John Dryden is considered one of the most accomplished poets of the Restoration Period. He was also gifted as a dramatist, essayist, satirist and critic, but despite his popularity little is known of him except what is contained in his works. Born on August 9, 1631 at Ald winkle, Northamptonshire, Dryden grew older writing poems and already had been successful at it. Matthew Arnold said,” Here at last we have the true English prose, a prose such as we would all gladly use if only we knew how” (446).
His father was a country gentleman.
Dryden attended Westminister School as a young adult in London. It is here he published the elegy “Upon the Death of Lord Hastings” in 1649. He graduated from Trinity College, Cambridge where he received his B. A. degree in 1654. This year also marks the death of his father.
Five years later he published his first significant poem “Heroic Stanzas”, about the death of Oliver Cromwell. The next year he bowed down to the return of King Charles II and made a complete turn-around. Heal so converted from Puritan, then Anglican, and finally settled on Roman Catholicism. Dryden began his career as a playwright, producing blank verse tragedies and comedies. He was named Laureate in 1668, but because of royal treasury funds running short he received only half of his reward for his membership. “All for Love” (1677) was arguable said to be his best play.
He also wrote “Absalom and Achitophel”, which is a political poem published in 1681. Some would say ” Absalom and Achitophel” is where he showed his full power of writing style, but others would say that “The Medall” was just as good. “He displays his full power in Absalom and Achitophel, a political poem published in 1681. This poem was followed later by the equally impressive ‘The Medall’ also on politics” (Arnold 446).
The Essay on E E Cummings Poems Published
EDWARD ESTLIN CUMMINGS ('Estlin') is born October 14 in family residence 104 Irving Street, Cambridge, Mass. , the son of EDWARD and REBECCA CLARKE CUMMINGS. His energetic, versatile, and highly articulate father teaches sociology and political science at Harvard in the 1890's and in 1900 is ordained minister of the South Congregational Church, Unitarian, in Boston. The Irving Street household ...
After the revolution of 1688, which brought William and Mary to the throne of England, Dryden lost his Laureateship and was replace by Thomas Shadwell, whom Dryden had satirized in Mac Flecknoe.
John Dryden was also known for his Odes, which in simple terms is nothing more than a rhymed lyric poem. One of John Dryden’s most famous Odes is “Song for Cecilia’s Day.” John Dryden started out writing many odes, but when he first started he wasn’t very experimental with his writing as he later became.” Dryden patterned his odes loosely on classical models. Later writers varied the form in many ways” (Arnold 453).
It is said that there is a relationship between “A Song for Cecilia’s Day” and John Dryden’s’ domestic situation with his wife, Lady Elizabeth. “His listening brethren stood around, And, wondering, on their faces fell To worship that celestial sound” (Dryden 455).
These lines give just a small hint about what may have been going on between him and his wife.
Overall he was generally known very well for his poems and odes, but always there will be those who don’t agree.” As for the Odes, these have been often enough and highly enough praised for a caveat of dispraise to be entered against them here. They have at best, in my experience of them, a glinting and labored, ungainly, heteroclite, and flashy in a half-hearted and mechanical fashion” (Morgan 67).” ‘Mac Flecknoe’ is said to possibly be Dryden’s greatest works. ‘MacFlecknow’ is Dryden’s masterpiece in the genre” (Morgan 67).
The first edition of ” Mac Flecknow” appeared in 1682. The idea for “Mac Flecknow” was suggested by the death of the Irish priest and poet Richard Flecknow. Apparently Dryden imagined Flecknow, the monarch of the “Realms of Non-sense,” immediately before, appointed Shadwell as his worthy successor.
The Essay on Work And Love
Work and Love The poem Hard Work written by Stephen Dunn reflects on the problem of hard work and personal feelings. The author argues the purpose of hard work and shows the tiny, fragile borders that limit social responsibility and obligation and give the way to individual prerogatives - love, wishes, and desires. The poem Hard Work is characterized with a deep introspection of the protagonist. ...
One thing that is important about “Mac Flecknoe” is it was made to hold the interest of many people better than other poems of the time. “The piece of Dryden’s which is most fun, which is the most sustained, display of surprise after surprise of wit from line to line, is ” Mac Flecknoe'” (Elliot 10).
