Gender Studies My decision to take the extracts from literary discourse to illustrate the differences between the male and female manner of writing was dictated by the fact that it is more interesting to search for such differences in this very discourse, then in scientific or newspaper, where there are strict rules of how to write (non-personal narration, non-emotiveness, usage of terms; laconic phrases, etc. ) In literary discourse one may write whatever one wishes. (Jane Austen. Pride Prejudice) After a week spent in professions of love and schemes of felicity, Mr Collins was called from his amiable Charlotte by the arrival of Saturday. The pain of separation, might be alleviated on his side, by preparations for the reception of his bride; as he had reason to hope, that shortly after his next return into the Hertfordshire, the day would be fixed that was to make him the happiest of men.
He took leave of his relations at Longbourn with as much solemnity as before; wished his fair cousins health and happiness again, and promised their father another letter for thanks. (F. Scott Fitzgelald. Tender is the Night) Rosemary had another dinner date, a birthday party for a member of the company.
Dick ran into a Collis Clay in the lobby, but he wanted to dine alone and pretended an engagement at the Excelsior. He drank a cocktail with Collis and his vague dissatisfaction crystallized as impatience – he no longer had an excuse for playing truant to the clinic. This was less an infatuation than a romantic memory. Nicole was his girl – too often he was sick at heart about her, yet she was his girl.
The Term Paper on Critical Discourse Analysis, Organizational Discourse, and Organizational Change
... organizing; variation, selection and retention; understandings of ‘discourse’; and intertextuality. Organization and organizing Mumby & ... organizational process, the management of contradictions. Second, discourse figures differently in different types of organization ... and practice, ‘feat’ and strategy[iv]. Organizational discourse studies have been associated with postmodernist positions ( ...
Time with Rosemary was self-indulgence – time with Collis was nothing plus nothing. Already from the structure of the passage it is visible which passage was written by a woman and which by a man. Austen writes the events without any consequence, together with her thoughts and comments, whereas Fitzgerald, by contrast, enumerates the events in strict consecutive order. In addition, Austen uses more emotional and subjective adjectives to describe people and their state. It was counted that the female author uses verbs almost half less then the male author does (7: 13).
In the domain of punctuation, the gender differences are the most conspicuous: Jane Austen tends to the idiosyncratic usage of semi-columns; she does not use dashes in the given passage, whereas F.
Scott Fitzgelald uses three dashes (as the indicator of reason-result understanding of events; ٭ he prefers to explain the human behavior using a dash) and not a single semi-column. Finally, typically male is the phrase time with Collis was nothing plus nothing, if to take into consideration the inclination of the male brain to the natural sciences. Only man could dare to compare the relations with a woman with mathematics. ٭ I could have used a dash in this sentence, as both dash and semi-column are natural here, but somehow without thinking what to choose I preferred semi-column. When I began to study this problem further, it turned out that I use semi-columns in my every piece of writing, about two or three of them per page. I use them to separate the thoughts that occur to me one from another..
