Feminism in John Steinbecks The Chrysanthemums. 750 word paper At first glance John Steinbecks The Chrysanthemums seems to be a story about a woman whose niche is in the garden. Upon deeper inspection the story has strong notes of feminism in the central character Elisa Allen. Elisas actions and feelings reflect her struggle as a woman trying and failing to emasculate herself in a male dominated society. Elisa is at her strongest and most proud in the garden and becomes weak when placed in feminine positions such as going out to dinner with her husband. Steinbeck smartly narrates this womans frequent shifts between femininity and masculinity over a short period of time. In the opening of the story Elisa is emasculated by the description of her clothing. She wears a mans black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron (paragraph 5).
When Elisas husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her green thumb makes her an equal in her own eyes. When Elisas husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she wouldnt like the fights at all (paragraph 21).
Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated.
The Review on Physical Description Moll Husband Man
Book Report Michelle Williams Moll Flanders by Daniel DeFoe CHARACTER SKETCH Moll Flanders: A woman in the 17 th century who was born in Newgate (a prison) and spent twelve years as a whore, twelve years as a thief, was married five times, committed incest, was sentenced to death, but given a reprieve, and was transported to Virginia were she finally prospered. As a child Moll was raved upon for ...
When he persists in asking her she replys I tell you I have nothing like that for you to do (paragraph 46).
The drifter mentions Elisas chrysanthemums and she immediately loosens up as the irritation and resistance melt(ed) from her face (paragraph 51).
The drifter feigns great interest in Elisas chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him if you ever come across some nice chrysanthemums I wish youd try to get me a few seeds (paragraph 56).
Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to bring to his friend. Her bubbly enthusiasm for her flowers is blatantly feminine in characteristic.
When the drifter leaves Elisa seems like a transformed woman. She is feeling strong emotions for him. She is intrigued by the way he lives on the road and wishes women could do such things (paragraph 80).
As she watches him leave her emotions are displayed: Elisa stood in front of the wire fence watching the slow progress of the caravan. Her shoulders were, straight, her head thrown back, her eyes half closed, so that the scene came vaguely into them. Her lips moved silently, forming the words Good-bye—-good-bye. Then she whispered, Thats a bright direction.
Theres a glowing there (paragraph 92).
As Elisa retreats into her house to get ready for her night out with her husband she is truly feminized. She bathes and primps carefully, putting on her newest under-clothing and her nicest stockings and the dress which was the symbol of her prettiness (paragraph 94).
She is pleased with the way she looks. As Elisas husband Henry comes outside and comments on her beauty Elisa quickly stiffens. What do you mean by nice? she asks him (paragraph 100).
Elisa is taken aback by this feminine term to describe her.
Henry replaces the word nice with strong and happy and she is satisfied with the exchange of words (paragraph 100).
She boasts that she is stronger than she ever knew she was. As Elisa and Henry drive down the road her strength is quickly abolished. Far ahead on the road Elisa saw a dark speck. She knew (paragraph 108).
The Essay on The Chrysanthemums 4
Throughout history, women have often been portrayed as the subordinates of men or the "weaker sex". As a result of these unfair social assumptions, women have been working hard to dissociate themselves form this stereotype and become more independent with their lives. Many famous writers have addressed this issue in their novels or short stories. John Steinbeck's "The Chrysanthemums" is one of ...
Seeing the chrysanthemums lying on the side of the road is a hard slap in the face for Elisa.
She feels weak, betrayed and feminine. She has no desire to try and be strong. She turns her head away from Henry so that he can not see that she was crying weakly— like an old woman (paragraph 121).
Elisas desperation to be a person that she can not be is touching. Steinbeck makes it very easy to relate to this womans struggle for strength and contentment in a life that does not meet her expectations. Elisa wants to be not only an equal to her male peers but to be dominant. She sadly realizes that she can never live up to the expectations she places on herself.
