It’s easy to find Louise Erdrich among the canon of what have come to be known as western writers. Her name (or names, given the multiple pseudonyms) pops up right near the top along with Cormac McCarthy and Elmer Kelton. And as impressive as her notoriety is, one eventually wonders if ‘western writer’ isn’t an albatross hanging around the neck of her career. Maybe it’s Tolkien’s fault. After all, he’s the one who created an entire genre in which setting is paramount to plot or conflict. But Erdrich doesn’t share his negligence.
Her series are set in the west, but her truths are universal. ‘Fleur’, specifically, speaks to two. Beyond clothing, shelter, and food, human beings have one basic desire – To look good, and the inverse, to avoid looking bad. Whether that takes the form of acceptance through physical appearance or the more constant acceptance by ‘the other’, very nearly every word, action, and thought we have while in the company of others centers around what effect it will have on their approval. Every character in ‘Fleur’, with the exception of Fleur herself, is involved in a constant search for acceptance.
The men seek it from each other with cards and drink, the unnamed tribes people seek it through myth and coercion, and even the seeks the inverse of acceptance. By disappearing, she guarantees avoiding overt rejection. But what of Fleur? Her refusal to conform is central to the entire plot. She dresses like a man, plays cards with an eerie magic, and is generally thought of as ‘out of control’. Her individualism is so pronounced an entire mythology is built around her. She is rare, in fiction and in life.
The Essay on Water Monster Fleur Lake People
Fleur a story written by Louise Enrich is a tale about a young Chippewa Indian woman who is feared by all the people that live on her reservation, Argus. They believed that she has been cursed by the water monster of Lake Turcot who seeks her life for his own. Her general lifestyle is an awe to them because she lives outside of traditional ways. She stirs things up with her uncanny luck and the ...
Not just a rebel. Most individual rebellion, if examined closely, boils down to varying degrees of vainglory. Hers is an authentic spirit of her own invention, devoid of pretense or the need for approval. But while rare, it isn’t completely unique to the human experience.
There have been others, and even if our current plutocracy… err, government outlaws it, there will be more. The communities’ responses to her rebellion are the most familiar of all our collective traits. If the setting had been changed, Fleur could have been denounced as a witch, heretic, dissenter, , intellectual, or evil-doer. It’s only a matter of timing and locale.
And like genuine threats to the status quo before her, she was cast out. Twice.
