Evil is a destructive force; it causes harm to those who embrace it and their victims. In Shakespeare’s Macbeth, the protagonist Macbeth and Lady Macbeth fall into the hands of evil. Evil is what drives people to commit unnatural actions of destruction. Macbeth succumbs to evil through his fatal flaw, greed, and it causes him to hurt others and ultimately, himself. When Macbeth willingly murders, massacres, lies and deceives, he loses his heath and sanity. Evil corrupts everything it touches, and Macbeth decides to be evil’s servant.
But, when Macbeth embraces evil, it corrupts him, and it ultimately destroys him as well. Lady Macbeth is a victim of Macbeth’s fatal flaw, since she is drawn in, and becomes greedy for power herself. She pushes Macbeth into destruction when she adds the small touch that plunges Macbeth into a chain of murder, destruction, and lying followed by the loss of their sanity and health. After Macbeth and Lady Macbeth are well into the depths of corruption and greed, it is clearly seen that their guilt will haunt them for the rest of their lives. The harm they have caused others will be returned to them as revenge and they have lost their sanity in order to gain power. The fate of Macbeth and Lady Macbeth clearly illustrates that to embrace evil is to negate our own need for order and well being.
By embracing evil, Lady Macbeth and Macbeth have committed unnatural actions that disturb them. Their guilt does not leave them in peace, and slowly degrades their health. Macbeth’s guilt causes him to act strangely in front of his guests, and it disturbs him deeply. Macbeth’s guilt is deeply mutilated, and it only affects him when he hallucinates “Take any shape but that, and my firm nerves / Shall never tremble” (III.
Throughout the play "Macbeth", two of the main characters, Macbeth and Lady Macbeth gradually exchange roles. Macbeth is the kind, caring one of the two in the beginning, but completely changes as the play goes on, as with Lady Macbeth. She starts out as an evil, vicious beast. She is an evil woman who is bond and determined to kill Duncan. At the end of the play this character feels guilt for ...
iv. 124-125), and as soon as his visions disappear he feels better “Why so, being gone, / I am a man again. – Pray you sit still” (iii. iV. 130-131), not something normal considering the actions he has committed.
His guilt paralyzes him when he does feel it, but most of the time he is guiltless, and that encourages him to commit more murder. Although his guilt does not ultimately destroy him, it is a factor that brings his own men against him, since through his guilt he reveals the actions he has committed. The lords grow suspicious as he speaks to his hallucinations, and they inquire on his conflict “What sights, my lord?” (III. iv. 142).
Macbeth does not attempt to conceal his guilt as strongly as Lady Macbeth does, and this is what protects him from it. Macbeth releases his remorse by speaking to Lady Macbeth, and through his hallucinations. “I could not say ‘Amen’ / When they did say ‘God bless us’.” (II. ii. 39-40) “But wherefore could not I pronounce ‘Amen’?” (II. ii.
Macbeth expresses his guilt to Lady Macbeth after he returns from the murdered king’s room. Lady Macbeth does not show guilt throughout the play until her death, which proves that her overwhelming guilt is what killed her. As is seen by her sleepwalking, Lady Macbeth felt guilty of her actions and she replays the events that trouble her during her sleep. “The thane of Fife had a wife.
Where is / she now? What, will these hands ne ” er be clean?” (V. i. 44-45).
Lady Macbeth bottles her guilt throughout the play, and its overflow is what drives her to commit suicide. There are glimpses of Lady Macbeth’s guilt, although she attempts to conceal it. Just before Duncan’s murder is committed, Lady Macbeth shows remorse, and thus proves that the degradation of her conscience begins early in the play.
Probably composed in late 1606 or early 1607, Macbeth is the last of Shakespeare's four great tragedies, the others being Hamlet, King Lear and Othello. It is a relatively short play without a major sub-plot, and it is considered by many scholars to be Shakespeare's darkest work. Lear is an utter tragedy in which the natural world is amorally indifferent toward mankind, but in Macbeth, Shakespeare ...
