That does not at all seem like a very radical proposition, but it was at the time. This honorable statement still holds true, and, while not exactly radical, is often not observed. Through Jane Eyre set an example that was followed by many feminists in the future. The story was written by woman and it was very successful, which showed that women can create great things as well as men. This idea was more than inspiration to create something for modern feminist artists, such as Audrey Flack. During the period of Feminist Movement feminist art started to develop more rapidly. As the early 1970s brought about a revolution for women and the Feminist Movement, one of the most significant contributions to the era came from the new avenues of feminist art.
It was called the Feminist Art Movement, a poignant path that would lead females to rediscover self-consciousness and voice through the expressions of art. Among those women was Audrey Flack, an artist dedicated in asserting the goddess in every woman. Using photorealistic paintings and mythological sculptures in her artwork, Audrey Flack restores the power of both femininity and feminism. Audrey Flack was born in 1931 in New York City, and as far back as she can remember, she had always wanted to be an artist. Flack began her dreams of becoming an artist by attending the High School of Music and Art, Cooper Union from 1948-1951. Graduating as a top student, Flack was admitted into Yale Universitys fine arts program in 1952. In 1977, she eventually received her BFA at Yale University.
The Essay on Recognizing Women artists
Linda Nochlin’s article tries to bring to light the differences that exist between men and women art and how this disparity has been linked to the distinct nature of men and women. However, Nochlin believes that the differences that may exist in art do not come about as a result of ones gender but rather these discrepancies are influenced by particular social institutions. This, Nochlin says, is ...
Flack was an avid fan of artist Jackson Pollack, although she viewed his behavior as typical as the macho character of the art world in general. She therefore wanted to create a style unique to her own satisfaction. Flack pursued to create artwork that was realistic and true to nature. She would eventually find herself back in New York in 1953, where she produced artwork that came to reflect themes of femininity and womanhood, as well as morality and transcendence. Throughout the 1960-70s, Flack headed into the world of photorealism. She stepped away from the mainstream and went against the views of modernism. Flack painted with more color, form, image, space, and symbolic meaning.
During this time of painting photorealistic artwork, Audrey Flacks most significant piece of work was titled Kennedy Motorcade (1960s), a painting that captured the moments just before Kennedys assassination. She continued to focus her paintings on pubic figures and events, including Roosevelt, Hitler, and World War II. In 1977, Flack painted Marilyn, one of her Vanitas (vanities) series of oil over acrylic medium on canvas. In Marilyn, Flack portrays femininity as a willed choice. Powder puff, rouge, and eye shadow crown and halo Marilyn Monroe as a queen and saint of makeup, the make-believe of feminine beauty (The Power of Feminist Art, 194).
This airbrushed portrait of Marilyn Monroe recognizes the screen idol as a universal symbol whose exposed humanness and vulnerability [that] we all can identify with (American Artist, 1991).
Marilyn is portrayed fragile, comprising both deep beauty and deep pain (American Artist, 1991).
All the items painted in the picture express Marilyns sensuality, romanticism, and vulnerability. Further expression of this femininity/feminism is presented as we consider the background text (the book with Marilyns picture) in the painting: About four or five months after she moved into the orphanage, she fell into a depressed mood. It came on during a rainy day. Rain always made her think of her father and set up a desire to wander. On the way back from school she slipped away and fled.
The Term Paper on Da Vinci’s Mona Lisa and Warhol’s Marilyn Monroe Paintings
Leonardo DaVinci’s Mona Lisa is one of the most well-known paintings in the world. Show anyone from a 60 year old man to a 10 year old girl a picture of the painting and, most likely, they will be able to name the painting as well as the painter. While some say that DaVinci’s painting is the most famous of all created, many of Andy Warhol’s paintings are also easily recognizable. Almost everyone ...
She did not know where she was running to and wandered aimlessly in the slashing rainstorm. A policeman found her and took her to the police station. She was brought back to Mrs. Dewey’s office. She was changed into dry clothes. She expected to be beaten.
Instead Mrs. Dewey took her in her arms and told her she was pretty. Then she powdered Norma Jean’s nose and chin with a powder puff..
