Langston Hughes Langston Hughes was an African-American writer of the Harlem Renaissance era. Born in Joplin, Missouri, in 1902, Langston Hughes had a rough upbringing because of all the changes that were occurring at the time. A major upset in his life was when his father left to Mexico to continue his studies in law. When Hughes was seven or eight, he lived with his grandmother who told him stories of important historical African American heroes, such as Frederick Douglas, Sojourner Truth, and she even took him to hear W.
E. B. DuBois. Such tales encouraged young Langston to do great things in his life as an African-American growing up in a prejudice world. Later on, Langston Hughes decided to move to New York, more specifically, Harlem, New York.
Alain Locke, a black writer and educator, described it as, “Here in Manhattan is not merely the largest Negro community in the world, but the first concentration in history of so many diverse elements of Negro life… In Harlem, Negro life is seizing upon its first chances for group expression and self-determination.” (Bernard, p. 52) Here he was introduced and also became, apart of the Harlem Renaissance. “New York attracted a large influx of blacks from the West Indies and even Africa.” (Bernard, p. 53) This can better be called The Great Migration.
In Harlem, Langston Hughes was exposed to the soothing sounds of Jazz and the Blues. “Hughes’ poetry absorbed the rhythms of blues and jazz… The sights and sounds of Harlem, it’s music… inspired Langston more than his classes in mining and engineering.” (Bernard, p.
The Term Paper on The Harlem Renaissance African American 2
In 1917, the United States found itself buried in a conflict with many different nations. Labeled as World War I, the United States goal was to support the fight for democracy across the world. As the war progressed, there was a need to fulfill many jobs due to the labor shortages that the North had been experiencing. To be more exact, the North received a major labor blow, due to the large ...
30) “The Weary Blues” and “Trumpet Player,” are two poems that demonstrate that Langston Hughes’ poetry was influenced by the music of Harlem. In the poem “The Weary Blues,” Hughes discusses his experience of watching another black artist. The fact that he is writing about his observation of a musical artist demonstrates that his poetry is influenced by music. Hughes writes, “Rocking back and forth to a mellow croon, I heard a Negro play.” (DY, p. 594) Hughes is describing the artist’s actions at the moment. He describes even where this performance is taking place in Harlem, “Down on Lenox Avenue the other night.” (DY, p.
594) Hughes uses the sound of the music, the actions of the artist, and his surroundings in order to form eloquent poetry. He uses intricate detail about the sounds of the music, in order to help the reader feel as if they are there themselves. “In a deep song voice with a melancholy tone. I heard that Negro sing, that old piano moan… Thump, thump, thump went his foot on the floor. (DY, p.
594) First he describes the sound of the man’s voice, and then he personifies the sound of the piano. Saying that the old piano moaned allows the reader to understand what it sounded like because moaning is a human action. Then Hughes talks about the man’s foot hitting the floor. His word choice allows for the reader’s imagination to run freely. It is clear from reading this poem that Hughes’ influential anecdote of his poetry was the blues of Harlem.
Another poem that reflects the notion that jazz and the blues were an influential factor of Langston Hughes’ poetry is “Trumpet Player.” The title alone shows that the poem is influenced by jazz because the trumpet is a jazz instrument. In this poem, Hughes, tells a story about the trumpet player in the poem. Langston Hughes uses the trumpet player’s talent as a window to his soul and his life’s experience. This is shown here when Hughes writes: With the trumpet at his lips Has dark moons of weariness Beneath his eyes Where the smoldering memory of slave whips Blazed to the crack of whips About his thighs (P.
The Essay on Langston Hughes Black School Poems
Langston Hughes James Langston Hughes was born on February 1, 1902, in Joplin, Missouri. He was named after his father, but it was later shortened to just Langston Hughes. He was the only child of James and Carrie Hughes. His family was never happy so he was a lonely youth. The reasons for their unhappiness had as much to do with the color of their skin and the society into which they had been ...
596) In this stanza, one can see that trumpet player expresses his pain of slavery through playing his trumpet. Hughes repeats the same line, “With the trumpet at his lips (DY, p. 596) ” in almost every stanza, and following it he describes a piece of the trumpet player’s life. Hughes does this so that the reader recognizes that through the trumpet player’s talent, one can see who he is and what he is about. Once again, the reader can clearly see that music, more specifically jazz in this poem, is a big part of his poetry. This can be seen when he writes: The music From the trumpet at his lips Is honey Mixed with liquid fire.
The rhythm From the trumpet at his lips Is ecstasy Distilled from old desire- (P. 596) In this stanza, he explains how important playing the trumpet is for the black man. His word choice of describing playing the trumpet as “ecstasy” shows that music is very moving to Hughes. Hughes’ vivid descriptions of the feeling of the music plainly demonstrate that jazz and the blues are a very important part of his soul and how he formulates his poetry. Jazz and the blues are constantly being revisited in Langston Hughes’ poetry, and this is clearly demonstrated in his poems “The Weary Blues,” and “Trumpet Player.”The Weary Blues” demonstrates his influence from the blues, while “The Trumpet Player” demonstrates his jazz influence. Thanks to the intense cultural exposure given to him by his grandmother and by his traveling, Hughes was able to broaden his mind to many issues and this allowed him to write with such incredible bursts of emotion and passion for his heritage.
Cot to (4) Works Cited Bernard, Emily. Remember me to Harlem: The Letters of Langston Hughes and Carl Van Vechten 1925-1964. New York: Alfred A. Knop t, 2001.
Di Yanni, Robert. Literature: Reading Fiction, Poetry, and Drama. New York: McGraw Hill, 2000.
