1950’over past nine weeks we ” ve embarked on a journey spanning seven decades of cult films and also received a brief education of our not so distant past. We ” ve seen the outrageous, the good, the bad and the ugly, the weirdly dramatic, and the just plain weird of the last seven decades of cult films and how in the end somehow find away to incorporate a piece of American culture at the time. However, by far the most intriguing decade to me would have to be the nineteen fifties. There are many reasons why I could say the fifties ranging from great sports moments to political milestones, which gave way to our society now. The nineteen fifties were a time when segregation was ending, people were daring to explore their sexuality, the race to venture in to space, the Korean War, the birth of the New York Yankee Legacy, and Elvis. However, for my purposes in this paper and in relation to the cult film genre, there are three specific reasons why I chose the era of the fifties.
The most important reason would be the taboos of the decade, namely the taboo and paranoia of communism and the Cold War with the then Soviet Union. Second, there were many excellent cult films to come out of the period addressing the taboos of the time, two of which I would like to share. Third, the fifties brought us possibly ‘the worst director of all time’ and ‘the ultimate cult director’ Ed Wood, Jr. It is for these reasons that the 1950’s are, to quote Prof.
The Essay on Cinematic techniques in Tim Burton’s Films
Tim Burton uses many cinematic techniques in his movies such as lighting and camera angles throughout his movies in order to create effects and moods. He uses these two cinematic techniques numerous of times in the films Edward Scissorhands and in Charlie and the Chocolate Factory. He uses them very efficiently to portray different ideas such as showing strengths, weakness, or size in character or ...
Allan Hav is, ‘the quintessential decade of films.’ Entering the nineteen fifties the United States was getting past the bitter memories of World War II only to a brand new threat, Communism. The fear or taboo of communism was every where. Television programs and newspapers ran features on the newest government official, entertainer, and even next door neighbors suspected of communism. Led by Senator John McCarthy citizens left and right stood trial for being a communist or aiding Russians in the ‘Cold War’. Knowing that anyone who stood against McCarthy would be subject persecution themselves many Americans began to fall in to a mass hysteria accusing neighbors and friends of supporting the communist threat and being spies for Russia.
Many innocent people were sent to prison based purely on speculation. Also showing the increasing fear of communism were the writers of movies and books, the two top forms of leisure during the decade. In the world of literature no novel conveyed a message of communism more effectively than the Crucible. In the world of cult film making, however, the fear of communism was evident.
In at least ninety percent of cult films were metaphors for communism with a science fiction undertone. Movies in the nineteen fifties were covert, clandestine, and cryptic. One of the movies, viewed in class, was Invasion of the Body Snatchers. Invasion of the Body Snatchers was released in February of 1956 and was directed by Tom Siegel. Starring in the film were actor Kevin McCarthy (Dr. Miles Binnell) and actress Dana Wynter (Becky).
The film was set in a small town outside the Bay Area of Northern California, Santa Mira. The film begins with Dr. Binnell seeming distraught and almost psychotic shouting madly about alien invaders. ‘Doctor, will you tell these fools? I’m not crazy. Make them listen to me before it’s too late!’ he pleads with the doctor. This is where the story begins as Miles begins to explain, in the form of a flashback starting from a few days prior, the take-over of his hometown of Santa Mira by the alien invaders.
It begins as he is returning from a medical convention and encounters a rash of people claiming that friends and family members were not themselves. Through the course of the film and interactions with various friends and patients of his Miles comes to believe that the people have been taken control of by aliens becoming ‘pod people’ and he is next. After realizing what is happening Miles must escape town with his old flame Becky Driscoll who would also be copied by the ‘pod people’. This movie poses the viewer with the question: What if everyone you knew had suddenly changed and they wanted you to join them in their evil plot? At one point Miles described the situation to Becky as the souls of humans are being taken by aliens and that some how the people are allowing their humanity to be drained away. While the story features the bodies possessed by alien ‘pods’ and copied, it also loosely resembles the paranoia of the ‘cold war’ and the belief of communism in the U. S.
The Essay on Horror Movies People Movie Films
"Natural Born Killers," Psycho," Friday the 13 th," and "The Legend of Sleepy Hollow" are all horror films. In these films there is always some crazy person or monster-like character that goes around and slaughters innocent people. And usually, but not all the time the killer is killed at the end of the movie. The media publishes or broadcasts stories that say that horror films influence people to ...
