We have noticed that important motives in Heart of Darkness connect the white men with the Africans. Conrad knew that the white men who come to Africa professing to bring progress and light to “darkest Africa” have themselves been deprived of the sanctions of their European social orders; they also have been alienated from the old tribal ways.
“Thrown upon their own inner spiritual resources they may be utterly damned by their greed, their sloth, and their hypocrisy into moral insignificance, as were the pilgrims, or they may be so corrupt by their absolute power over the Africans that some Marlow will need to lay their memory among the ‘dead Cats of Civilization.’” (Conrad 105.)
The Essay on Joseph Conrad’s “Heart of Darkness”
... to the theme of the journey of the inner self. Through Marlow, the book creates a voyage of self ... emissary of light, being sent into the darkness. Marlow sees this darkness through the placing of heads on poles, ... account of what he sees, shows his compassion. Conrad suggests that those who are unable of controlling ... voyage into the deepness of the Congo, is symbolic of the journey he had to take into ...
The supposed purpose of the Europeans traveling into Africa was to civilize the natives. Instead they colonized on the native’s land and corrupted the natives.
“Africans bound with thongs that contracted in the rain and cut to the bone, had their swollen hands beaten with rifle butts until they fell off. Chained slaves were forced to drink the white man’s defecation, hands and feet were chopped off for their rings, men were lined up behind each other and shot with one cartridge , wounded prisoners were eaten by maggots till they die and were then thrown to starving dogs or devoured by cannibal tribes.” (Meyers 100.)
Conrad’s “Diary” substantiated the accuracy of the conditions described in Heart of Darkness: the chain gangs, the grove of death, the payment in brass rods, the cannibalism and the human skulls on the fence posts. Conrad did not exaggerate or invent the horrors that provided the political and humanitarian basis for his attack on colonialism. The Europeans took the natives’ land away from them by force. They burned their towns, stole their property, and enslaved them. George Washington Williams stated in his diary,
“Mr. Stanley was supposed to have made treaties with more than four hundred native Kings and Chiefs, by which they surrendered their rights to the soil. And yet many of these people declare that they never made a treaty with Stanley, or any other white man; their lands have been taken away from them by force, and they suffer the greatest wrongs at the hands of the Belgians.” (Conrad 87.)
Conrad saw intense greed in the Congo. The Europeans back home saw otherwise; they perceived that the tons of ivory and rubber being brought back home was a sign of orderly conduct in the Congo. Conrad’s Heart of Darkness mentioned nothing about the trading of rubber. Conrad and Marlow did not care for ivory; they cared about the exploration into the “darkest Africa.” A painting of a blindfolded woman carrying a lighted torch was discussed in the book. The background was dark, and the effect of the torch light on her face was sinister. The oil painting represents the blind and stupid ivory company, fraudulently letting people believe that besides the ivory they were taking out of the jungle, they were, at the same time, bringing light and progress to the jungle. Conrad mentioned in his diary that missions were set up to Christianize the natives. He did not include the missions into his book because the land was forcibly taken away from the natives, thus bringing in a church does not help if the natives have no will. Supplies brought in the country were left outdoors and abandoned, and a brick maker who made no bricks, lights up the fact that the Europeans do not care to help the natives progress. When Marlow reached the first station, he saw what used to be tools and supplies, that were to help progress the land, laid in waste upon the ground.
“I came upon a boiler wallowing in the grass, then found a path leading up the hill. It turned aside for the boulders and also for an undersized railway truck lying there on its back with its wheels in the air…. I came upon more pieces of decaying machinery, a stack of rust rails…. No change appeared on the face of the rock. They were building a railway. The cliff was not in the way of anything, but this objectless blasting was all the work going on.” (Conrad 19.)
The Term Paper on Achebe’s “An Image of Africa : Racism in Conrad’s Heart of Darkness”
Achebe’s “An Image of Africa : Racism in Conrad’s Heart of Darkness” (The Massachusetts Review, 18 (1977) : 782 – 94) expresses a passionate objection to Conrad’s point of view and portrayal of Africa and Africans in his novel Heart of Darkness. Achebe’s novel, Things Fall Apart, can be considered the direct opposition to Conrad’s Heart of Darkness ...
George Washington Williams wrote in his diary that three and a half years passed by, but not one mile of road bed or train tracks was made. “One’s cruelty is one’s power; and when one parts with one’s cruelty, one parts with one’s power,” says William Congreve, author of The Way of the World. (Tripp 206.) The Europeans forcibly took away the natives’ land and then enslaved them. All the examples given are part of one enormous idea of cruelty – cruelty that the European white men believe because its victims are helpless. These are mystical revelations of man’s dark self.
Bibliography
Conrad, Joseph. Heart of Darkness: Backgrounds and Criticisms. New Jersey: Prentice-Hall, 1960.
The Term Paper on Criticism Of Racism In Joseph Conrads Heart Of Darkness
Criticism of Racism in Joseph Conrad's Heart of Darkness Introduction Criticism on Novel Marlow's role Description Kurtz' Portrayal Criticism on Racism in Heart of Darkness Conclusion The issue of race within modern and classic literature has always been and will continue to be a contentious issue of discussion prevalent throughout society and especially educational facilities. Within Joseph ...
Meyers, Jeffrey. Joseph Conrad. New York: Charles Scribner’s Sons, 1991.
Conrad, Joseph. Heart of Darkness 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988.
Williams, George Washington. [A Report upon the Congo – State and Country to the President of the Republic of the United States of America.] Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 87.
Tripp, Rhoda Thomas. Thesaurus of Quotations. New York: Thomas Y. Crowell, 1970.
