Esperanza is torn between deciding whether she wants to escape Mango Street. She is embarrassed by the superficial appearance of her identity, but appreciates her roots. Her house is a wreck and the neighborhood, probably not much better off. However, she has loving family and friends. Although marriage has caused the suffering of many of the women in her neighborhood, she realizes that she needs men to fulfill the new desires she attains as she hits adolescence. Through the novel, Esperanza matures both physically and mentally.
The first thing that struck me about this novel was that the chapters were very short. I realized that the narrator is young and has a short attention span, judging from her fragmented observations. However, Esperanza begins to mature and to develop a desire for men. While she senses that many women are caged by men, they cannot be truly free without them.
Most of the women Esperanza knows on Mango Street are either trapped in their marriages or tied down by their children. For example, Esperanza’s grandmother. Esperanza does not want to “inherit her place by the window.” She neither likes what she has already inherited from her grandmother – her name. Esperanza plays with words when she first expresses her dissatisfaction with her name. She says that in Spanish, her name means “too many letters. It means sadness [from the opposite of, which is ], it means waiting [from the ].” She settles on changing her name to “Zee the X.” As Esperanza observes, the Mexicans and the Chinese do not want their women to be strong like horses.
The Essay on Equality And Shows Further That Women Men Husband Divorce
Women's role in society has changes much throughout history all over the world. In Korea, during the Koryo Period, it had not been uncommon for an upper class man to have several wives. Talented women were to be concubines, or kisaeng, who could make intelligent conversation, recite and even compose poetry, sing, dance and even play musical instruments. On the other hand, main wives had been there ...
Esperanza hopes for a different future. Although she likes to sleep near her mother’s hair, the novel eventually reveals that she wants to escape Mango Street. Clearly, Esperanza’s name suits her; she has hope. In House on Mango Street, Cisneros constantly reminds the reader not to judge a book by its cover. The idea of a dirty outside but appealing inside is prevalent at many levels – the neighborhood, the household and the individual. Cathy, Esperanza’s first friend in the neighborhood, tells Esperanza that her family is moving because “the neighborhood is getting bad”, because of the many immigrants like Esperanza’s family beginning to move in.
Cathy says that Lucy and Rachel, who Esperanza eventually befriends, “smell like a broom.” Her mentioning her distant relation to the queen of France makes her seem very pretentious. In reality, she is not much better off economically from the rest of the neighborhood. In her house, “The floors slant” (21).
“There are no closets” and the steps are “all lopsided and jutting like crooked teeth” (22).
At the household level, Esperanza is ashamed by her house that has ” crumbling bricks”, “only one washroom” and “paint peeling” (4).
However, in the second chapter, “Hairs”, Esperanza writes about what is inside the house on Mango Street: “[her mother] holding [her]”, making her “feel safe” and the “warm smell of bread before you bake it.” Similarly, first impressions of individuals in the novel are based on external factors: race, gender, and perhaps their name.
Meme and his dog each having two names highlights the neighborhood’s two cultures: Hispanic and American, and two languages: Spanish and English. Esperanza points out that everyone in the neighborhood is “all brown all around”, suggesting that what makes people feel safe is being around others who are of the same race. Esperanza is afraid to talk to the owner, perhaps because “he is a black man.” The second factor that causes Esperanza to experience difficulty in deciding whether she wants to leave Mango Street is her physically and mentally maturing simultaneously. She is old enough to realize that there is much in the world to explore other than one, her house and two, her neighborhood. Esperanza points out that “you don’t pick your sisters” (8).
The Essay on The House On Mango Street 3
... house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street ... motivated Chicana who loves to write, Esperanza finds herself in the neighborhood which she dislikes. Mango Street is her home for now, and ... to her ears. She struggles with jealousy of her younger sister Nanny and cynically says that she "has pretty eyes ...
She then proceeds to say that “someday she will have a best friend” who she “can tell her secrets to” (9) and “who will understand her jokes without [her] having to explain them. Until then, she is “a red balloon, a balloon tied to an anchor” (9).
Later, she realizes that Nenny, her sister, and her are “more alike than you would know” (19).
In “Laughter”, Esperanza points out that a house ” looks like Mexico.” Rachel and Lucy “look at [her] like [she is]crazy”, but Nenny was thinking the exact same thing. Her own sister sometimes understands Esperanza better than her friends do. Most of the wives in the neighborhood are discontent with their marriages.
While many want to escape their husbands, Marin is searching for one. Marin waits for “a car to stop, a star to fall, someone to change her life.” Esperanza faces a dilemma: she cannot have relationships with men unless she is married (and marriage has caused most of the problems the women on Mango Street face).
She must choose between sex and freedom.