The ‘pod people’ are seen as being emotionless, conforming drones unable to think for themselves. I believe that this was an attack on the craze of communism and the McCarthy trials during this time. Since, in this time, writers and actors who spoke out against all the speculation of communism were black listed and labeled communist sympathizers, any protest or statement would have to be made subtly within the lines of the film. Communism was not the only taboo of the fifties. Although being the most publicized, communism shared the spotlight in the cult film world of taboo with sexual Puritanism. The nineteen fifties was a time when a topic like cross dressing was never spoken of and those who participated in such acts were looked at as deviants of the societal norms.
It was said that then director of the FBI J. Edgar Hoover was said to be a practicing transvestite himself. It was also said that Hoover showed a very limited tolerance for those accused of being a transvestite and often pursued maximum penalties for those standing trials for related crimes. One movie that addressed the issue of was the film Glen or Glenda. Ed Wood, Jr, directed this film.
This film was released in 1953 and starred Bela Lugosi, Dolores Fuller and had a special appearance by Ed Wood, known in the credits as Daniel Davis. The film clip viewed in class depicted the secret life of a, heterosexual, married man as a cross dresser or transvestite. The narrator described the man as leading very normal with one exception; he enjoyed wearing women’s clothing. This film was an attempt to dispel the myths and notions that those with alternate lifestyles were not to be feared or outcast by society. This film, as revealed in class, also served as a form of autobiographical for Ed Wood’s secret life as a cross dresser. Continuing with Ed Wood, it is said by some he is ‘the worst director of all time’ and ‘the ultimate cult director’.
The Term Paper on Robert Rodriguez Film Once Upon A Time In Mexico
The film I chose for analysis is Once Upon a Time in Mexico. I viewed this film on November 17, 2003 at the Channel Islands Theater in Oxnard. The structural effect I am critiquing is the dynamic editing effect. This film is full of very fast paced action scenes throughout the entire film. To really understand and keep up, one must have a good analytical mind because there are several story lines ...
Ed Wood wrote and directed numerous films from the late 1940’s to the late 1960’s and in the decade of the fifties released a feature film almost every year. Some of his most notable films from the fifties were Glen or Glenda, The Bride and the Beast, Plan Nine from Outer Space, and his 1960 anti-pornography film Sinister Urge. Ed Wood’s impact on the movie making industry that would not be felt by our generation until the 1994 release of Tim Burton’s biographical film titled Ed Wood, starring Johnny Depp as Ed Wood. It was then that people born after the seventy’s could see Ed Wood’s contribution to the cult film world encapsulated into a two hour film. Wood’s films are said to be sloppily constructed and conceived and that his films were ground out as fast as he could make them. Yet for all of his ineptitude and despite his many critics his movies and his legacy have endured over thirty years through classes such as the one this paper is for and a major motion picture in his name.
Nineteen fifties cult films made a lasting statement in a time when our society was thought to be very repressive. With bold films and filmmakers, the nineteen fifties dared to open the minds of the people by questioning things such as sexuality and conformity. In a time where speaking out could ruin a filmmaker’s career, they were able to effectively convey their message through their films. The nineteen fifties have provided many lasting images in everyone’s mind from Mickey Mantle achieving baseball’s rare Triple Crown and the Yankees six world championships, the birth of the civil rights movement, and the beginning of the Vietnam War. This paved the way for the Yankees of the present, equal opportunities for all races creeds and sexual orientations, and no major wars since.
The Review on Representations of the Black Male in Film
A systematic exclusion of black people from the production, distribution, and exhibition of film exists in Hollywood. This "system" is white America's continuing subversion of a whole race that has existed since the first slave was dragged from African soil and put to work on an American plantation. In these "politically correct" times the system is not an overt racist activity. Rather, it is more ...
Filmmakers found a way to impact our lives as well in this decade. Tom Siegel directed a movie that told us not to fall victim to the craze of the communist ‘witch hunts’, Ed Wood said it was ok to be different, and through his film making showed great resilience in the faces of his critics. Those filmmakers blazed the trail for Quinton Tarantino, Tim Burton, David Lynch, and many other present day filmmakers. This is why I chose the nineteen fifties as the most impacting as a social phenomenon in the United States, not only in cult films but in American Culture, period. That is why I feel the nineteen fifties served as the springboard to the culture we live in now.
