Thomas Hardy feels that Edgon Heath, the setting of the novel The Return of the Native is a powerful, scary, dark and dreary place. He uses various techniques to express this attitude. Some of the techniques he used to convey this thought are diction, imagery, The diction he choose was specific and concrete, presenting an actual place that was depressing. The words he used attempted to present a specific, concrete perception of things. Such as when he writes, ?approaching the time of twilight and the vast tract of unenclosed ild known as Egdon Heath embrowned itself moment by moment?. This presents a specific place, time and a specific insight which leaves with the thought of a Imagery played a very important role in Harding?s portrayal of the heath as a powerful, scary, live place. The imagery develops a light and dark imagery. The heath, earth is the dark and gloomy image, while the surrounding nature is light and good. He refers to the heath?s color as, ?embrowned itself moment by moment,? and says that the ?hollow stretch of whitish cloud shutting over the sky.? He refers to the heath as dark on many occasions, he says the ?earth with the darkest vegetation… In such contrast the heath wore the appearance of an installment of night… darkness had to a great extent arrived hereon… the heath exhaling darkness.? These references of the heath as dark, give us a gloomy, somber feel of the heath.
Harding also uses metaphors to make us aware of the power and life that Edgon Heath has. As in when he says ?the face of the heath by its mere complexion added half an hour to evening… the place became full of a watchful intentness now: for when other things sank brooding to a sleep the heath appeared slowly to awake and listen.? These metaphors and personifications allow us to see that the heath is more than a hunk of dirt, it has a life and energy. Syntax is also used to enhance the power of the heath. Harding uses a combination of medium length and long and involved length sentences. These lengths enhance the feeling of power that Harding wants to express, because they are lengthy and have a body. They aren?t short and quick, each sentence says what it has to say and delivers it. These sentence exemplifies the strength and ability that the heath has. The sentence length is effective because each sentence allows Harding to go into detail about a specific detail about the heath, such as the power and strength it has. Harding also used more than 6 compound sentences in the description of the heath. This is so he can elaborate on a specific characteristic of the heath, as in ?The face of the heath by its mere complexion added half an hour to evening: it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless night to a cause of shaking and dread….? Harding also used it to compare the heath as in, ?Looking upwards, a furze- cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The tone of the description of the heath is morose, somber and gloomy. In the description, Harding only describes the heath as dark and scary. He chooses to illustrate these things and gives the story a morose feeling. His somber and gloomy tone is reflected in his attitude toward the heath. The tone makes the heath appear seem scarier and more Thomas Hardy delivers a powerful and firm attitude towards Edgon Heath. He feels that it is a dark, scary and living place. He uses and combines various literary techniques in order to achieve his goal of convey his feelings towards the heath to his
The Essay on Sentence Composing
1. The conventions of the Kentucky Writing Scoring Rubric are grammar and usage, word choice, correctness, spelling, punctuation, capitalization, and abbreviation and documentation. What I would do to teach grammar and usage would be to use Don and Jenny Kilgallon’s book called Sentence Composing for the middle school, which stresses how to combine sentences. It is a somewhat nontraditional ...
