In our society, man is often idolized and publicly accepted for his strengths and accomplishments, while ridiculed for his misfortunes and failures. A single individual can go into hiding, thus concealing his most personal thoughts and desires in invisibility from fear of acceptance. In Ralph Ellison s Invisible Man, a young black boy must look within himself, in his experiences on the road to maturing, learning self-acceptance and rejecting that which threatens his quest for manhood. Mr.
Ellison portrays a significant kind of independence in his writing. He adopted a tone throughout the novel to express the problems as a Negro minority. He did so successfully by not adopting a minority tone. In doing so, Ellison was able to capture his audiences of any ethnic decent. Negro Harlem was at one point primitive yet sophisticated in nature. In the beginning chapter of Invisible Man, Ellison accurately portrays this culture by exhibiting the extremes of instinct and civilization as few other American communities do.
He does so without dwelling upon the Negro culture, yet rather the culture of man in its entirety; a universal matter which is very little understood. It is thought that Negroes and other minorities are inevitably tempted by rage and anger in dealing with the status battle. In attempt to suppress these malicious notions, man must learn self-acceptance in order to find personal status within himself and society. In this respect, most American s do keep to themselves and thus adequately portray Ellison s Invisible Man. Language throughout the novel is descriptive and plausible. Ellison chooses his words carefully in order to depict the experiences of its characters which it explores.
The Term Paper on Alain Locke’s The New Negro: Aspects of Negro Culture
Alain Locke, in “The New Negro,” suggests that the “old Negro” is really nothing more than a myth or an ideal. He talks about the fact that there are aspects of Negro culture – such as the spiritual – that were beaten down but were accepted when finally allowed to emerge. Locke then takes a look at some trends, including the tendency toward moving “city- ...
His ear for Negro speech is magnificent; realistically depicting a share-cropper calmly describing how he seduced his own daughter, a Harlem street-vender spinning jive, a West Indian woman inciting her men to resist an eviction. The rhythm of the prose is harsh and tensed, like a beat of a distinct alertness. His observations and descriptions are expert. Ellison knows exactly how zoot-suites walk, making stylization their principle of life, and exactly how the antagonism between American and West Indian Negroes works itself out in speech and humor. For all his self-involvement, he is capable of extending himself toward his people, of accepting them as they are, in their blindness and hope. It is this hope that allows the main character of the novel to embrace his life to its fullest without hiding his emotions and ideals in invisibility.
Yet it is the hero in this novel whose body is mailed by human experience and it is still he who decides to no longer be invisible. He does so only by bracing the concept that his life holds unlimited possibilities and questioning that which he had become accustomed.
