Robert Capa Robert Capa was born in Budapest on October 22, 1913 named Endre Erno Friedmann. He exiled from Hungary for leftist student activity and enrolled in the Deutsche Hochschhule fur Poltik to study Journalism. He began working as a darkroom assistant in 1932 in an important photo agency. He received his first break wjhen Simon Guttmann notices his talent. He sent him out to photograph local events. Robert left Berlin when Hitler came to power and went to Vienna in 1933, later that year he came in to Paris. In 1935 he went to Spain to work on many photojournalistic assignments given to him by Simon Guttmann. He made his new name “Robert Capa”, and impressed some editors with his work. He was in Paris covering the election of the leftist coalition Popular Front government. In August in 1936 he went to Spain, there the civil war that broke out in July. Capa visited New York in 1937, returned to Paris and then went to Spain in December to shoot the battle of Turuel. He spent six months in China in 1938 with Joris Ivens covering the Chinese resistance to the Japanese invasions. He Covered the fall of Barcelona in 1939, and at the end of the Spanish Civil War photographed defeated exiled Loyalists soldiers in internment camps.
After World War II broke out he left for New York where he began to work on several misc. stories for Life Magazine. In 1940, he spent several months in Mexico covering their presidential campaigns and elections for Life Magazine. Covered the Allied victories in North Africa from March to May in 1943. During July and August photographed the Allied conquest of Sicily. Documented the fighting in mainland Italy. On D-Day in 1944, he went to Normandy. In December covered the Battle of the Bulge. In 1946 he became an American citizen. Spent several months in Hollywood working on a his war memoirs in which he intended to base a screenplay for a movie. He left Hollywood after deciding that he did not like the movie business William Albert Allard William Albert Allard is a second generation Swedish-American, born in Minneapolis in 1937. He attended the Minneapolis School of Fine Arts with hopes of becoming a writer. After a year he transferred to the University of Minnesota, enrolling in the journalism program. After graduating in 1964 with a double major in journalism and photography, he headed east to try out his newly learned trade. “It was easier in those days to get started in magazine photojouurnalism.
The Essay on Workers Lange Work Photographs Francisco
Lange was born in Hoboken, New Jersey, in 1895 and studied photography with Clarence White at Columbia University. She moved to San Francisco in 1918 where she opened up a portrait studio. In the 1930's Dorothea Lange photographed the people caught in midst of the Great Depression. Her Lange was born in Hoboken, New Jersey, in 1895 and studied photography with Clarence White at Columbia ...
There were fewer people in the field and more magazines,” William said. Allard met Bob Gilka, then National Geographic’s director of photography, while in Washington, D.C., and was offered an internship. As an intern he was given several assignments. Notably, his photographs of the Amish poeple in Lancaster, PA, earned him a more time at National Geographic. The article, “Amish Folk: Plainest of Pennsylvania’s Plain People,” was published in August of 1965. It is regarded as landmark in the photographic evolution of National Geographic. His work led to a full time position with the magazine.In 1967, after two years, Allard resigned from his position. He felt that as a staff member of National Geographic, he couldn’t contribute to the issues of the time, like the Vietnam War. He continued to do assignments for National
Geographic, but as a freelance photographer. Allard continued to publish his work not only in the U.S., but in Europe to. In the seventies he continued to publish, but during this period, he also kept going to America’s old west. In 1982, He published his first book, “Vanishing Breed,” a photographic essay documenting the people and places he came across in the old west. Throughout the 80’s, Allard continued to freelance, and managed to have an exhibition displayed, “Faulkner’s Mississippi,” which was featured in National Geographic’s March 1989 issue. In 1989 he published his second work, “The Photographic Essay,” a retrospective of his work. More and more, he continued to work for National Geographic, eventually leading to his second full time position at the magazine. His latest work has been “Sicily: Italy Apart” in August of 1995, “Essence of Province” in September of 1995, and “Peru Begins Again” in May of 1996. Gertrude Blom Gertrude Blom is one of the world’s finest, but under-appreciated social observer photographers. Trudi came to Mexico in 1940, as a result of problems in Europe.
The Essay on The Cultural Affects Of National Geographic
Thailand is a country enveloped in much mystery and cultural tradition. This fact is reflected very clearly in a series of pictures taken from the article, "The Many Faces of Thailand" in the February 1996 issue of the National Geographic magazine, titled, "Into the Heart of Glaciers" I will attempt to analyze the way in which the pictures portray the richness of Thailand's culture and people and ...
Trudi, born 1901, in Switzerland was a journalist reporting on the socialist movement in pre-world war 2 europe. These reports caused her to reject the ills of European fascism. Trudi was arrested in Italy in 1925, for ties to the socialist movement. (her name appeared on a library checklist on the subjects of books of controversy.) As she left Italy in 1926, she found herself in Germany. When Hitler came to power, Trudi was persued as potential threat to the Third Reight. Trudi was one of many that was hunted, but managed to stay one step ahead of the Nazis, avoiding arrest. After reading of Anthropological studies of Meso America, Trudi became fascinated with the stories of the cultures, and individual groups, such as the Zapatista woman, who fought for Mexican independance. In 1940, with war in Europe, Trudi persued the interests of Meso America. In 1943, Trudi found work with the Mexican govenment, traveling through rural Mexico (particularly the southern areas) to report on the way of life, in order to determine the need for government assistance. This is when Trudi came into contact with the a group of Mayans living in the Lacandon Jungle. The Locandons fascinated Trudi, they were a small group who stayed almost uncivilized, still worshiping some of the old Mayan Gods.
The Lacandon Mayans where self-sufficient and isolated: “their existance was a portrait of traditional Mayan life.” Blom Did most of her Photography with the Lacandon people. Little to her knowledge, she was capturing the end of their culture, and the end of the Lacandon Jungle. Trudi refuses to refer to her photos as objects, or works of art. When asked about the technical aspects of her photography, she knows nothing. She only know of the people, place, or feeling when she took the photo. It was the spirit of the moment Trudi was capturing; not a representation of the moment. Trudi did much of her early work without a light meter; not to her choice, but the quality of here equipment was not a consideration. Trudi doesn’t look to capture any specific images when shooting people, but all of her images seem to be affirming. Since the lates 1970s, Trudi has all but abandoned photographing people, to document the destruction of the rainforest. Trudi has fought for a noble cause. Her home, Na Bolom, has been the center for various scientific studies, and campains to stop the destruction.
The Term Paper on World War Trudi People Germany
1. Synopsis of "Stones from the River" Trudi Montag was growing up during the World Wars in Burgdorf, Germany. She lived with her father, Leo, and helped him run their pay library. When she was young her mother, Gertrude, went insane, and died at the asylum. Trudi could remember how her mother used to run away, and after her father carried her home, he would lock her up in the attic, to try to ...
