In the Novel “Montana 1948” by Larry Watson, there are many points in the book that we find Wes in a situation that requires a decision. The actions and choices that he makes reflect upon him and the story. Things like what gun he carries, when to look away from a crime, and when to turn in your own brother make the reader learn more about him. In turn we perceive him to be the type of person that cannot turn in his own brother and is not the hero that a stereotypical western town should have. This view is changed when close to the end of the novel he makes a decision that qualifies him as a respectable and noble officer of the law.
In the beginning of the book we get a visual picture of Wes from the eyes of his son David. “He wore a shirt and tie, as many of the men in town did, but at least they wore boots and Stetsons; my father brogans and a fedora. He had a gun but he never carried it, on duty or off.” This quote shows us what David thinks of his father. The reader gets the impression that Was is not the stereotypical cop, and probably not one who likes to get into conflict, as we can see by his choice not to carry a sidearm. When David talks about his father, the reader gets an image of a son who loves his father but does not respect him as the Sheriff.
The Term Paper on Bell Jar Plath Father Reader
Sylvia Plath+s complex relationship with her father is revealed through imagery used in her writings including the poem and book "Daddy" and The Bell Jar. Plath developed as a writer with an individual style. She used diction, in her writings, which give the reader a very distinct understanding of what she is trying to imply. Plath, also, sets a tone in her writing that is very distinct amongst ...
As the book progresses the way we view Wes gets worse. After al lthe drama surrounding Wes’s brother Frank, we learn that Wes is not always the upstanding and noble sheriff. Wes is faced with the decision of charging his brother with sexual assault or turning his head. When Wes chooses to look away at the crimes despite overwhelming evidence and moral values, the view of Wes is smeared into a picture of a coward. He is a coward because he couldn’t say no to his father, his brother and to himself. Wes didn’t have the courage to stand up for what was right and what he believed in.
Shortly after Wes’s image is shattered, the ending of the novel puts most of the pieces back together. The pieces are all put back into the image of a honorable sheriff when Wes makes a revolution in his self-esteem. When Frank is the main suspect for the murder of Marie, Wes interrogates Frank and finds out the truth. The truth of his brother being a murderer must have been overwhelming emotionally, but when he was faced with having to put his brother to jail, the emotions must have been running higher than I could ever imagine. His decision was the right one, Wes’s decision to finally convict Frank with sexual assault, even though hard, was the one that Wes had to make. Unfortunately he didn’t have the evidence for murder charges, but the decision Wes made revives what the reader thinks of Wes as a person. It turns Wes into a noble man, who does what is right.
In this novel Wes was confronted with many challenging and difficult choices. Wes is a decent man because of his actions. He cant be called a honorable person, or a brave person. He made mistakes in the begging in, like any person could do. And the mistakes he makes were under overwhelming circumstances. Its hard to go against family and friends, but Wes held back too long. His choice not to turn his brother in the first place was a mistake. The sexual assault of one person is enough to go to jail, but Frank was known for sexually assaulting many women, this was even more cause for alarm. Wes’s hesitance leads to the death of Marie. He made a mistake that he can’t be blamed for because he didn’t know and that doesn’t make him less than a decent person.
The Essay on Blood Brothers Play Twins Make
What Devices and Techniques Does Willy Russell Employ in "Blood Brother"? How Successful Are They In Communicating The Themes & Ideas Of The Play? To start a play each dramatist has to make a number of decisions. They have to decide what they want the viewers to think of the play, whether it should be believable or just to convey a theme and for the audience to sit in judgment of the play. In ...
