When reading Shakespeare it is somewhat difficult to distinguish what this brilliant author is trying to portray in his works. This is mainly due to the use of old English text and constant hidden meanings behind much, if not all of his material. That is why it must be understood, that when analyzing a Shakespearean piece it is necessary to provide clear and focused evidence surrounding a specific thesis. If it is not done in this manner, information becomes too broad and makes it difficult for any reader to understand clearly what a certain topic is about. Beatrice and Bene censored are essentially the main characters in William Shakespeares Much Ado About Nothing or further, they will be considered the main point of argument throughout this paper.
As mentioned previously, there needs to be a clear thesis in order to analyze a certain portion of the play in focus. As it pertains to the two characters, Beatrice and Bene censored , which has to a higher degree, more wit and intelligence On account of reasons mentioned later, Beatrice is above and beyond the intelligence and wit of Bene censored . In order to achieve a clear understanding of how and why each are witty and intelligent, and then to provide support as to how and why one is superior in that area will require much textual support and specific thoughts from that text. In the opening scene of the play the audience discovers that there was a battle being fought and several men are on their way home from the battlefield. Beatrice, who overhears his uncle and a messenger talking, asks about one man in particular-who turns out to be Bene censored . When she asks this messenger about him, she doesnt use his name directly, she instead calls him, Signor Montant o.
The Term Paper on Bene Censored Beatrice Hero Don
Much Ado about Nothing Title Much Ado About Nothing illustrates a kind of deliberately puzzling title that seems to have been popular in the late 1590 s (ex "As You Like It'). Indeed, the play is about nothing; it follows the relationships of Claudio and Hero (which is constantly hampered by plots to disrupt it), and in the end, the play culminates in the two other main characters falling in love ...
By using this reference she is without a doubt being quite ironic. Beatrice could be using this term to mean a move in fencing, which is an upward thrust. Also, the wa she pronounces it, Mount-on-to, could describe a specific sexual connotation pertaining to intercourse. Either way, one cannot help but to think that Bene censored is of course on her mind and she thinks of him in quite a disturbing way. During the same conversation she attacks the very wit that this paper is alluding to. She says: Alas, he gets nothing by that.
In our last conflict four of his five wits went halting off, and now is the whole man governed with one; so that if he have wit enough to keep himself warm, let him bear it for a difference between himself and his horse, for it is all the wealth that he hath left to be known a reasonable creature. Who is his companion now He hat every month a new sworn brother (98, ln. 62) By this Beatrice is trying to say that Bene censored uses his wit to gain friendship and companionship. After she makes this clear she remarks that the only real companionship that he has gained is that of his horse. When Bene censored makes his presence into the play he wastes no time in getting a response from Beatrice: If Signor Leona to be her father, she would not have his head on her shoulders for all Messina, as like him as she is (101, ln.
109).
Here, Bene censored is referring to a cuckolds horns (with that is derived yet another sexual connotation) and his aim is to have Hero, Leon atos daughter object. Saying this will in turn provoke a response from Beatrice and thus, start a conversation. This remark displays Bene censored s wit directly as he uses others to provoke and more specifically, egg-on Beatrice. After this opening scene with the two characters, an onslaught of wit and intelligence is thrown about between the two in a dialogue that resembles that of war itself. Beatrice first begins by saying: I wonder that you will still be talking, Signor Bene censored ; nobody marks you (101, ln.
The Essay on Beatrice And Benedick Love Characters Play
In William Shakespeare's comedy 'Much Ado About Nothing', the characters Beatrice and Benedick are involved in what could only be called a 'love / hate " relationship. The play is a classic example of this type of relationship, and allows us to view one from the outside looking in. This gives us the chance to analyse the type of relationship that at one time or another we all have been, or will ...
112).
Beatrice wonders why he is even saying anything because no one in the room has even started a conversation with him in the first place. Then, like two prizefighters exchanging blows, the audience reads: Is it possible disdain should die while she hath such meet food to feed it as Signor Bene censored Courtesy itself must convert to disdain if you come in her presence. In this sentence she is incurring that whenever Bene censored comes in contact with a woman he automatically turns courtesy (in context of ways to treat a woman) to utter hatred-disdain in fact. Bene censored counters this when he says: Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted.
And I would I could find in my heart that I had not a hard heart, for truly I love none (101, ln. 116) Here, he saying how can that be, he has never loved anyone nor will he ever. Bene censored knows that all ladies admire him but he wont accept the charges from Beatrice because he has never been in that situation before. Some time passes and then the masked ball scene occurs. This is a dance where every one is wearing a mask of some kind and Beatrice and Bene censored are dancing together. In this scene Beatrice knows that it is in fact Bene censored she is dancing with.
Bene censored knows this as well but plays it off to find out what she thinks of him. Beatrice uses this time as the perfect opportunity to toy with Bene censored as she pleases: Why, he is the Princes jester, a very dull fool. Only his gift is in devising in him, and the commendation is not in his wit but in his villainy, for he both pleases men and angers them, and then they laugh at him and beat him. I am sure he is in the fleet. I would he had boarded me. By this comment, Beatrice again attacks his wit, but this time right to his face.
She says that he should not be commended for his wit alone, but for the way he uses it-to be villainous. Several times throughout the play both characters speak aside from everyone else. The first of which is when Bene censored speaks in Act II Scene III. He wonders how a man can look at two people falling in love and basically laugh at them for seeming so silly. However at the same time be so contradicting when he himself falls in love. He is thinking of Claudio at this point and then he applies what he sees to himself.
The Essay on Bene Censored Beatrice Scene Love
... next step and show his love for Beatrice. Beatrice, however, is testing Bene censored in this scene to see if he loves her enough to get revenge ... control of any situation of that time. However, Beatrice is using her only weapon, words, to persuade Bene censored to help her, it is ...
He believes that he will not fall in love as Claudio did, but he doesnt know exactly; he seems to be confused. On the other hand, Beatrice speaks aside in Act III, Scene I. The language she uses is beautifully spoken in sonnet form as opposed to Bene censored who spoke in general pros with a blank verse. She knows exactly what she is thinking and what she will do without confusion as Bene censored portrayed. This alone should provide meaningful insight into why Beatrice is in fact wittier than Bene censored . In Act IV, Scene I Beatrice is about to protest that she loves Bene censored .
As she is about to do this Beatrice concocts a brilliant plan to test Bene censored one last time. She tells him to kill Claudio for wronging her cousin. At first Bene censored says, Ha! Not for the wide world (172, ln. 290).
Shortly after this dialogue he realizes his love for her: Enough, I am engaged; I will challenge him. I will kiss your hand, and so I leave you.
By this hand, Claudio shall render me a dear account. As you hear of me, so think of me… (174, ln. 331) In this excerpt Bene censored speaks with such conviction that one cannot help but think the effect Beatrice has had over him is not short of brilliant. She has just told him to kill his best friend, his brother of sorts, and he has willfully accepted. In the confines of a fictional world, it is easy to make rationalizations.
Shakespeare does quite an excellent job of making his fictional world seem like reality and makes believers out of non-believers. Of course it may be difficult to understand him at times, it is wonderful to analyze two characters such as Beatrice and Bene censored . They have such real qualities that come alive when reading the dialogue. After reading rather extensively into these two characters it becomes unmistakable that Beatrice does in fact have intellectual dominance over Bene censored . Her wittiness makes Bene censored look like nothing short of a fool, and that is why she is one of Shakespeares finest creations. 353.
