What Was Clothing Like in the Middle Ages? In the Middle Ages the tailoring business developed and fashion as a concept was born. There wasn?t much difference among the distinct social classes in the way the clothing were cut, the differences became evident mostly in the colours and materials. The country folk prepared their fabrics themselves and the nobility and the bourgeois had the possibility to buy their own imported fabrics. What Materials Were Used to Make the Clothing? The domestic wool was revised into cloths of different strengths -durable, felt and carded fabrics. The most expensive, the finest and the most colourful cloth was an extremely important merchandise imported for example from the Netherlands, England and Germany. Preparing the fabrics and the threads was a time-consuming and valuable craft. Fabric was extremely valuable despite whether or not it was homemade or imported. The medieval threads were spindled with a distaff (an early part of a spinning wheel).
For one whole dress where the density of threads was 12 threads per centimetre you needed as much as 15 000 metres of finished thread; i.e. 30 kilometres of one-filament thread. The thread had to be tightly woven and very durable. The clothes were used all the way to the end — the parts that were worn-out and broken were mended and patched. When the piece of clothing was totally worn-out, the good parts were used again. This might be a reason why the archeological findings are mostly church textiles. The looseness of the clothes was received by the using of gussets which were triangular inserts used to expand clothing. This way you could also save the valuable fabric. The colours were important to the contemporary people and by lifting the coating the colours of the underclothes and the lining could be shown. The working cloth of the country folk was a linen shirt. Long, dragging clothes were typical in the Middle Ages especially for the rich. Height was emphasised in clothes as well as in architecture. Buttons were first used in the 14th Century, however, they were more used in men?s than in women?s clothes. Armorial bearing shapes and mi-parti outfits (two different colour halves of clothing) were typical in the Middle Ages.
The Essay on Batik Wax Fabric Cloth
Batik Elaborately decorated fabrics and patterns can be seen almost everywhere in the world today. Batik ing is a type of decorated fabric, which usually depicts motifs of flowers, birds, butterflies and other natural objects, or simple geometric forms. These designs are rich in symbolic heritage and variety; to date there are over three thousand recorded batik patterns. To perform the art of ...
The quantity and quality of medieval woman’s clothing depended mostly on status. Queens wore elaborate, exquisitely detailed gowns while peasants wore ill-fitting hand-me-downs. Noblewomen and the wives of wealthy merchants could afford more costly garments. A good example is Margherita Datini. A detailed list of Margherita’s clothes from 1397 reveals what the average outfit would contain. The only undergarment consisted of a long dress, or shift. Since it had to be worn against the skin, this garment was usually made from a soft cotton or linen. This would be covered by a wool or fur petticoat during the winter months. Over the petticoat would be a long-sleeved gown. The surcoat covered the gown, but was sleeveless. The average wardrobe of the period contained very few gowns, but an assortment of surcoats made from various material. Margherita had a wide array to choose from; blue damask, taffeta, Oriental damask, and silk are only a few. Some of the surcoats had detachable sleeves, making the outfit versatile and adaptable to the seasons. Women also wore capes, cloaks, and shawls as wraps. They could be made from wool, fur, silk, or velvet. Some of these garments may have included hoods, but there were other types of headdresses.
Margherita and other women wore wimples, which were cloths that covered the head, neck, and under the chin. The wimple was sometimes covered by a fur or cloth cap, or straw hat. Ladies wore shoes that were carved wooden bottoms with leather laces. Slippers might be made from silk, but were more often made of leather. The heel was shaped either from small blocks of wood, or from layers of leather. Other accessories included linen undersocks, long wool or silk hose, veils, purses, fans, and handkerchiefs. Lower classes of women had an extremely limited wardrobe. Most pieces were handed down through the family, or were the cast-offs from the lady of the manor. She may or may not have the linen undergarment, and the dress was usually made from as a rough wool. In cold weather, she might wear a wool cloak or mantle. It would be difficult for peasant women to have access to finer cotton, linen, or woolen fabrics. Although the spinning wheel made the production somewhat easier, few families were able to raise flocks of sheep. Even fewer had the resources to grow cotton, and a typical day on the farm would leave little time for spinning and weaving. What Were the Accessories (Purses, Shoes, etc.) Like? Hats: The young girls? hair was tied with a flowery wreath or a metal band (a virgin’s crown).
The Research paper on Worn Path Phoenix Woman Feet
"A Worn Path' "Phoenix"A Worn Path' Essay, Research Paper "Phoenix Jackson: Mind Over Matter' by Mary Anderson Novelist Eudora Welty is often studied and adored by many readers; her much deserved recognition comes from her brilliant, deeply compassionate, and lively stories and novels (Ford 36). Like many of her stories, Eudora Welty's "A Worn Path' is set in Mississippi. In "A Worn Path,' Welty ...
The long hair either flew freely or it was plaited with decorative bands, and sometimes the plaits were even lengthened with tows. The older and the married women covered their hair. The veal or the chin kerchief were typical medieval hats together with a band-like head-dress and a pill-box hat. The chin kerchief and the veal was attached with pins. Another typical medieval head-dress was the tail hood worn by both men and women. Other men?s head-dresses were the hoods tied under the chin, pointed elf-like caps, barrets and different hats. Another kind of hat was called a chaperon. Shoes: The medieval shoes were booty like, soft and graceful, with no heels. The pointy “snout shoes” were typical in the Late Middle Ages -especially for the rich. Shoes were prepared from leather, fur or woollen felt. Shoes were extremely expensive and therefore the country folk walked bare-footed during the warm season. Purses and Bags: Purses and bags were made from leather or fabric. Fabric purses were often decorated with embroidery. Belts: Belts were an important detail in a medieval costume. It was usually worn on top of the undergarment and important things were hanging from it like belt bags or purses where money was kept, a knife, keys and so on..
Most of the holy orders wore long woolen habits, immitating Roman clothing. You could tell the order by the colour of the habit: the Benedictines wore black; the Cistercians, undyed wool or white. St. Benedict stated that a monk’s clothes should be plain but comfortable and they were allowed to wear linen coifs to keep their heads warm. The Poor Clare Sisters, an order of Franciscan nuns, had to petition the Pope in order to be permitted to wear woolen socks. The nobility wore dagges on their clothing as a decoration. These were shapes cut into the edges of clothes. Men wore leg coverings called hose, which were like tights made of cloth. Sometimes each leg was a different colour. Rich people had their clothes lined with fur to keep warm during the winter. Rich men wore pointy shoes as well — depending on his level of nobility, he could wear the shoes up to 60 centimetres long!
The Essay on Mustafa Kemal Ataturk and Reza Shah Pahlavi as ‘Men of Order’
Some historians argued that Mustafa Kemal Ataturk, founder of the Republic of Turkey, and Reza Shah Pahlavi, the preeminent Shah of Iran, were ‘men of order’ who took their countries down the path of authoritarian modernization in the first half of the 20th century. Mustafa Kemal Ataturk was a staunch nationalist who sought to transform the defunct Ottoman Empire into a secular and modern state. ...
