Hamlet insane???
Debatable
Shakespeare s tragic hero, Hamlet, and his sanity can arguably be discussed.
Many portions of the play supports his loss of control in his actions, while other parts
uphold his ability of dramatic art. The issue can be discussed both ways and altogether
provide significant support to either theory. There are indications from Hamlet
throughout the play of his mind s well being. Such as his relationship with Ophelia, the
queen and his acknowledgement of his own state of mind.
Hamlet s antic character may have caused him in certain times that he is in a
role-play.
Hamlet has mood swings as his mood changes abruptly throughout the
play. Hamlet appears to act mad when he hears of his father s murder. At the time he
speaks wild and whirling words: Why, right; you are I” the right; And so, without more
circumstance at all, I hold it fit that we shake hands and part… [Act I, scene V, lines
127-134]. It seems as if there are two Hamlets in the play, one that is sensitive and an
ideal prince, and the insane barbaric Hamlet who from an outburst of passion and rage
slays Polonius with no feeling of remorse, Thou wretched, rash, intruding fool, farewell!
I took thee for thy better. Take thy fortune. Thou find st to be too busy is some danger. –
The Essay on Hamlet Play Review
... of the shrew on October 13, where the actor who played Hamlet played a servant of a rich landowner. Out of all the ... speech was nothing like I had expected. The set that Hamlet was played on was a very simple; on its edges it ... book and you go see it. I have read Hamlet and seen the play and all the scenes made much more sense. ...
[Act III. scene IV, lines 31-33] and then talks about lugging his guts into another room.
After Hamlet kills Polonius he will not tell anyone where the body is. Instead he assumes
his ironic matter which others take it as madness. Not where he eats, but where he is
eaten. A certain convocation of political worms a e en at him. [Act IV, scene III, lines
20-21] If your messenger find him not there, seek him In the other place yourself. But,
indeed, if you find him not within this month, you shall nose him as you go up the stairs
into the lobby. [Act IV, scene iii, lines 33-36].
Hamlet s behavior throughout the play, especially towards Ophelia is
inconsistent. He jumps into Ophelia s grave, and fights with Laertes in her grave. He
professes I loved Ophelia. Forty thousand brothers could not, with all their quantity of
love, Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in
Ophelia s grave, but he tells her that he never loved her, when she returns his letters and
gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity
as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-
250]
Hamlet has violent outbursts towards his mother. His outburst seems to be out of
jealousy, as a victim to the desire a son has for his mother s love. He alone sees his
father s ghost in his mother s chambers. Every other time the ghost appeared someone
else has seen it. During this scene he finally shows his madness, because his mother does
not see the ghost. On him, on him! Look you how pale he glares! his form and cause
conjoined, preaching to stones, would make them capable. [Act III, scene IV, lines 126-
128].
Throughout the play, there are also supporting factors to argue Hamlet s sanity, as
these details compromise his madness, to balance out his mental state. Hamlet tells
Horatio that he is going to feign madness, and that if Horatio notices any strange behavior
from Hamlet, it is because he is putting on an act. [Act I, scene V, lines 166-180].
Hamlet s madness in no way reflects Ophelia s true madness, his actions contrast
them. Hamlet s madness is only apparent when he is in the presence of certain characters.
The Essay on Hamlet Quotations Act 1
Hamlet Quotations Act 1 INSTRUCTIONS: Foreachquote: (a)Identifythespeaker,towhomitisaddressed,andthesituation, (b)Explain(indetail)thesignificanceofthequoteintermsofallthatapply:themes,characterrevelation,plot development,dramaticdevices(irony,foreshadowing…),poeticdevices(simile,metaphor,alliteration…),etc. (c)Uploadtoturnitin.com EXAMPLE: “ ...
When Hamlet is around Polonius, Claudius, Gertrude, Ophelia, Rosencrantz and
Guildenstern, he behaves unreasonably. When Hamlet in the presence of Horatio,
Bernado, Francisco, The Players, and Gravediggers, his actions are sensible.
Other characters confess that Hamlet s actions are still unsure whether Hamlet s
insanity is authentic or not. Claudius confesses that Hamlet s actions although strange, do
not appear to stem from madness. And I do doubt the hatch and the disclose will be
some danger; which for to prevent, I have in quick determination [Act III, scene I, lines
165-167]. Polonius admits that Hamlet s actions and words have a method to them;
there appears to be a reason behind them, they are logical in nature. Though this be
madness, yet there is method in t. [Act II, scene II, line 206]
Hamlet tells his mother that he is not insane I essentially am not in madness, But
mad in craft. [Act III, scene IV, lines 188-199]. Hamlet believes in his sanity at all
times, He never doubts his control over his sanity. He realizes his flaw as a man of
thoughts and not actions. His cold act of Polonius murder is out of rage and furious
temper. He is sorry for it has no great compassion towards Polonius, for he already has
enough grief over his father s death.
Hamlet, a tragic hero, meets his tragic end not because he was sane or insane. He
ends tragically because of his own tragic flaw, procrastination and grief. Whether he sane
or had lost control of his actions, both theories has it own support. The support makes
each theory a sensible decision either way. Hamlet as seen from the beginning to end, a
prince that was grieve stricken, until a prince of rage and passion, has developed through
the stages by his own sanity and madness. Even if the madness was true or false, as
Hamlet portrayed the role of a mad man, he took it upon himself to be lost in his control
of actions.