Building of Dwelling Houses in Estonia Not wanting to analyze the building of dwelling houses in Estonia inefficiently and seemingly scientifically (where would I have got competent statistics from), I simply try to express the thoughts which are connected with that topics somehow and have come into my mind. What kind of scientific analysis it could be or who should make it, if even the architectural critics seem not to manage with the simplest things. That reminds me an article in the EE some time ago about a Finnish lady (naturally in Finland) completing or taking her doctor’s degree. She was examining Finnish post-war modern house, it’s morphology, the structure of the Finnish family, the connections between them and making conclusions which extend to this day. Those observations about architecture were much more smarter than those that the most of self-confident architects could do.
Unfortunately it has to be confessed that I don’t remember such a research work or sentiments in Estonian science, but no doubt, they could be necessary. The typology of the houses used by most of the architects goes back to the living model of the middle class at the end of the 19 th century. That model was idealized and carried on through a hundred of years up to the end of this century. No doubt that our living style is changing repeating banalities: paradigm changes as well as the composition and make-up of the family. There was a news in a newspaper about Estonia which declared that 50 % of the children are illegitimate (it is possible, of course, that some parents live together without getting married officially) and 12, 5 % of the born children know nothing about their fathers.
The Essay on Difference In Response To The Doll House
Difference in Response to The Doll House A Dolls House is a play written by Henrik Ibsen in 1879 depicting the marriage between Nora and Torvald Helmer. Nora and Torvald fell in love with the conceptions of each other, not their real selves, which in the end causes the marriage to fall apart when they are faced with reality. A Dolls House is set in nineteenth-century Europe. It is the story of ...
The living with grandparents is not so popular any more. (As to th models of living it is worth of observing what has happened in North- America though some euro percentage followers don’t accept that it may happen that we will be on the same development level soon. In that country the grown-up children don’t want to live with their fathers and mothers, at least statistically).
Even such an every day activity as cooking is changing essentially. An apartment or house is not a small production unit with its storages, kitchen and dining room any more. The kitchen can be as presentable as the dining room, also the furniture and the quality of the activities, they can become more melted.
There are some theorists who admit that not only eating but washing procedures as well will leave the house to so-called town-social level. In the house there will be only a bed, a computer for communication and toilet. It won’t happen so soon, but one has to keep an eye on that branch of development. Talking into account the above mentioned statements it seems rather logical that the present day style of living which is mono functionally divided into the units, should be replaced by a multifunctional and more universal room.
The architects can make their conclusions if they want to. The society is coming more and more complicated, more individual-centered / individualized and that ought to be reflected in the typological and functional development of the house / apartment. The situation in Estonia is a bit curious just now perhaps even ridiculous. On the one hand we have been left a huge amount of apartments living units, on the other hand these don’t satisfy the real needs of the society any more.
The problem doesn’t lie in the apartment or house, but in that complete, and if you wish, harmonious world where these houses are situated. And that is why it is very difficult to prevent Las name from turning to a ghetto. The houses can be heated outside and apartments decorated inside, but it gives satisfaction for a short time only. The single coquettish villages built in the old districts between the houses look strange.
The Term Paper on ‘Fire and Ice’ by Robert Frost and ‘The Day They Came For Our House’ by Don Mattera
“The possession of power over others is inherently destructive both to the possessor of the power and to those over whom it is exercised.” George D. HerronThe modern industrialist society, in which we live, has been shaped by people in the possession of power, and the power of passion. The 20th and 21st century’s have illustrated clearly the deadly potential of power, and not ...
The dissonance doesn’t exist between the houses themselves but between the styles of living. The groups of 5 – 10 houses in the picturesque landscape at the seaside also can’t create the complete society if they are situated next to the fishery and sawmills. There are some districts in Estonia where the small houses with more complete treatment have come into being. The suburb romantic idyll is ruling there, also mentally as the motto of the area is to be similar and alike, with no any differences from the thoughts of dear neighbors. Those so-called new-rich who have enough money to build need the house as the symbol of status and they actually don’t value the environment.
I would like to pay attention to the matter that has annoyed me for some time. I can’t understand these critics who treat the houses on the steep banks of Tabasalu with irony, calling them bad PM and admitting that the functionality with stylistics originating from the 20 ies is not so much PM, and a better one. Of course, that is the question of taste. But if we don’t think the stylistics to be the most important and do not throw away inevitably everything American; then to be honest, those houses purely morphologically are composed very nicely if compared with sisters built somewhere else. The main trouble in that area results in so-called planning, or if you wish town building.
Unfortunately it seems that it is not yet the right time to discuss that complicating matter in Estonia. Mainly the highway engineers are handling these problems and town building as the complex of cultural decisions hasn’t been discussed. Actually there is a disagreement between the frequency and character of the houses that is where to look for main mistakes. But behind that are the desires of the customers, difficulties in getting the ownership of land, stereotype thinking of the planning architect our cultural background altogether. If to think about the future, keeping an eye on the same cultural background, I have to say that the Estonians, if to express decently, are not too keen to fight the challenge of age (by the way, an excellent opportunity for the apologists of modernism) and taking use of that characteristics at least younger architects could accept the possibilities offered by present time. Certainly not everybody likes these possibilities and only a few real estate agents will be interested, but according to my own experience there are some of them, in Estonia too.
The Essay on Body & Cultural Text
When a person has watched a film, advertisement or read a book, there are distinct elements that are evident throughout the work of art that seemingly communicate more than their surface meaning. This essay seeks to demonstrate how metaphor, connotation and metonym are usually used in distinct cultural texts such as in books, film and others. It specifically applies the basic concepts of ...
It is also important that looking at the things otherwise and spreading that vision we can reach the situation where the words cheap and ecological have great value. And considering our relatively poverty it is not a bad result at all.
