly) to the sound of music; to trip or leap rhythmically. * To move nimbly or merrily; to express pleasure by motion; to caper; to frisk; to skip about. * To cause to dance, or move nimbly or merrily about, or up and down; to ...
