The Music of the Baroque Era The style of polyphonic music containing elaborate ornamentation and contrasting elements, that is how Baroque music is defined. The Baroque era was a kind of transitional era in art and music. The Renaissance means rebirth and is typically regarded as such. The Baroque era in music is not a set style in music but many diverse styles which may be broken down into at least three distinct periods. A renewed interest in art and music was experienced throughout the Renaissance which then led to the Baroque era which was more of a transitional stage leading up to the maturity of classical music in the Classical era which began as Baroque ended.
(Howard n. pay. ) The origins of the word baroque itself is as obscure as the melodies contained in its music. Many people believe that the word baroque came from two different places. Some believe that it came from the word ba rocco, which is Italian and means bizarre or strange. Others believe that it is Portuguese and it came from the word meaning distorted or irregularly shaped pearl.
The was considered more beautiful because of its uniqueness. Either way the name stuck. The era began in 1600 and ended with Johann Sebastian Bach’s (1685-1750) death in 1750. Bach is likely the best known and most widely appreciated composer of the era, although Antonio Vivaldi and George Frideric Handel were certainly very important composers of the time as well.
The Essay on Early Music and Baroque Era Concert Report
Bach – Brandenburg Concertos No 5 was held at the Hall of Mirrors at the Coethen Castle. According to Goltz (2006) it was held to celebrate the 250th Anniversary of Bach’s death. The Freiburg Baroque Orchestra was stationed at the right hand corner of the mirror hall where the stage was illuminated by hanging tier lights. The orchestra was all dressed in black with the men having black tuxedoes ...
The music of the Baroque itself is very colorful and dramatic. The word-painting of Bach’s cantatas can involve torturous melodic lines and extraordinary harmonies that are trademarks of the age (Arnold 174).
The Baroque style music was voices only. It was sung in a cap pella, a choral style music with only singing and no instruments. If instruments happened to be used, it only imitated the melody of the voices.
It would not pick up its only melody or tune. The Baroque style music brought up more than just choir singing. It introduced soloists. When solo music was sung, this brought up the idea of thorough bass.
Which is a bass part was assigned to the singing (Arnold 174).
The term Baroque, no matter which definition you choose to accept, really does not fit the entire period to which the name is applied. It could certainly be applied to certain times during the period but not to the entire 150-year range that it has been described as covering. This was certainly an important era in the history and growth of musical styles lending tonality and monadic styles that are still present in music today. Definitions of specific time periods in music really only assist us in tracking the changes of form, style, and historical significance of each era and are not so important in giving an accurate description of the music of the times. Although, when looked at objectively, the word Baroque could be seen as accurately describing the period because of its unusual diversity or irregularity of music style.
Works Cited Arnold, Denis, ed. The New Oxford Companion to Music. 2 vols. New York: Oxford UP, 1995. Hoffman, Miles. The NPR Classical Music Companion: Terms and Concepts from A to Z.
New York: Houghton, 1997. Howard, J. A. If it ain’t Baroque…
1999: n. pay. 10 Nov 2001. Schonberg, Harold C. The Lives of the Great Composers. 3 rd ed.
The Essay on The Music of the Baroque Period from 1600-1750
The geographical center of the Baroque Era was Europe, with Italy as the place of origin with the movement later spreading throughout Europe via Germany, France and England. Music was the main source of pastimes, with the lower class making up most of the musicians and composers. As these people climbed in fame however, they were given substantial pay increases, but they still remained servants ...
New York: W. W. Norton & Co. , 1997 Sher rane, Robert. Music History 102: a Guide to Western Composers and their music. 21 Dec 97: n.
pay. The Internet Public Library 10 November 2001.
