>George Herbert’s brilliant ingenuity lies in the simplicity and sincerity >of his poems. What makes Herbert a unique poet in the history of English >literature is his intimate love for god. God, in the poems of Herbert is >the loving father, and Herbert; s tone of intimacy startles readers. As a >poet, h is quite than donne.
Douglas bush says (of Herbert) ” he does not >electrify the the nerves so often, so startlingly as donne, but he is >truly religious.” Herbert excels in the description of the serenity that >comes after the storm, the spiritual crisis. ‘ > > >METAPHYSICAL POETRY, in the full sense of the term, is a poetry which, like >that of the Divina Commedia, the De Natura Rerum, perhaps Goethe’s Faust, >has been inspired by a philosophical conception of the universe and the >r^ole assigned to the human spirit in the great drama of existence. >The term was originally intended to be derogatory. DRYDEN was the first to >apply the term when he criticized Donne: Samuel Johnson later used the >term “metaphysical poetry” to describe the specific poetic method used by >poets like Donne.
; . Dr johnson remarked that in the work of these >metaphysical poets “the most heterogeneous ideas are yoked by violence >together.” ] Metaphysical poets were in rebellion against the highly >conventional imagery of the Elizabethan lyric. In addition to challenging >the conventions of rhythm, the metaphysical poets also challenged >conventional imagery. Their tool for doing this was the metaphysical >conceit… Herbert along with donne, marvell, and Vaughan belonged to this >genre of poetry. > >The quietness of tone and the serene acceptance of god’s grace are seen at >their best in the poem “love.” Love used as a conceit, is the love of god, >and in this poem love welcomes the poet, but his soul draws back.” guilty of >his dust and sinne” but “quick eyed love” observes his hesitation, and >draws nearer to him, questioning and reassuring him.
The Essay on Loved By The Gods Socrates Biffle Plato
The most interesting and influential thinker of his time was Socrates; his commitment to careful reasoning affected all philosophy to certain degree. Socrates wanted genuine knowledge rather than simple victory over anyone he was speaking to. Socrates used logical thought processes to this purpose, in the pursuit of truth. Socrates' willingness to call everything into question and his ...
When the poet persona >expresses his fear that he is not worthy to be there, love assures him that >he shall be the worthy guest. When the poet finds it difficult to look at >love because he has been “unkind e, ungrateful” love takes his hand, smiles >and says” who made the eye but I?” . Love reassures him that the blame for >al lof man’s sins has already been born. The poem moves to its quiet but >deeply moving ending “you must sit down says love and taste my meat: /so I >did sit an eat.” > >”the collar” a much more complex poem is one of herbert’s finest. The poem >describes a moment of rebelliousness. “I struck the board, and cry’d, No >more.
> I will abroad.” >. the poet persona is not prepared to accept any more restrictions o nhis >freedom. “my lines and life are free, free as the the roads.” What follows >is a – an assertion of freedom, a complaint of grievances against the life >of devotion out of which the poet intends to break, leading to a boastful >challenge to the alleged morbid seriousness and paralyzing timidity of the >life the poet is renouncing. The world is rich and beautiful.
there is >’wine’ and there are ‘fruits’; there are ‘flowers’ and ‘garlands’. They >are not all “blasted” or wasted.” Then comes the beautiful, quite ending >which brings this urge of rebelliousness to a close.” But as I rav ” dd and >grew more fierce and wild, at every word, me thought I heard one calling, >child! , and I replied, my lord!” . > >. > > >The Flower >In The Flower, the poet persona t celebrates the joy that accompanies the >spiritual renewal which follows the times of trial. Though he has >experienced this many times, yet each time it happens the joy is as >boundless as ever. In the second line of the poem he likens this to the >regeneration of “the flowers in spring” and thereafter writes of himself as >if he were such a flower.
The Essay on Loved Her Husband Love Elizabeth Poem
compare and contrast crucible and to my dear and loving husband. In our society many women tend to have different views and feelings upon their husbands. In the play "The Crucible", Elizabeth Proctor showed her care and love for her husband although she carried suspicion at the beginning. In the poem, "To My Dear and Loving Husband" by Anne Bradstreet, she uses different kinds of words to express ...
