According to Christopher Wehnern, Noir films were lit differently, filmed differently, and told much different kinds of stories than what the French had last seen before the war, the mood and theme of these films were very dark, and narratives were cold, gloomy, and caliginous. Double Indemnity was written by James M. Cain in 1936, Edmund Wilson states, that Double Indemnity gives us an X-ray view of guilt, of duplicity, and of the obsessive, loveless love that devastates everything it touches.
Noir films are characterized in many ways for example, in a film noir there’s a female that plays the role of a Famme Fatale. According to Primary Characteristics and conventions of film noir: Theme and styles, “ The Famme Fatale in film noir are either of two types- dutiful, reliable, trustworthy, and loving women; or Famme Fatale – mysterious, duplicitous, double- crossing, gorgeous, un loving, manipulative, and desperate women”. Phyllis Nirdlinger plays the role of a Famme Fatale in the novel Double Indemnity that manipulates Walter Huff the Insurance agent to commit the perfect murder of Mr.
Nirdlinger and making it seem like it was an accident. Well at least they thought they did. The relationship between Phyllis Nirdlinger and Walter Huff establish the night when Phyllis shows up at Walters front door and starts talking about the insurance policy she wants to get for her husband with out him knowing about it, Phyllis expresses to Walter that she is serious about the murder of her husband. “No, I did mean it. If I hadn’t meant it I wouldn’t have had to come down. But I do want to say that I wouldn’t ever mean it again” ( Cain 15).
The Essay on The Lost Weekend Film Noir Or Not
Matt Cowell Film Noir Sept, 28 th 2003 Dr. Greta A. Niu "The Lost Weekend" Film Noir or Not Though "The Lost Weekend" is considered to be film noir, there are major differences between it and other classic film noir movies. What makes The Lost Weekend a film noir movie? As we have seen The Lost Weekend has no femme fatale, no mystery, murder, private eye, and none of the leading ladies is ...
This passage demonstrates Phyllis manipulative words, stating that she wants Walters to help her get the insurance policy for Mr. Nirdlinger. Phyllis emphasize to Walter Huff the insurance agent that their relationship will be more important than the insurance policy they just need to erase Mr. Nirdlinger from their lives. That same night Phyllis plays dumb with Walter pretending she has the plan how to kill her husband. “Well, you know, maybe not a crown block, but something.
Something that’s accidentally-on-purpose going to fall on him, and then he’ll be dead” ( 16 ).
The passage demonstrates how Phyllis makes her self sound like a fool, not having the right ideas for the murder, Phyllis goal is to get Walter to help her with the murder. This gives it the film noir feeling of the Famme Fatale, Phyllis is being manipulative, and desperate women, and accomplished what she wants, Walter Huff expresses to her that she has to do better than that she need better ideas, a better plan, someone that is willing to help her do it.
“Phyllis, you seem to think that because I can call it on you, you’re not going to do it. You are going to do it, and I’m going to help you” ( 17 ).
The Passage shows that her devious plan is working, she has Walter on her side, Phyllis acts surprise at the beginning but then she stops acting, what could be better then having a helper that knows every thing about the insurance policies, and how things run at the office. Phyllis Nirdlinger pretends to act like she is the victim and making her husband look like the bad guy in the Walter Huffs eye.
The evening that Walter goes and confronts Phyllis and contemplate the situation that the world is not big for the both of us, Phyllis, “No I never loved you Walter- not you or anybody else. I’m rotten to the heart. I used you, just as you said. That’s all you ever meant to me. Until a minute ago when I couldn’t fire that second shot”. This passage from the movie demonstrates Phyllis true feelings towards Walter, Phyllis shows that she is un loving, cold, unreliable, and desperate women.
The Term Paper on U.S. Health Insurance Industry
I.Brief Overview In the past ten (10) years, health costs in America have soared to record levels while more and more Americans are uninsured and access to quality health care becomes more problematic. Unemployment rates, higher insurance premiums, a rise in chronic illness nationwide and less than effective attempts to fix the problem such as Obama care and changes in Medicaid only exacerbate the ...
Phyllis expressions change, she tries to manipulate Walter once again, to show that she cares for him, and that he has developed feeling for him so Walter wouldn’t hurt her. Therefore, in Double Indemnity, the Famme Fatale; Phyllis Nirdlinger is a two- face that will do anything to get what she wants, and not carrying who she hurts or kills. The only importance for her is the money.
