Throughout the history of the world, honor has been an important part of life. In literature, as well, honor plays an important role in many plots and the development of almost any character. Shakespeare’s play Much Ado About Nothing is no exception. In this comedy about love and marriage, honor is revealed as the primary reason for many of the actions taken by several different characters. When Claudio breaks off his wedding with Hero, he does it because he believes she is not chastised as she claims to be and in being such, she would dishonor him as well as her father if the marriage were to proceed as planned. The play is an accurate depiction of the honor code and the different standards for men and women of the time in regards to honor and chastity.
Shakespeare shows the level and type of honor expected of women of the time through the character of Hero. Hero, the much sought after daughter of Leonato, the governor of Messina, is judged based on how well she respects her fathers wishes. She is only honored if her father is honored. Her only personal honor lies in her chastity.
She is expected to remain a maiden until her wedding night, with the loss of her virginity bringing down both her honor and her worthiness as a wife. On their wedding day, when Claudio exposes her “dirty secret” he states:” Sweet Prince, you learn me noble thankfulness. There, Leonato, take her back again. Give not this rotten orange to your friend.
She’s but the sign and semblance of her honor… .” (IV, i).
This statement shows how a female of the time is looked down upon for giving herself up to a man that is not her husband. Her honor is disgraced for her “actions” and Claudio will no longer accept her as his wife because of the dishonor she has caused him.
The Essay on Hero Play Beatrice Claudio
Much Ado About Nothing, by William Shakespeare emphasizes the three major themes of marriage, deception and gender power. There are two visions of marriage in the play: the first one, characterized by Hero and Claudio, is a positive vision: Although their story is supposed to be the main plot of the play, they are two passive characters in love, ready to get married to one another without any ...
Shakespeare uses both Claudio and Leonato to represent the males of the time and the honor code they were held to. Claudio is in no way held to the same pre-marital expectations as Hero, which, at the time, was the case for all men. For instance, when Hero is accused of being with a man prior to her marriage, no one questions what man and, quite frankly, no one cares what man. Shakespeare also shows how men are judged and given honor based on how their women act. When Leonato learns of the accusations his daughter receives on her wedding day he scolds her and says,” Wherefore? Why doth not every living thing Cry shame upon he? Could she here deny The story that is printed in her blood? Do not live, Hero; do not open thine eyes… Why had I not with charitable hand Took up a beggar’s issue at my gates, Who smirched thus and mired with infamy, I might have said, ‘no part of it is mine; This shame derives itself from unknown lions'”? (IV, i) This quote shows how a father at that time would wish to have no part of his daughter for committing such acts because he knows of the dishonorable reputation he will receive as a result.
In the time of Shakespeare, men and women were held to different standards and honored and dishonored for different reasons. Chastity is one of those reasons. For a woman not to be chased on her wedding day it was a disgrace and it would result in the dishonoring of both her and her father, as well as the sometimes unknowing husband. The men, however, were free to enjoy themselves with who they pleased prior to being married. On the other hand, if a woman were to commit a dishonorable act, she would also dirty the reputation of any man she was living with at the time, be it her father or husband. In the play Much Ado About Nothing Shakespeare uses the characters and the story well to tell about the honor system and the rules for chastity of the time..
