Giovanni Lorenzo Bernini was one of the, if not the most, important artistic talents of the Italian baroque. He was born in 1598 and died in 1680, shortly after his 82 nd birthday. Bernini along with Rembrandt, Hals, Vermeer, Poussin, Rubens, Van Dyck, and Vel zquez made Italy, for three centuries, the light of the Western world. Bernini was the last of the three dimensional artists in Italy. Bernini was not only a sculptor. He was extremely gifted as an architect, painter, draftsman, designer of stage sets, fireworks displays, and funeral trappings (Sullivan 2).
Bernini had an interesting life, many opportunities, and he sculpted many works of art. Bernini was born in Naples. However, Bernini s career developed almost entirely in Rome. His father, also his teacher, was a talented sculptor of the Mannerist style.
Bernini soon surpassed his father in skill and knowledge of sculpting. Many of Bernini works were inspired by Hellenistic art, a form of Greek art (1).
Bernini had many works. His talent and many opportunities made him one of them ost gifted sculptors of his time. Some of his works include Abduction of Proserpina, Pluto and Persephone, Aeneid, The Goat Am althea, and Damned Soul.
Perhaps Bernini s most well known work was not a sculpture. It was the building of Saint Peter s Basilica in Rome and the Corn aro Chapel. Bernini served as architect and main designer of the great church (1).
The Essay on Original Work Art Meaning Berger
In his first essay of Ways of Seeing, John Berger claims that all power, authority, and meaning that was once held by an original work of art has been lost through the mass reproduction of these works that has occurred in recent years. He writes of an entirely bogus religiosity (116-117) that surrounds these art objects and that the meaning of the original work no longer lies in what it uniquely ...
Likewise, along with the responsibility of building the great monument, came the publicity and problems that arose.
The ground beneath the Saint Peter s was saturated with natural springs that made the ground treacherous. Cracks appeared in the towers after significant height and weight had been placed on the already finished blocks. Because oft his, Bernini s work was soon to be a rabble of stones and hard work. The towers collapsed and so did the confidence people had in Bernini to finish the project. As gossip spread, Pope Urban VIII still alive, would hear no insult of his favorite sculptor.
When Urban VIII died, Bernini was venerable to attacks. Although his disgrace was debatable, Bernini kept his position as architect of Saint Peter s. He held this position until his death. But this disgrace left Bernini with almost no power or influence.
Innocent X, Urban s successor, gave no major commissions to Bernini. Bernini was asked to not make suggestions for the completion of Saint Peter s (Wallace 86).
Surprisingly, with the plans for Saint Peter s, Bernini made designs for many other historical landmarks such as Palazzo Ludovisi, Palazzo Chigi, and for the Louvre. His plans for the Louvre were presented to Louis XIV in 1665 when Bernini spent five months in Paris (Sullivan 1).
Bernini did not start to design churches until he was sixty years of age, but his three efforts in ecclesiastical architecture were significant. These efforts were churches atCastelgandolfo, which includes a Greek cross, the church at Ariccia, and the CornaroChapel. The church at Ariccia was constructed with an oval plan. It had a large porch extending beyond the facade. This porch made it possible for the echoing of the interior rhythms of the building. Ariccia had an interior that was decorated with dark, multicolored marble, and has an oval dome of white and gold (Gwynne 2).
As one can see, Bernini had many accomplishments. His churches and his works made him one of the most influential Italian artists of his time. Even though his failures disgraced him, his other works prevailed to make his works the best of the 17 th and 18 th centuries. His accomplishments made him an admired person by other great sculptors of his time. Gwynne, Paul. Modern Art.
The Essay on Altarpiece Of Saint Peter
The Altarpiece of Saint Peter Modern History I Writing Assignment #1 Art is a window to the past and there is no place other than the many museums of the world where this is more strongly felt. More specifically, it is also seen through Martin de Soria's work, The Altarpiece of Saint Peter, which was completed around 1480. According to the panel near the altarpiece in the Museum of Fine Arts, ...
Computer Software. Grolier, 1994. IBM Windows, 256 KB, CD-ROM. Sullivan, Edward. Bernini, Gian lorenzo. Encarta.
1998 ed. Wallace, Robert. The World of Bernini 1598-1680. New York: Time Life Books, 1970..