She exclaims: “Had he not resembled my father as he slept, I had done ‘t.” (II. ii. 16-17).
She speaks of Duncan, minutes before his dreaded murder, but does not reveal her guilt to anyone, since she is alone on stage (soliloquy).
Lady Macbeth’s overflowing compunction seeks for escape, and the only exit it finds is her sleep. Since Macbeth provides an outlet for his guilt through his hallucinations and his wife, it does not consume him, but it does bring suspicion into his allies.
Lady Macbeth pretends to be strong and hides her guilt, which ultimately destroys her. In conclusion, the evil actions that each has caused burdens them with guilt, that harm them in distinct ways. Macbeth’s evil actions destroy his victim’s lives, and their family’s, and because of this, it was bound to happen that someone destroyed Macbeth in revenge. Thus, it is serving evil that ultimately ends Macbeth’s being. Macbeth kills Banquo and even if there is no direct reply from Banquo’s sons or family, it is known in Scottish history that they become kings. Macbeth murders Duncan, and sets the blame of his action on Malcolm and Donal bain.
Obviously, they do not sit still Macbeth abuses what is rightfully theirs, and they set off to different countries to seek for help. “The son of Duncan (from whom this tyrant holds the due of birth) Lives in the English court and received Of the most pious Edward with such grace That the malevolence of fortune nothing Takes from his high respect. (III. vi. 28-33) Then they return with an English army, which ultimately brings Macbeth’s destruction. Duncan’s murder also turns his lords against him, and when the time of the battle comes, they desert him.
His people, obviously not content with his rule also desert him, and when the opposing army arrives at Dunsinane hill, Macbeth’s army leaves. “Where they not forced with those that should be ours,” (V. v. 5).
Macbeth has lost “honor, love, obedience, troops of friends” (V.
iii. 29), because of his evil deeds, and this is what physically ends Macbeth. Feeling anger towards Macduff for having fled, Macbeth murders his whole family, and makes Macduff a powerful enemy. When Malcolm returns from England with an army, Macduff is there, as are most of the Lords of Scotland.
... his negligent ambition, Lady Macbeth restores his ambition and seduces Macbeth, compelling him to climactically murder Duncan at her command. This murder not only ... with the few men he has left as Malcolm and Macduff are driving to kill him, banking on the fact ... immoral murder. His conscience is no longer a problem because he has accepted his evil doings, illustrated by his ability to sleep ...
But Macduff searches for Macbeth with the sole purpose of avenging his family. They fight and Macduff is victorious, he slays Macbeth, and proclaims Malcolm the rightful king of Scotland. As a result of his abuse on his people and his evil actions Macbeth’s reign is brought to an end. For having followed evil, Macbeth is killed… Everything Macbeth and Lady Macbeth have done has scarred them mentally, and they each show it differently. Macbeth has lost all moral values, and because of that, the only way his morals are expressed are through his spontaneous visions.
Lady Macbeth has lost her capability to express concern, or worry, since she hardened herself to get through Duncan’s murder, and her outlet is during her sleep. We witness Macbeth’s first illusion as soon as he commits the murder, and he tells Lady Macbeth, “Methought I heard a voice cry ‘Sleep no more! Macbeth does murder sleep’- the innocent sleep, Sleep that knits up the raveled sleave of care, The death of each day’s life, sore labor’s bath, Balm of hurt minds, great nature’s second course, Chief nourished of life in feast. ” (II. ii. 47-52) And after she replies confounded, “What do you mean?” (II. ii.
53) he goes on about this voice, “Still it cried ‘Sleep no more!’ to all the house. / ‘Glam is hath murdered sleep, and therefore Candor / Shall sleep no more. Macbeth shall sleep no more’. ” (II.
This is the first proof of Macbeth’s resurgent conscience, that expresses itself through hallucinations. Macbeth knows that this deed will bother him forever. Lady Macbeth embraces evil earlier than Macbeth,.