The impact of the Renaissance on Europe Jacob Burckhardt best describes the renaissance as the prototype of the modern world, for it was the period between the fourteenth and fifteenth century in Italy, when the base of modern civilisation was formed. It was mainly through the revival of ancient learning that new scientific values first began to overthrow traditional religious beliefs. People started to accept a new rational and objective approach to reality and most important of all to rediscover the importance of the individual. The result in Burckhardt words, was the release of the full whole nature of man. However the Renaissance biggest contribution was the way different important individuals through their logical revelations managed to diminish the power of the Catholic Church.
(Craig, Graham, Kagan, Ozment, Turner; The heritage of world civ; pg. 493-494) Medieval Europe before the Renaissance had been a fragmented feudal society with an agriculturally based economy, and its culture and dominated by the Church. After the fourteenth century was characterised by the growing national consciousness and political centralisation based on organised commerce and capitalism, along with the secular control of thought and culture. It was in Italy from around the time 1375 to the sack of Rome (1527) that the distinctive features and impacts of the renaissance era are revealed. (Internet 1) Italy having a geographic advantage, laying in the centre of the commerce between the east and west. Due to this fact rich and urban cities were formed in Italy.
... to gain a “keener sense of how vendetta operated in Renaissance Italy, how factions dominated political life and how contemporaries understood ... Because of the important role vendettas have during the Renaissance in both city and family politics they appeared to be ... political structures and their indifferences while in vendetta is based largely on the most recently available Italian historians as ...
There started to be more Italian cities than there were people in them. Trade monopolies were formed to ensure profitability of trade and manufacturing, but only those with sufficient capital could engage in either. For example, in Florence 10% of the families controlled 90% of the wealth. These wealthy families established power over these city-states (just like the Greek polis) to which the people inhabiting inside could say they belonged to. A sense of competition was formed between families of different cities, and as one knows competition somehow always leads to development. Each family then tried to be better by building churches and sponsoring great painters such as Raphael and Michelangelo (whom will be later elaborated upon).
Even the Pope got in on the competition. During the era bread remained the most widely consumed foodstuff, but even subsistence consumers were beginning to supplement their diets with meat and dairy products. There would be more pork and lamb in the diet of ordinary people than there would be for the next four hundred years. Therefore one can argue that the standard of living was quite higher than before.
However the common enemy still remained, that I nature and its diseases. (Kishlansky, Geary, OBrien; Civ in the west; pg. 329-330) Although there were outstanding advances made in the renaissance era, it has to be concluded that the three most important and most developed areas have to the advances made in art, sculpture and painting. Few renaissance artists restricted themselves to one area of artistic expression, and many created works of enduring beauty in more than one medium. Of the many important and gifted artists of the time, only three will be discussed. (Craig, Graham, Kagan, Ozment, Turner; The heritage of world civ; pg.
499-500) Leonardo Da Vinci (1452-1519) exhibited the renaissance idea of the universal person, one who is a master of many talents. Being a great painter he was also a military engineer, anatomist and scientist. He dissected corpses to learn anatomy and was an accomplished botanist. His brilliant mind even managed to foresee such modern machinery such as aeroplanes, submarines and tanks. However he is most remembered for his great skill in conveying inner moods through complex facial features, as I am sure that the reader has the picture of the Mona Lisa whom Da Vinci painted. Raphael (1483-1520) was famous for his tender Madonnas, the best known of which resides in the monastery San Sis to in Piacenza.
... does not provide divinity to man for those means.For this reason, Renaissance painters created art to appease the society that ... da Vinci represents most strongly the secularist style in Renaissance art. His painting of The Last Supper shows the very ... the beliefs and interpretations of the Renaissance humanist philosophers such as Petrarch and Drusus. Great classical mathematicians such as Pythagoras ...
He is also famous for his other painting being the school of Athens involving all the great western philosophers such as Plato and Aristotle. Michelangelo (1475-1564) was renowned for his eight-foot sculpture of David in which he glorifies the human form. Four different Popes commissioned him, the most famous being the frescoes for the Sistine chapel painted for Pope Julius II. His dedication to art was so intense that his work in the chapel left him almost crippled (since he was lying upside down for about four years).
(Internet 1) Now from the physical aspect of the renaissance we move to the mental and idealist influences of the era. During this period scholars and philosophers searched the works of the ancients such as Homer, Plato and Aristotle so that they can learn how to improve the way they lived their lives.
Thus this is where the importance of the study of history is most essential, for it provides the base by which societies can base themselves upon. These renaissance scholars soon came to be known as Humanists. They were advocates of the studia humanitatis, which was a liberal arts program of study that embraced grammar, rhetoric, poetry, history, politics and moral philosophy. Of one of my favourites (and I think most important) figures of the time was Pico Della Mirandola and his piece Oration on the dignity of man. Pico believed and emphasised that humans could perfect their existence on earth because humans were divinely bestowed with the capacity to determine their own fate. O highest and most marvellous felicity of man! To him it is granted to have whatever he chooses, to be whatever he wills.
(Kishlansky, Geary, OBrien; Civ in the west; pg. 329-330) Humanists however were not anti-religious, on the contrary most of them were devout religious men, as Petrarch says Christ is my lord; Cicero is the prince of the language I use. Yet there has never been a controversial or important than Niccolo Machiavelli’s The prince. Its vivid prose being- Men must either be pampered or crushed has not stopped readers through the centuries devouring its every aspect. With Machiavelli begins the science of politics. (Internet 1) Another development was the perfection of the art of diplomacy.
... . One of the things that differentiate Egyptian art to Renaissance art is that Renaissance art uses realism. Their paintings include drawing of ... human body. Their differences include color, dimensions perspective, makeup, props, and clothing to name a few. Comparing Egyptian art to Renaissance art ... women a lighter yellow color. This shows that men were very active outdoors and they women were mainly ...
Constant warfare between city-states was aimless, and by the end of the fourteenth century city-states began the practice of keeping resident ambassadors at the major seats of power. At the same time this improved communication and provided leaders with accurate information about friends and enemies. Diplomacy became both an offensive and defensive weapon. (Kishlansky, Geary, OBrien; Civ in the west; pg. 340) I would like to conclude with mentioning that Renaissance artists and philosophers did more than construct, adorn buildings or write books.
Inevitably their work expressed ideals and the way their society worked. The emphasis was more upon the here and now rather than the hereafter; and most importantly, upon humanity and its capacity for growth and perfection. 339.