>The flower, loving the return of spring, but fearful of a late frost, and >certain that winter will eventually come again, longs for the perpetual >spring of .”.. Paradise where no flower can wither.” By its selfishness and >sinfulness it is watered and tries to seize heaven by its own growth; such >arrogance must then be punished by God’s anger, more severe than any frost. >Yet God’s severity is remedial not malicious; when the lesson is learned, >the flower may be allowed to put out new growth. This is its nature, its >proper function in the eyes of God, and its delight. Man’s joy is to be >found in doing the proper, appointed duty, however high or humble, which he >has received from God. This delight is asserted in the last stanza of the >poem: > >” And now in age I bud again, >After so many deaths I live and write; > I once more smell the dew and rain, >And relish versing: 0 my only light, > It cannot be > That I am he > On whom thy tempests fell all night” >The Flower concludes simply: God’s purpose is to show us “we are but >flowers that glide”, to let us acknowledge our limitation and >inconsequence; yet, paradoxically, if we can see this, the reward is great: >God “has a garden for us, where to hide.” It is those who want more than >this, swollen by their arrogance or eminence, who will “Forfeit their >paradise by their pride.” > >Jordan opens in a colloquial manner.
The very title suggests crossing >boundaries of secular love into the world of poetry where poetry wil l speak >of love for god. The title may signify both the crossing from the vanity >and paganism of the rest of the world into the truth and holiness of the >land of promise.” >Herbert, in the poem challenges the style of such poets who address their >subject in an indirect manner: “Is all good structure in a winding stair?” >The metaphor suggests circumlocution: the subtlety and finesse of these >poets is seen as a dislike or disdain of plain speaking. In his second >stanza Herbert cites some of the clich ” es of the pastoral lyric (showing >both the trite idea and the trite expression of it): “enchanted groves”, >”sudden arbours”, and “purling streams.” Moreover, where the work is not, >say, that of Spenser, Raleigh or Sidney, but of their less gifted >imitators, the specialised diction and stock landscapes are used as >camouflage for the crudity of the “course-spun ne lines.” >In the final stanza, Herbert makes it clear that he has no quarrel with the >pastoral writers: >”Shepherds are honest people; let them sing:” >This is ambiguous: “shepherds are truthful” or “shepherds are people in the >real world.” The right of fictitious shepherds to behave as in the pastoral >is thus, ironically, earned by the virtue of the real shepherd.
The Dissertation on Emily Dickinson One Poem Poetry
IAn outsider looking at the poetry of the United States sees mainly Walt Whitman's beard, with the sombre mask of Edgar Allan Poe looming immediately beyond it. He will be as familiar with both of these figures as though they were Europeans, compatriots even. I believe I have seen a Dutch translation of Leaves of Grass, while decades ago all declaimers made the raven caw, often in a typical Dutch ...
>Herbert does not mind who should choose to “riddle” (or “pull for Prime” > (as long, , as they will allow him to write plainly and not accuse him of >being unpoetic. >The reference to “loss of rime” seems to be a pun: on “rime” in its >archaic sense of “poetry” Though Herbert’s concern in this poem is to >vindicate his own writing: poetry which is not cryptic and which addresses >the real God rather than the idols of a dead civilisation – yet he >anticipates later critical debate.
>There is some irony that the poem, which argues for plainness, is, in >itself, far from plain. The rhetorical questions leave too little room for >positive assertion. general notions have to be inferred from particular >examples, and some of the metaphors (to say nothing of the title) are not >at all easy to understand with any certainty (such as the “winding stair”, >the “shepherds” with their singing, or pulling “for Prime”).
Herbert, , >takes delight in ridiculing by imitation the obscurity he denounces.
The Essay on Emily Dickinson God Poems Nature
Dickinson and her Religion Emily Dickinson was one of the greatest woman poets. She left us with numerous works that show us her secluded world. Like other major artists of nineteenth-century American introspection such as Emerson, Thoreau, and Melville, Dickinson makes poetic use of her vacillations between doubt and faith. The style of her first efforts was fairly conventional, but after years ...
His >playfulness here is regretted in a later poem. Jordan (II) in which the >argument for simplicity is stated in plain and sober terms. >In denial, the speaker as a poet wants to sing a song of praise for god. >Yet god denies him devotion, that is not reciprocated. “when my devotions >could not pierce, thy silent eares, then was my heart broken as was my >verse. .” .
This unable’s him to write a verse that praises the joy and glory >of god. His mind is like a brittle bow where his thoughts like the arrow >move haphazardly. the poet persona’s mind is at war. A confused mind that >can find no peace. >Herbert’s imagery is more homely and accessible than Donne’s outlandish >conceits: if nothing is too exotic for inclusion in Donne’s verse, nothing >is too ordinary for inclusion in Herbert’s.
> > > >.
