Ricardo Arjona is one of the most renowned Latin American singers. He is characterized for his socially conscious and heartfelt folk ballads and rock tunes. In addition, he also plays a variety of styles that combine traditional South American folk music with rock, hip-hop, and classical music, Arjona sings about subjects ranging from faded love to social inequities. In 1996, Arjona wrote the song Si el Norte Fuera el Sur (If the North were the South), in which he expresses a subjective, yet truthful point of view of what the North American culture is; and how it could change if we exchange places with the South. In this song, Arjona uses many literactully techniques such as irony and analogies; Arjona also adds a type of hardcore rock and an interesting use of the electric guitar.
There are many literally elements that this song has, but the main element is the plot or theme of the song, which is pretty straight and to the point. Si el Norte Fuera el Sur (If the North were the South)s main plot is a story of how the North could experience all the social struggles that the South Americans countries have to deal with, if as the songs title suggest . Si el Norte Fuera el Sur (If the North were the South).
The Term Paper on Afro American Rock Roll Music
Research Proposal: The Social Realities of Rock 'n' Roll's Birth and the Teenager The story of the birth of rock 'n' roll has a mythical quality to it. It speaks of racial barriers bridged through the fusion of Afro-American musical styles with white popular music in 1950 s America. Not only did white record producers and radio disc jockeys market Afro-American artists, but white artists began to ...
The main plot is divided into three stages; the first stage is the introduction, in which Arjona gives a subjective opinion of what the North really is all about. Then, he moves to the second stage or the body of the song; during this stage Arjona mentions a series of well known North American personages and situations that help him establish his exchange of geography. Finally, the third stage or conclusion is when Arjona really say what the bottom line of all this is; the fact that nothing will really change.
Ricardo Arjona is well known for the rich content of literally elements in his lyrics, especially for the touch of irony and analogies. Con 18 eres un niño para un trago en algun bar, pero ya eres todo un hombre pa’ la guerra y pa’ matar. (With 18, you are only a boy for a drink in some bar, but you are already a man to go to war and to kill), this is a perfect example of an irony of living in the United States, in which at the age of 18 you cannot legally drink, yet you are allow to receive combat training to kill someone. In the songs chorus, Arjona says al diablo la geografia se acabaron las fronteras (The hell with geography, there arent any borders left), the truth is that borders still exist, but he wasnt talking about a literally border; Arjona used this analogy to tell us that we are the same and that our geographic position doesnt mean anything.
Ricardo Arjona with his unique style and use of musical instrument; he has put a type of hardcore rock rhythm, which is use to make an impression in his listener. In this song, Arjona utilizes an electric guitar, and a trumpet, with the drums on the back. The rhythm started slow tempo, but strong as if he was upset with the ironies in the North. Then, the tempo began to run faster; the drums and the trumpet were sort of creating an atmosphere of excitement, it makes you feel as if you were a protestant of social inequalities. Finally, he concludes with a slow and heavy electric guitar melody, where he then stop for at least 3 seconds and concludes with the words Si el Norte fuera el Sur, seria la misma porqueria, yo cantaria un rap y esta cancion no existiria. (If the North were the South, it would have been the same crap, I would be singing a rap and this song wouldnt even exist).
The Essay on On My Time Stage Band Song
2-4-97 On My Time The best and worst two days of my life took place at Bogarts with my band Radioactive Weasel last month. We had practiced daily for near three years, and our group decided to pull together again and enter "The Battle of the Bands." This was the first time we sparingly paid fifty dollars to perform anywhere. All the other competitions we had entered were mail in tapes and then ...
References
http://www.satyamag.com/may03/carter-long.htmlhttp://www.answers.com/topic/ricardo-arjona
