INTRODUCTION The Joy Luck Club retold the lives of four women who came from China and their four Americanized daughters. The protagonist, Jing Mei Woo (June) took over her mother’s place at the meetings of a social group called the Joy Luck Club. As its members play mah jong and feast on Chinese delicacies, friends of Jing Mei’s mother spin stories about the past and lament the barriers that exist between their daughter and themselves. In this paper, I will discuss briefly on cultural studies and the Chinese Immigrant Experience and Individual Identity that is very evident in this novel. CONCEPTUAL THEORY According to Rifkin and Ryan (1998), the word ‘culture’ acquired a new meaning in the 1960 s and 1970 s. Prior to that time, ‘culture’ was associated with art, literature, and classical music.
To have ‘culture’ was to possess a certain taste for particular kinds of artistic endeavor. Anthropologists have always used the word ‘culture’ in much broader sense to mean forms of life and of social expression. The way people behave while eating, talking to each other, becoming sexual partners, interacting at work, engaging in ritualized social behaviour such as family gatherings, and the like constitute a culture. This broad definition of the term includes language and the arts, but it also includes the regularities, procedures, and rituals of human life in communities. What is ‘Cultural Studies’? It is hard to define cultural studies mostly because the word ‘culture’ is notoriously hard to pin down, according to cultural critic Raymond Williams. Cultural studies is not a discrete approach but rather a set of practices.
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Patrick Brant linger points out, cultural studies is not “a tightly coherent, unified movement with fixed agenda,” but a “loosely coherent group of tendencies, issues, and question.” Arising amidst the turmoils of the 1960 s, cultural studies is composed of elements of Marxism, new historicism, feminism, gender studies, anthropology, studies of race and ethnicity, film theory, sociology, urban studies, public policy studies, popular culture studies, and postcolonial studies: those fields that focus on social and cultural forces that either create community or cause division and alienation. SUMMARY This novel traces the fate of four mothers, Suyuan Woo, An-me Hsu, Lindo Jong, and Ying-ying St. Clair and their four daughters, Jing-me Woo (June), Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. All four mothers fled China in the 1940 s and retain much of their heritage. All four daughters are much Americanized.
The four older women have experienced almost inconceivable horrors early in their lives. Suyuan Woo was forced to abandon her infant daughters in order to survive in a war-torn country; An-me Hsu sees her mother commit suicide in order to enable her daughter to have a future. Lindo Jong is married at twelve to a child to whom she was betrothed in infancy; Ying-ying St. Clair was abandoned by her husband, ahd an abortion, and lived in great poverty for a decade. She then married a man whom she did not love, a man she could barely communicate with despite their years together.
By comparison, the four daughters have led relatively blessed lives controlled by their mothers. Ironically, each of the daughters has great difficulty achieving happiness. Waverly Jong divorces her first husband, and both Lena St. Clair and Rose Hsu Jordan are on the verge of splitting with their husbands.
Lena is wretchedly unhappy and considering divorce; Rose’s husband, Ted, has already served the divorce papers. Jing-me has never married nor has she a lover. Furthermore, none of the daughters is entirely comfortable when dealing with events of her life. Although she has achieved great economic success as a tax accountant, Waverly is afraid to tell her mother that she plans to remarry. Lena has a serious eating disorder, and she bitterly resents the way that she and her husband, Harold, split their finances, and how her career suffered in order to advance his. Rose suffers a breakdown when her husband moves out.
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Mother Love-Nurturing or Torturing? In Pavlova's novel titled "A Double Life" a story is told about the relationship between mother and daughter. Throughout the novel we see examples of strict discipline and harsh living conditions for the daughter. One example that we see how serious the mother s about how to raise a daughter is by making some decision for the daughter. We constantly that the ...
She lacks self-esteem, and her mother cannot understand why she sobs to a psychiatrist rather than asserting herself. Jing-me is easily intimidated, especially by her childhood friend Waverly. She is not satisfied with her job as an advertising copywriter and, like Rose, she lacks self-esteem. Through the love of their mothers, each of these young women learns about her heritage and so is able to deal more effectively with her life.
