At The Executed Murderer’s Grave Why should we do this What good is it to us Above all, how can we do such a thing How can it possibly be done -Freud I. My name is James A. Wright, and I was born Twenty-five miles from this infected grave, In Martins Ferry, Ohio, where one slave To Hazel-Atlas Glass became my father. He tried to teach me kindness.
I return Only in memory now, aloof, unhurried, To dead Ohio, where I might lie buried, Had I not run away before my time. Ohio caught George Doty. Clean as lime, His skull rots empty here. Dying’s the best Of all the arts men learn in a dead place. I walked here once. I made my loud display, Leaning for language on a dead man’s voice.
Now sick of lies, I turn to face the past. I add my easy greivance to the rest: II. Doty, if I confess I do not love you, Will you let me alone I burn for my own lies. The nights electrocute my fugitive, My mind.
I run like the bewildered mad At St. Clair Sanitarium, who lurk, Arch and cunning, under the maple trees, Pleased to be playing guilty after dark. Staring to bed, they croon self-lullabies. Doty, you make me sick. I am not dead. I croon my tears at fifty cents a line.
III. Idiot, he demanded love from girls, and murdered one. Also, he was a thief. He left two women and a ghost with child. The hair, foul as a dog’s upon his head, Made such revolting Ohio animals Fitter for vomit than a kind man’s grief.
I waste no pity on the dead that stink, And no love’s lost between me and the crying Drunks of Belaire, Ohio, where police Kick at their kidneys till they die of drink. Christ may restore them whole, for all of me. A liv and dead, those giggling mucker’s who Saddled my nightmares thirty years ago Can do without my widely printed sighing Over their pains with paid sincerity. I do not pity the dead, I pity the dying. IV. I pity myself, because a man is dead.
The Essay on Courtly Love Aspects Lines Man Pity
The topic for the third journal was to discuss the courtly love aspects found in "The Miller's Tale,"Alison," and "Merciless Beauty." Courtly love is where a lady is put upon a pedestal of love, and a man will ask her to pity him. The man always says that he is her servant, but sings her songs of woe. In "The Miller's Tale," there were three men that put a young lady upon a pedestal of love. The ...
If Belmont County killed him, what of me His victims never loved him. Why should we And yet, nobody had to kill him either. It does no good to woo the grass, to veil The quicklime hole of a man’s defeat and shame. Nature-lovers are gone.
To hell with them. I kick the clods away, and speak my name. V. This grave’s gash festers. Maybe it will heal, When all are caught with what they had to do In fear of love, when every man stands still By the last sea, And the princes of the sea come down To lay away their robes, to judge the earth And its dead, and we dead stand undefended everywhere, And my bodies-father and child and unskilled criminal- Ridiculously kneel to bare my scars, My sneaking crimes, to God’s unpitying stars.
VI. Staring politely, they will not mark my face From any murderer’s, buried in this place. Why should they We are nothing but a man. VII. Doty, the rapist and murderer, Sleeps in a ditch of fire, and cannot hear; And where, in earth or hell’s unholy peace, Men’s suicides will stop, God knows, not I. Angels and pebbles mock me under trees.
Earth is a door I cannot even face. Order be damned, I do not want to die, Even to keep Belaire, Ohio, safe. The hackles on my neck are fear, not grief. (Open, dungeon! Open roof of the ground! ) I hear the last sea in the Ohio grass, Heaving a tide of gray disastrous ness. Wrinkles of winter ditch the rotted face Of Doty, killer, imbecile, and thief: Dirt of my flesh, defeated, underground.
1963 Online Source: web Beginning The moon drops one or two feathers into the fields. The dark wheat listens. Be still. Now. There they are, the moon’s young, trying Their wings. Between trees, a slender woman lifts up the lovely shadow Of her face, and now she steps into the air, now she is gone Wholly, into the air.
The Term Paper on Symbols in the Old Man and the Sea and a Separate Peace
An author will often use an object to serve as the unifying symbolic focus of his or her novel. In the novel, The Old Man and the Sea, the marlin serves as a symbol of fraternal connection. The Tree in A Separate Peace represents change throughout life. In both novels, the objects serve as unifying factors between man and nature, but with differing relationships between the characters and the ...
I stand alone by an elder tree, I do not dare breathe Or move. I listen. The wheat leans back toward its own darkness, And I lean toward mine. Online Source: web.
