Blessed is the man that endure th temptation: for when he is tried, he will receive the crown of life, which the Lord hath promised to them that love Him. (James 1: 12) ‘Such is the proclamation in the Holy Bible, and so was the proclamation in ancient Greece. Since the founding of religion, the gods have sought to test those with power. Jocasta was sent by Apollo to do just that: to test Oedipus – the king of Thebes-faith and conviction.
Throughout the play, Jocasta tested the beliefs of those around her by feigning disbelief in the gods herself. Though she put up this false front, she did keep her faith. At the beginning of the scene wherein a messenger relayed word of Polybus death and Oedipus ascension to the throne of Corinth, we see Jocasta praying- not the act of a disbeliever at all! Again, in the same episode, Jocasta carries garlands and incense to the altar and tries to appeal to Apollo to purify the city of Thebes. While her faith remains strong, her task from the gods is to test the faiths of others, especially that of Oedipus, which she does. After accusing Creon of conspiracy and treason, Oedipus relates to Jocasta the details of his meeting with Tiresias. Jocasta proceeds to plant doubts of the gods by telling Oedipus the story of the Delphi an Oracle and the circumstances surrounding Laius death.
Again, after Polybus death, she excitedly tells Oedipus that his prophecy was obviously untrue, though it wasn t, and by doing so she attempts to hint that the oracles and thus the gods are false. By planting this doubt in Oedipus mind, the gods are able to test his faith, and his ruling power, through Jocasta a test, which he fails until it, is too late. Why, then, would Jocasta be forced to perform such a dubious task for the gods It is because she tried to avoid an earlier prophecy. By tying her child s feet together and casting him out, she attempted to defeat the gods, and this of cours angered them. Her punishment, then, was to test the beliefs of the very child she cast out. Oedipus Rex was Sophocles attempt to show the Greeks that they could not avoid the dealings of the gods, or they may be forced to conspire against the very people they should love most.
Essay on Oedipus Jocasta Creon and Antigone
... the Gods and their oracles. The moral dilemma that Jocasta faced was to prevent a prophecy from coming true and to test Oedipus? faith. Jocasta tried ... incorrect. Also when the messenger comes to tell of Polybus? death, Jocasta again says that his propecy was also a lie. She ... Polynices unburied and Antigone sentenced to death he has shown that he surpassed the Gods. This is very bad judgement because ...
Jocasta was, in this way, a victim. Though it was by her own doing that this penalty was cast upon her, it was not something she was happy to do, which becomes apparent when she realizes the truth in her earlier prophecy. It is at this moment that she becomes aware of her punishment, and in desperation kills herself. Oedipus Rex is a true tragedy in the sense that fate and Oedipus own tragic flaw (his hotheadedness) combine to bring about his downfall.
What makes it that much more tragic, however, is that the events were, for the most part, out of Oedipus control. His own mother set the chain of events in motion. He was forced to leave Corinth (thus trying to avoid his own prophecy); afraid he may bring harm to the persons whom he loved the most. Scared and angry at the curse he carried upon his back, who can blame him for being hot tempered It is Jocasta, his own mother and wife, which brings the story full circle by again cursing him, perpetuating a disbelief in the gods. Jocasta is a victim in Oedipus Rex, but not as much as she is a catalyst for Oedipus own victimization. She keeps her faith throughout and tries to relieve Oedipus of his.
Because of this, readers may in turn pity her and loathe her. But the gods tested the king of Thebes through her the main goal of the play and both he and she failed. Work Cited Sophocles. Oedipus the King. The Compact Bedford Introduction to Literature. Ed.
Michael Meyer. 5 th ed. Boston: Bedford/St. Martin s, 2000. 1049..
