As the city of Zion fortifies itself for defence against the influx of sentinels, the two remaining ships of the fleet prepare to return to the city. Neo lies in a coma with the sole survivor of the attack on the fleet, however his brain patterns show that he is lost somewhere within the matrix. Trinity and Morpheus go to rescue him and return him to the real world. Back in the real world, Zion is under attack from the sentinels, Neo decides that he must travel into the machine city and confront the creator of the matrix while Niobe pilots the remaining ship back to Zion to take on the sentinels. I love the original Matrix, but can’t help feel that the 2 overblown, over serious sequels have damaged it. This film works a little better than the second sequel but not by much.
Where Reloaded left us with unanswered questions, Revolutions offers us the answers. Sadly the “answers” just left me confused and bewildered. I didn’t feel like the film even tried to explain what was going on, and the ending came about far too suddenly and with little explanation. I know that a film is good if it leaves you thinking about things and I could sort of guess that Neo might have become some sort of programme etc at the end, but I still felt that the film should have helped me out even a little bit! The plot is very heavy going and it lacks the light imagination evident in the first film. This really sucks the fun out of the film and makes it hard work – I have nothing against it being thought provoking and requiring thought, but it all seemed very laboured to me.
The Essay on Film Review The Matrix
The Matrix Who would have thought that a Keanu Reeves movie could be intellectually as well as visually satisfying? Not me, that's for sure. But The Matrix is a thought-provoking tale questioning just what is and what isn't reality. Keanu plays Thomas Anderson, a mild-mannered computer programmer by day, and illegal hacker under the alias Neo by night. His life is about to take a turn towards the ...
The opening hour is quite hard work and the whole “train station” thing is never really explained and just seems designed to fill time or something. The action all looks great – the attack on Zion is visually very impressive and is quite exciting. However some fight scenes are so overblown that they failed to inspire. The shootout in the check room of the club is simply a tired retread of the groundbreaking lobby shootout but it is the final fight with Smith that shows what I mean. Neo’s showdown with Smith in the first film was great fun and very exciting.
Here (and in Reloaded) it is an excess of special effects, horribly overblown – visually impressive but not enjoyable. The film seems to have taken on the mantel of “meaningful epic” where once it was a clever film with no assumptions. Listen to the music – that’s where the clue is. Instead of the rock mix from the first film it has taken on big sweeping classical pieces that it scatters around liberally to try and give the film an epic feel that it doesn’t deserve. It is still worth seeing as it finishes the trilogy but it is hard work at times.
The acting continues the curse of Reloaded in that everyone thinks they are reading Shakespeare and gives their performance as if they were speaking words direct from God. Even Weaving’s Smith is a little too full of himself this time. The dialogue is pretty bad as before – full of clich ” es and over wordy speeches of grandeur, it just gets tiresome before it gets engaging. In the first film we were told no one can be told what the matrix is, we must see it for ourselves.
We were then taken on a journey (with Neo), led by Morpheus into this world that was explained as we went. Here we are simply dumped in the middle of an impenetrable plot and basically left to work things out for ourselves with little or no help. Attempts to have characters like the Architect or the Oracle explain things are simply clunky and don’t work at all. I’m not adverse to thinking, but the more I think about the film as a series the more i see unanswered holes. I was hoping that Revolutions would tie things up from Reloaded and actually serve to make part 2 work better, but it didn’t. It took some positive steps but really the same weaknesses just continue.
The Term Paper on Robert Rodriguez Film Once Upon A Time In Mexico
The film I chose for analysis is Once Upon a Time in Mexico. I viewed this film on November 17, 2003 at the Channel Islands Theater in Oxnard. The structural effect I am critiquing is the dynamic editing effect. This film is full of very fast paced action scenes throughout the entire film. To really understand and keep up, one must have a good analytical mind because there are several story lines ...
Overall I was glad I saw it to finish the story, and visually it had some very impressive moments. However the feeling was of a film with no controls, spiralling out of control – with narrative flow lost behind half ideas and spiritual nonsense. It is over indulgent, bloated and full of a sense of it’s own importance – an importance it simply does not have and should not be wearing on it’s sleeve. The Wachowski’s created a fascinating universe but, as they opened it out, their egos have inflated the material and their inability to control and tell such a massive story has shown and the last 2 films have really suffered as a result.
Worth watching for what it attempts to do, but ultimately very frustrating for what it actually delivers and, more importantly, what it fails totally to do.
