John Steinbeck: A Common Man’s Man’I never wrote two books alike’, once said John Steinbeck (Shaw, 10).
That may be true, but I think that he wrote many of his novels and short stories based on many of the same views. He often focused on social problems, like the “haves” verses the ‘have nots’, and made the reader want to encourage the underdog. Steinbeck’s back ground and concern for the common man made him one of the best writers for human rights. John Steinbeck was born in Salians, California and spent most of his life there or around Salians, because of that he often modeled his stories and the characters around the land he loved and the experiences he encountered. He lived in Salians until 1919, when he left for Stanford University, he only enrolled in the courses that pleased him – literature, creative writing and majoring in Marine Biology.
He left in 1925, without a degree. Even though he didn’t graduate his books showed the results of his five years spent there. His books display a considerable reading of the Greek and Roman historians, and the medieval and Renaissance fatalists and the biological sciences (Shaw 11).
He then moved to New York and tried his hand as a construction worker and as a reporter for the American. (Covici, xxxv).
The Review on Steinbeck book report 3412
Criticisms of Steinbeck and His Novels One of the most realistic, compassionate, yet controversial writers of all time was John Steinbeck. The novels written by him take readers through experiences that make deep impressions in their minds and are not easily forgotten. The devastation and pain that Steinbeck embarked on his characters, and their struggle to survive, is written with such immense ...
Steinbeck then moved back to California and lived with his wife at Pacific Grove.
In 1934, he wrote for the San Francisco News, he was assigned to write several articles about the 3, 000 migrants flooded in at Kings County. The plight of the migrant workers motivated him to help and document their struggle. The money he earned from the newspaper allowed him to travel to their home and see why their reason for leaving and traveled to California with them, sharing in with their hardships (Steinbeck, 127).
Because John Steinbeck was able to travel with the Okies, he was able to accurately portray them and their struggles. Each book that he wrote had settings in the places where he has either lived or wanted to live. He presented the land as it was.
The characters in his stories experienced floods, drought, and other natural disasters, while in the Salians Valley (Shaw, 5).
What Steinbeck wrote was very factual and in depth. He exhibited his awareness of man and his surroundings, in his early books, before people ate, a pig had to be slaughtered, and often that and before they ate, it had to be cooked. Also when a car broke down, the characters had to find parts, and fixed it themselves (Shaw, 13).
Many people consider that John Steinbeck novels are records of social history. His books are the history of plain people and society as a whole, many of his books focused on the Great Depression, Social Prejudice, religion, the whore house, and the automobile (Rundell, 4).
He may be considered as a Sentimentalist, because of his concerns for the common man, human values, for warmth and love and understanding. The social relevance of his writings reveals him as a reformer (Covici, xxii).
In his novel The Pastures of Heaven, Steinbeck brings up the issues of Japanese Americans fitting into social groups, and in East of Eden, he examines the problems of intelligent and educated Chinese-Americans in the California setting. John Steinbeck only once seriously considers the problems of Negroes in Society. Crooks, the stable boy in Of Mice and Men, was an outcast and never destine to fit into the generally white society of ranching. Not only did Steinbeck recognize the -problems of minorities and racial prejudice, he also mentioned class prejudice.
The difference between the “haves ” verses the ‘have nots” was brought up in the novel, The Grapes of Wrath, usually the people who had any financial stability hated the Okies, who had none. Owners hated the Okies because they were soft and the Okies were strong, also the store keepers hated them because the Okies had no money to spend in their stores (Bowden, 12).
The Review on Guy Books Man People
Ray Bradbury's science fiction masterpiece Farenheit 451 is a classic tale about a man named Guy Montag and his inner struggles. When the story begins, Guy is happily married and works for the government as a firefighter: a firefighter whose job is to burn down the homes of people who own books, which are illegal. He enjoys doing this, savoring the warmth of the flames and the thrill of ...
The Grapes of Wrath presents these issues in the form of an epic and sums up the despair of the early 1930’s. The Jo ads experience: love, brotherhood, integrity, class fear, power, violence, and suspension, the same as every other migrant. Their conflict was a national epic, instead of a personal one (George et al. 1013).
The parable of the tortoise crossing the road represents the people of the 1930’s, he is beaten by the sun, knocked around, and struggles, but probably reaches his destination. In his other stories, he also uses characters and symbols to represent the migrants of the 1930’s, and often makes his symbolism obvious. The story of the gophers in Cannery Row represents that you can’t have your cake and eat it too. When I read Cannery Row the chapter about the gopher came totally out of the blue, I did not think it belonged there, and made no sense, but after doing research about Steinbeck stories, The gopher parable did have its significance, not only in the story but as society as a whole (Bowden, 195).
In The Red Pony the contrasting mountain ranges that Jody constantly question through out the book, symbolize hope and fear, youth and age, knowledge and savage mystery (Shaw, 13).
The creation, birth and death of the second pony, is one of Steinbeck’s more obvious symbolism. Some interpret this as a young mans coming to maturity by experiencing the mysteries of procreation, birth, and death, but it does not go that deep because throughout the story Steinbeck continually refers to Jody as “little racial prejudice, he also mentioned class prejudice. The difference between the “haves” verses the ‘have nots” was boy Jody”, maybe implying that Jody never did really mature. The story was abruptly ended like many of John Steinbeck’s stories. The Red Pony ends in no particular place and also in Grapes of Wrath the story of the Joadsends when their plight is at its lowest. Steinbeck leads the reader through the lives of his characters In conclusion, John Steinbeck with his concern for man and his environment, and his broad background has made him a respected author, and human rights activist.
The Essay on Grapes Of Wrath Steinbeck Story Characters
Grapes of Wrath and Of Mice and Men: Character Study The American Novelist, John Steinbeck was a powerful writer of dramatic stories about good versus bad. His own views on writing were that not only should a writer make the story sound good but also the story written should teach a lesson. In fact, Steinbeck focused many of his novels, not on average literary themes rather he tended to relay ...
His books are as relevant to us today as they were sixty years ago, and are also important as documentation of social history. Bibliography Benet’s Readers, Encyclopedia of American Literature. 1991 ed. Bowden, Edwin T.
The Dungeon of the Heart. New York, NY: The Mcmillan Company, 1961. Covici, Pascal Jr. The Portable Steinbeck. New York, NY: The Viking Press, 1963. Mcwilliams, Carey, ‘California Pastoral”, Antioch Review, March, 1942: 103-21.
Rundell, Walter Jr. Steinbeck’s Image of the West, 4-17 Shaw, Peter. ‘Steinbeck: The Shape of a Career”, Saturday Review, 8 February, 1969: 10-14. Steinbeck, John. “A Primer on the Thirties’. Esquire October 1973: 127-131, 364, 366.
Walcott Charles C. “Later Trends in Form: Steinbeck, Hemingway, Dos Passes”, American Literary Naturalism: A Divided Stream. University of Minnesota, 1956: 258- 59. 268-69.