It is believed among many literary researchers that ” Mac Flecknoe” was meant to be a fun poem. It is still to this day one of his most popular works.” All for Love” retells the story of the infamous Antony and Cleopatra. His play recounts how Antony is forced by family and friends to make a decision between staying with his wife Octavia or leaving to be with his mistress, Cleopatra. Antony must decide if he should stay with his deep love for Cleopatra or be honorable and fulfill his duty with Octavia.
“All for Love” is said to beDryden’s most admired work as well as most financially successful play. “All for Love” was a rewritten account of Shakesphere’s “Antony and Cleopatra” but a much simpler version. “We are forced to admit, however, that this is too simple, and that we owe the solitary outstanding play of “All for Love” rather to a fortunate group of circumstances than wholly to trends mounting up through the earlier dramas” (Morgan 61).
Dryden produced many different kinds of works, including tragedies.” Some admire his Don Sebastian, but the heart of his dramatic work and it is work that profoundly affected subsequent English tragic writing -is in the heroic sequence climaxed by “All for Love” (Kaufmann 87).
This was overall through his most successful play. “Dryden ‘All for Love’ or ‘The World Well Lost’ is generally acknowledged as his play, and without much question it is the best tragedy of its ” age” (Prior 95) Little was known about Dryden unfortunately, except what is in his works.
Dryden wrote from the beginning to the end of the Restoration Period. In fact, many literary scholars consider the end of the Restoration Period to have occurred withDryden’s death. John Dryden had a very successful career in many areas of literature, and was very well known among even the average literary reader. Even critics who tried to come with something wrong with his writing didn’t base it on any hard facts. “Most of the attacks on Dryden are painfully dull reading. The majority of them contain nothing, but the same stock charges against him” (Osborn 31).
The Essay on Faulkner Vs Mccarthy Love With John
McCarthy vs Faulkner Though Cormac McCarthy's All The Pretty Horses and William Faulkner's The Unvanquished are completely different, their style and plot techniques share more similarities than differences. All The Pretty Horses and The Unvanquished both depict the importance of honor in a persons life, whether it be honor through vengeance, honoring family, or honoring the tradition of woman, ...
It is generally well-known among literary scholars that John Dryden wasn ” just a part of the Restoration Period, he is the Restoration Period. 1. Arnold, Matthew. “John Dryden” The British Tradition. Ed. Ellen Bowler et al.
New Jersey: Prentice Hall, Inc. , 1996: 446 2 Dryden, John “A Song for St. Cecilia’s Day.” Rpt in “The British Tradition.” Ed. Ellen Bowler Et al.
Ner Jersey: Prentice Hall, Inc. , 1996: 453 3… Elliot, T. S. “John Dryden.” Selected Essays of T. S.
Elliot. New York: Harcourt, Brace & World, 1960. Rpt in Dryden. Bernard Schilling. Englewood Cliffs: Prentice Hall, Inc.
, 1963. 8-16. 4. “Guide for Interpretation, A Song for Cecilia’s Day” The British Tradition Ed. Ellen Bowler et al. New Jersey: Prentice Hall, Inc.
, 1996: 452. 5. Kaufmann, R. J.
“On the Poetics of Terminal Tragedy: Dryden’s All for Love” The Introduction to John Dryden’s All for Love. San Francisco: Chandler Publishing Company. 1962 Rpt in Dryden. Bernard Schilling. Englewood Cliffs: Prentice Hall, Inc. , 1963.
86-94. 6. Morgan, Edwin “Dryden’s Drudging.” The Cambridge Journal VI, No. 7. 1953.
414- 429 Rpt in Dryden. Bernard Schilling. Englewood Cliffs: Prentice Hall, Inc. , 1963. 55-70. 7.
Osborn, James M. “The Medal of John Bayes” John Dryden: Some Biographical Facts and Problems. New York: Columbia University Press, 1940. Rpt in Dryden. Bernard Schilling Englewood Cliffs: Prentice Hall, Inc. , 1963.
31-42. 8. Prior, Moody E. “Tragedy and the Heroic Play.” The Language of Tragedy. New York: Columbia Univeristy Press. Rpt in Dryden.
Bernard Schilling. Englewood Cliffs: Prentice Hall, Inc. , 1963. 31-42.
