An example of enjambment in The Prelude is And in the frosty season, when the sun Was set, and visible for many a mile This is effective because it makes you think about what the phrase actually means, and sometimes puts emphasis on certain words or gives them double meanings. This may also make the poem flow better and sound more effective when read out. Enjambment is used a lot by Wordsworth in The Prelude along with many other tricks of style. The attitudes toward nature and its relationship to the human world expressed by both Wordsworth and Shelley are both complementary and contrasting. Both poets view nature as a powerful being, with an almost spiritual side, an inspiration for humankind. But the two poets take a completely opposing stand on the human relationship with nature.
Shelley views it as something to be seen and appreciated but not to be fooled with. He warns the human world not to take beauty as serenity or placidity, but to respect the power that nature holds. Whereas Wordsworth views nature as a calming force, a soothing, inspirational entity, that is one with mankind, unlike Shelley, Wordsworth has no fear for the natural world that he is surrounded by and that he writes about. He feels that he is one with nature, and is completely content in his surroundings.
The Essay on The Romantic Qualities Found In William Wordsworth’s “The World Is Too Much With Us”
The Romantic Qualities found in William Wordsworth’s “The World is Too Much with Us” Romanticism was the start of imagination, freedom of thought and expression, the exploring of human feelings and emotions, and the heightened appreciation of nature. The start of Romanticism was a result of the Industrial revolution that swept across Europe, which was the migration from rural ...
Another bright writer that expressed a very interesting attitude toward the nature of the Alps is Mary Shelley in her work Frankenstien. All literature is influenced by the time period in which it was written; whether it be war, poverty, or any other social trends. People tend to write commentaries of political events, or just describe the time period. Whether it is intentional or subconscious, an author can not help to include some aspects of the time period in which they are in. The Romantic Period had a tremendous influence on Marry Shelly writing of the novel, Frankenstein. The Industrial Revolution in England during the late 1700 s was a time of great change.
The populace was moving into cities, and people were disillusioned by the destruction of nature and the living conditions in the cities. In response to this disillusionment, people started to envision the world differently than they had before. They saw nature as all beautiful, powerful, and perfect. Previously, the inspiration for literature was law, order, and religion; now, it is in the writers imagination and powerful emotions. This change in the attitude of the people is called Romanticism.
The Romantic Movement is one of the most important literary periods in history; affecting the literature, music, and art of the period. It encouraged spontaneity, and acting with emotions, not common sense. In the more classical style of writing, writers addressed their books to the upper class, but now writers addressed the common man and his problems. Their was a new feeling of spirituality.
People were seeking eastern concepts of nirvana, transcendentalism and being one with nature. People wanted to experience life, not study it. They seemed extreme emotions, whether they were good or bad. Marry Shelly used all of these philosophies of the Romantic Period in writing, Frankenstien. The two Romantic characters in the novel are Henry Clerval and the monster. Henry is the complete opposite of Victor.
He is emotional, carefree, and innocent. Henry has studied eastern languages and cultures, and wants to go to the east to study the people. He is caring and Romantic. The monster is born as a romantic, but because of the worlds transgressions on him, he becomes an anti-Romantic and a Gothic character. The monster become dark, and wants to bring death and destruction to everything around him. Now, when he sees beauty, he becomes jealous.
The Report on The Romantic Period
... imagery of the poem underlines this. During the time of the romantic period people were especially focused on the positive, idyllic and ... and reads a debonair”. Besides alliteration the writer also uses personifications to give nature a personality. In line 2 – 4 it ... poem obviously expresses how beautiful nature is from John Keats viewpoint, but the change of people’s minds since then makes his ...
but she, shall suffer; the murder I have committed because I am forever robbed of all that she could give, had its source in her, she shall atone; be hers the punishment! (pg. 137) When he first went into the world, all he desired was human interaction. Shelly creates an excellent contrast between a Romantic and a Industrialist, and makes a social commentary about social acceptance in her novel. In the novel, Frankenstien, Marry Shelly definitely shows the influence of the Romantic Period. Throught the whole story she is using the images of the Alps mountains in her work.
She is making a romantic connection between the main characters of the novel and the beautiful views of the nature that is surrounding the place where the actions take place. All three of these writers actually use the images of the Alps differently but there is always something similar about it. The similarity if seen in the actual spirit of the mountains that makes the stories more and more romantic. During that period of time the Romantic movement experienced the great rise I would say. This was very popular among all the people the civil ones as well as military people. The difference of the representation of the nature by the authors aforementioned can actually be seen in the attitudes towards it that is expressed by the authors in their works.
The overall stand point is actually very positive and is actually making a great impression of beauty and goodness.
Bibliography:
Jonathan Wordsworth, The Prelude, New York: Norton, 1979. Shelley, Percy Bys she, Mont Blanc, The Norton Anthology of English Literature: The Major Authors. 6 th edition. Ed.
M. H. Abrahams et al. New York: W. W. Norton, 1996.
Mary Shelley, Frankenstein, New York: Viking Press, 1985 3 rd Edition.
