I am not what I am Iago is quite possibly one of the best examples of evil in literature. He is not merely manipulative as other ‘bad guys’. Iago also brings the interesting aspect of truth into it all. He quite literally tells the best lies using mostly the truth. What can we call him? Whether it bethe devil, Satan, Beelzebub, Lucifer or Moloch, these words same idea: pure evil. Not the terrible creature from beyond, or anything quite so mundane as that, but the fundamental belief of malignancy in the world.
All of these ideas reach a phenomenal peak in Iago. Iago does not have the casual killing persona of a Stalin or Mao, but instead possesses the pure hatred of everything he deems to be good and pure. His very existence is for the destruction of the truly innocent. From the very beginning of Othello, Iago is in the midst of his scheme to destroy Othello. He speaks with the muddy-mettle d rascal, Roderigo. And from the very first moment Iago admits to not really being what he seems.
He is not what he is. And what does he use as his reasoning for his obvious ill towards Othello. Well, he is sort of mad that Cassio was chosen as a Lieutenant instead of him. It is interesting that Iago feels the need to justify himself to a pantywaist like Roderigo, who entrusts him with his ‘purse ” without really even knowing him.
Whence does not belief his daughter to be ‘making the beast with two backs’ (I, i, 113), as Iago so gently puts it, Brabantio calls Iago a villain. Instead of denying it, Iago simply replies by saying, ‘You are-a senator.’ (I, i, 115) A great way to avoid reality is to merely pretend its not there. Then, instead of taking credit for telling Brabantio, Iago allows Roderigo to remain and bear witness. After all, what is the devil better at than casting false blame.
The Essay on Contrast Between Iago And Othello Is The Most Important Contrast In The Play
How far do you agree with the view that the contrast between Iago and Othello is the most important contrast in the play? In the play Othello, there are many forms of contrast, one of which is the contrast between the characters of Othello and Iago, which could be argued as being the most important contrast in the play. In this essay I am going to discuss various contrasts between these two ...
When Iago is preparing him for his confrontation with Brabantio, Othello asks if his soul and parts will represent him well. Iago gives the reply, ‘By Janus, I think so.’ (I, ii, 32) Now this does not really mean all that much unless you consider the fact the Janus is the two-faced Roman god. One side is completely different from the other. ToOthellothis means very little coming from a good friend like Iago, but the reader must realize that it was no coincidence Iago mentions this ancient hypocrite.
‘Drown cats and blind puppies.’ (I, iii, 131) This is only a joke, right! ? Obviously Iago is simply trying to add some facetiousness to tough situation with Roderigo. Taken by itself it really doesn’t prove anything. But, the sheer number of incidents like this make it very improbable for Iago’s behavior to be coincidental. One of the next things Iago says is one of the most important line of the play.
In soliloquy, Iago admits his real reasons for ill by his line, ‘I hate the Moor.’ (I, iii, 377) This line makes no attempt to justify his feelings, since true evil does not need real reasons, just rationalizations. Forthe first time Iago freely admits that all his evil is based around his simple hatred for Othello’s very existence: The Moor is of free and open nature That thinks men honest that but seem to be so; And will as tenderly be led by th’ nose As asses are. I have’t! It is engendered! Hell and night Must bring this monstrous birth to the world’s light. (I, iii, 390-395) Is any more proof needed to prove that Iago is the devil? Is so, why not let him tell the audience himself? At the end of the second act, Iago is alone with his thoughts fora bit. The most interesting thing about it is that Iago is not talking to himself, but to the very people the play is being performed for.
He first justifies his actions by claiming his advice to be true. Of course, it actually is the truth, technically. But the truth is being perverted. Then he gets to the real point. When evil desires to cause the greatest sins, it first pretends to be righteous, which is exactly what Iago admits to. While Cassio begs Desdemona to help him, it will only make Othello more and more sure that Iago’s ‘pestilence’ is the truth.
The Essay on Jealousy Of Iago Makes Othello
Othello Consider how Othello changes from the 'noble moor' to the 'backer devil' in one scene (Act III sc iii). Focus on how Iago manipulates Othello, how this is reflected in the styles of language, and what effect this has on the play. Othello is a play about a black 'noble moor' having the perfect marriage'. This perfect marriage, however, is destroyed by another mans deception and trickery. ...
Then Iago can turn Desdemona’s ‘virtue into pitch’ (II, iii, 360), which is really the whole point. Iago not only plans to destroy Othello, but by using the very pure and good part of his life that reaches its apogee in his sweet redemption, Desdemona. The most terrible aspect about Iago’s character is the realization that no-one else knows what is going on, except for the audience. He gives us shows just to make us see how manipulative he really is, how much he loves his evil, and that we can do nothing to save the souls of those he has damned. The greatest trick Iago ever pulled was to convince the world he didn’t exist… and like that, he was gone..
