In the poem, “Life in a Love” by Robert Browning, the tones of adoration and rejection reflect how the narrator feels about the woman he loves. The narrator is absolutely willing to do anything for their love, or demonstrate just how much he loves her. The woman, however, does not seem to have a mutual feeling about their relationship.
The author’s diction highlights his determination and desperation to please his love. The narrator is “the loving” who “must…pursue” his “fate”. The man loves the woman very much, while it seems she does not love him as much. He sees loving her as a duty to keep her happy and tend to her needs or wants. If he does not do so, he would not see his life as being fulfilled. However, if he were to “scarce succeed” and “fail of [his] purpose,” he would “get up and begin again.” The man will try his hardest to do anything her heart desires. It seems, though, that he would put much more effort if he does not satisfy her. It is as if he is like a jester that is constantly trying to entertain or humor the king to keep his job. The narrator is a hopeless romantic that is extremely infatuated with his lover and wants to keep it that way.
The details in the poem describes why and what he will do to prevent her from leaving him. “Escape me?/ Never—/ Beloved!/ While I am I, and you are you/ So long as the world contains us both…” As long as they are both together, he will prevent them from ever being apart. His ambitions and faith for their relationship are over enthusiastic. ” It is but to keep the nerves at strain,/ To dry one’s eyes and laugh at a fall,/ And, baffled, get up and begin again,—” He will do whatever it takes to keep her smiling and not unhappy. He will continue doing such acts as long as they remain in a relationship with each other. The details indicate that nothing will stop him from loving her.
The Essay on Pride and Prejudice and the Relationships of Women and Men
In the book Pride and Prejudice by Jane Austen there are many relationships between men and women. This book was originally entitled First Impressions and when reading it is easy to understand how this title could be aptly appropriate to the story line and characters. In these relationships one of the things that can be noted is that men are primarily looking for sex and that women are looking for ...
The poem’s syntax elaborates the narrator’s emotions as he speaks to the woman he loves and how incoherent he is. In the beginning of the poem, there are punctuation marks (commas and hyphens) to show pauses in his explanation that they will stay together. There are also a couple of phrases that contradict each other to show contrast between the man and the woman. He is enthusiastic, and perhaps a little overwhelmed. The narrator is also trying to emphasize on how or who they are in the relationship. The author opens the poem this way to demonstrate how the man does not mind putting in all this effort to maintain this relationship. The middle consists of many monosyllabic words in the narrator’s list of what he does for the woman. He becomes nervous and starts to worry and doubt himself. The monosyllabic words depict how fast the narrator is speaking. The ending of the poem consists of alliteration, and more pauses and monosyllabic words. The alliteration emphasizes on each of the words that match with one another. The pauses and monosyllabic words, however, now imply that he is starting to become a bit more serious. The use of these syntactical arrangements suggest the hopelessness of the man. The rhyme scheme and form are disjointed and uncomfortable, which reinforce that the speaker is disjointed mentally.
The man in the relationship is stubborn and basically vows that he will love the woman unconditionally. The woman, however, makes the relation between the two stay as unrequited love, for she does not love him back.
While I am I, and you are you,
So long as the world contains us both,
Me the loving and you the loth
While the one eludes, must the other pursue.
The Term Paper on Ruth Stone Women Poetry Poem
Mary Ann Wehler Ruth Stone was forty-four when she published her first book, In an Iridescent Time, in 1959. In fact, Norman Friedman states in his essay, "The Poetry of Ruth Stone" (46) that Stone had mastered the elegant formal conventions of that era. Soon after, Harvey Gross deems in his article, "On the Poetry of Ruth Stone," that Stone was versed in "balanced pentameters, ballad stanzas, ...
My life is a fault at last, I fear:
It seems too much like a fate, indeed!
Though I do my best I shall scarce succeed.
But what if I fail of my purpose here?
It is but to keep the nerves at strain,
To dry one’s eyes and laugh at a fall,
And, baffled, get up and begin again,—
So the chace takes up one’s life ‘ that’s all.
While, look but once from your farthest bound
At me so deep in the dust and dark,
No sooner the old hope goes to ground
Than a new one, straight to the self-same mark,
I shape me—