The rub is that we may be tempted to stop here and neglect the breadth and the depth of Poe’s contributions to Western Literature. Poe, in fact, wrote nearly seventy short works of fiction. He is duly credited with creating the detective story genre and with transforming the Gothic mystery tale of the Romantic Period into the modern horror or murder stories centered in the outlying regions of human mind and experience. But he also wrote several comic and satirical pieces, literary parodies, sketches, and experimental stories, including ‘A Descent into the Maelstrom,’ and his novella, The Narrative of Arthur Gordon Pym. His most famous poems-‘The Raven,’ ‘Ulalume,’ ‘The Bells,’ ‘The City in the Sea’-were enormously influential. These famous verses were behind a powerful wave of enthusiasm for Poe that arose among the leading writers of Europe during his own lifetime, spread thereafter around the world, and was sustained through the ‘discovery’ of existential ‘human condition’ themes in his short stories generations later.
But Poe also wrote three volumes of poetry during the first period of his literary career (1827-1831) that deserve our attention, as does his metaphysical Eureka: A Prose Poem and his verse drama, Politian. In terms of the hidden breadth of his accomplishments, during most of his career, Poe labored as an editor of literary journals and reviewer of fiction, verse, and non-fiction books. Among the latter, Poe wrote reviews on books of such diverse fields as medicine, natural history, archeology, philology, and economics. As for Poe’s criticism of fiction and verse, there is an intersection with the often-overlooked depth of his work. Poe developed a theory of composition that he applied to both his short stories and his poems. Its most basic principle was that insofar as short fiction and poetry were concerned, the writer should aim at creating a single and total psychological/spiritual effect upon the reader. The theme or plot of the piece is always subordinate to the author’s calculated construction of a single, intense mood in the reader’s or listener’s mind, be it melancholy, suspense, or horror.
The Essay on A Comparative Study Of Two Science Fiction Stories
H. G. Wells and John Wyndham have both created science fiction stories. However, the stories contain both similarities and differences. The main similarity of these novels are the arrival of extra terrestrial life landing on planet Earth. Each author goes about this in a slightly different way though. If you were to picture an alienation visit then H. G. Wells approach is the idea that you would ...
There are no extra elements in Poe, no subplots, no minor characters, and no digressions except those that show the madness of deranged first-person (‘I’) narrators. Ultimately, Poe took writing to be a moral task that worked not through teaching lessons, but in simultaneously stimulating his readers’ mental, emotional, and spiritual faculties through texts of absolute integrity. Poe, moreover, judged others by these same standards. By doing so, he is establishing the rules and methods common to New Criticism, the leading school of literary analysis in the twentieth century with its insistence that the text must be interpreted as a self-contained unit apart from the critic’s opinions of its author or the suitability of its themes. While you are encouraged to take this fuller measure of Poe’s importance into account, the materials at this site are geared toward his main works. Generally written in the 1840s, the last decade of his life, they comprise an inescapable introduction to Poe. Recognizing that there is more to Poe’s artistic and intellectual legacy than they hold, the individual works considered here accurately reflect the heights of his creative genius..
