And the fate gave her a great opportunity to develop her talent. Julia had been sent to live with her mother’s sister who was married to a Frenchman, a coal merchant, who lived at St. Malo, while she attended classes at the local lycee. She learnt to speak French like a Frenchwoman. That fact played a definite role in making as an actress. Thanks for her aunt, Madame Falloux, who was ‘en relations’ with as old actress who had been a societaire of the Comedie Francaise and who had retired to St.
Malo to live on the small pension that one of her lovers had settled on her when after many years of faithful concubinage that had parted, Julia could teach the acting. It was she (Jane Taitbout) who gave Julia her first lessons. She taught her all the arts that she had herself learnt at the Conservatoire and she talked to her of Reichenberg who had played ingenues till she was seventy, of Sarah Bernhardt and her golden voice, of Mounet-Sully and his majesty, and of Coquelin the greatest actor of them all.
She recited to her the great tirades of Corneilly and Racine as she had learned to say them at the Francaise and taught her to say them I the same way. Jane Taitbout must always have been a very stagy actress, but she taught Julia to articulate with extreme distinctness, she taught her not to be afraid of her own voice, and she made deliberate that wonderful sense of timing which Julia had by instinct and which afterwards was one of her greatest gifts. When Julia was sixteen and went to the Royal Academy of Dramatic Art in Gower Street she knew already much that they could teach her there.
The Essay on Lucille Ball: the World’s Greatest Actress
Just mention Lucy, and everyone knows who you're talking about. Lucille Ball is without a doubt the world's greatest actress and the most famous redhead. She is remembered most for her famous TV character, Lucy Ricardo, but there was more to her than just the famous character she portrayed on I Love Lucy. Lucille could play all types of roles, including drama, comedy, and musical. There was much ...
She won every prize that was open to her, and when she was finished with the school her good French got her almost immediately a small part in London as a French maid. It looked for a while as though her knowledge of French would specialize her in parts needing a foreign accent, for after this she was engaged to play an Austrian waitress. All Julia’s life was an acting. It doesn’t present any difficulty for her to think over every detail, every scene of her life, not only on the stage: the way she is dressed, the way she’ll turn her head and what she’ll say. Her timing is almost perfect.
That could not have been taught, she must have that by nature. She had a great gift of mimicry, which ordinarily she kept in circles she turned it to good account and by means of it acquired the reputation of a wit. She could manage people with her acting, give a false image about herself and she liked to do it. But she didn’t be really happy, really free. Julia had been necessary to be that which people expected because it would be good for her career. She was in thrall to her talent. Thanks for it, she lost her personality and she had to live another’s lives. had only the fame and money. A. Abashina
