Jazz
Essay submitted by Unknown
Jazz has been an influence in many artist’s work, from painting to other forms of music.
Jazz is an American music form that was developed from African-American work songs.
The white man began to imitate them in the 1920’s and the music form caught on and
became very popular. Two artists that were influenced by jazz were Jean-Michel
Basquiat and Stuart Davis. The influence is quite evident in many of their works, such
as Horn Players, by Basquiat, and Swing Landscape, by Davis.
Stuart Davis was born in Philadelphia in 1894. He grew up in an artistic environment, his
father was art director of a Philadelphia newspaper, who had employed Luks, Glackens,
and other members of the Eight. He studied with Robert Henri from 1910 to 1913, made
covers and drawings for the social realist periodical The Masses, which was associated
with the Ash-can School, and exhibited watercolors in the Armory Show, which made
an overwhelming impact on him. After a visit to Paris in 1928 he introduced a new note
into U.S. cubism, basing himself on its synthetic rather than its analytical phase. Using
natural forms, particularly forms suggesting the characteristic environment of American
life, he rearranged them into flat poster-like patterns with precise outlines and sharply
contrasting colors.
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He later went on to pure abstract patterns, into which he often introduced lettering,
suggestions of advertisements, and posters. The zest and dynamism of such works as
Swing Landscape reflect his interest in jazz, which Davis considered to be the
counterpart to abstract art. Davis is often considered to be the outstanding American
artist to work in a cubism idiom. He made witty and original use of it and created a
distinctive American style, for however abstract his works became he always claimed
that every image he used had its source in observed reality. Davis once said ” I paint
what I see in America, in other words I paint the American scene.”
Stuart Davis’ works of the late 1930’s celebrate the urban and technological
environment and are quite complex and frequently recall Legers’s brightly coloured
geometric forms. Early works depict saloons and ragtime musicians. Titles and images of
his works in the 30’s reflect syncopation and unusual rhythm of jazz, particularly swing
.
Jean-Michel Basquiat was born in 1960, four years before Stuart Davis’ death. At an
early age Basquiat showed an interest and love for drawing. His mother often took him
to The Brooklyn Museum, The Museum of Modern Art, and The Metropolitan Museum of
Art. At the age of seven he and a friend of his wrote and illustrated a children’s book.
Basquiat was inspired by Alfred Hitchcock films, cars, comic books, and Alfred E.
Newman from Mad Magazine. By the time he was seven he was an avid reader of
French, Spanish, and English texts. In his teenage years Basquiat ran away from home
often. He did not like obedience. By 1978 he was in with the “in crowd.” The filmmakers
and artists of New York. He enjoyed doing graffiti work using the name SAMO ( same
old shit ).
Basquiat’s career was divided into three broad phases. From 1980 to 1982 he used
painterly gestures, mostly skeletal figures that signal his obsession with mortality. He
also used figures that represent street existence, such as policeman, buildings, and
graffiti. From 1982 to 1985 he was using more phrases and words in his paintings. They
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reveal a strong interest in his black and hispanic identity and his identification with
historical and contemporary black figures and events. The last phase was from 1986
until his death in 1988. His work displays a new type of figurative depiction, using
different symbols, sources, and content. He was seeking a new territory in his work.
When Basquiat’s Horn Players and Davis’ Swing Landscape are displayed side by side it
is quite obvious that they were done by two different artist. In Swing Landscape it is
not obvious that this piece was inspired by jazz, as where in Horn Players the influence
of jazz is evident. These painters have two completely different styles but are inspired
by the same types of things. They are inspired by society and music. They both
appreciate the art value of music, especially jazz.
Stuart Davis’ Swing Landscape is quite colorful and vibrant. The colors give a feeling of
jazz with the use of blues and cool colors. The use of the warm colors shows the
unpredictability of jazz. There are many forms of geometric shapes used in this
painting. The shapes used in this painting again show the unpredictability of jazz, as
well as the vibrancy of that music form. There are not a lot of distinguishing symbols of
jazz in the painting, except for maybe a pair of sunglasses and a metronome in the
bottom left corner. This painting represents the feeling of jazz, even though it is not
evident at first glance. It definitely is a painting that needs to be studied for a while.
The fact that the music is incredibly vibrant and unpredictable is quite noticeable. I can
envision Stuart Davis listening to jazz and swing while painting this. You can see the
notes within the painting. If you listen real carefully you can hear the music.
I find Jean-Michel Basquiat’s Horn Players to be more of a representation of the people
behind the music. Basquiat’s painting has some color in it, but is not vibrant. The colors
almost show the dark and troubled side of jazz. He uses a lot of words and symbols. It
shows his hero Charlie Parker, which is evident by the use of the word “Ornithology”, a
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As time goes by in music, style changes. Most societies are constantly learning to better themselves (with the accept ion of some cultures which purposefully stay at an e comical plateau for the purpose of maintaining tradition and religion). Everyone would agree that music has changed since, say, the 19 th century although not everyone would agree that that change is for the better. But with all ...
composition by the great Charlie Parker and his colleague in modern jazz, Dizzy Gillespie.
Both of their names show up in the painting. The word ear reminds us that jazz is from
aural/oral roots, more improvised than written down. The word larynx is in honor of the
ability to play full-throated. The painting also praises memorable scatting with the
words ooh shoo de obee. An art historian once suggested that the symbol soap alludes
to being “clean” in black argot, being, in other words, aesthetically impeccable.
Basquiat was very involved in his own celebration of the black man and this is one of
those paintings.
There are similarities between Swing Landscape and Horn Players even though they are
very different pieces. With two different styles the artists are able to show the viewer
the values of jazz. They both appreciate the variance of the music form jazz. A love for
jazz, by the artist, can be seen in both paintings.
Bibliography
Marshall, Richard. Jean-Michel Basquiat. New York: Harry N. Abrams, 1992.
Wasserman, Emily. The American Scene – Early Twentieth Century. New York: Jupiter
Art Library, 1984.
