The poem I am evaluating in this essay is titled Mid-term break and was written by Seamus Heaney. The poem is about the laying out to rest of a four year old told from his older brothers perspective. I will be dealing with and trying to explain the use of words, images and techniques and their Starting off with the title. There is a dramatic irony to it that is noticed when read through a couple of times. It relates to the Childs position in that his life was broken short i.e. “Mid-term Break”. It had not been completed. As one read on one will realise that when the title is decrypted the atmosphere is amplified This is achieved through a number of factors.
The most important is the fact that it’s told from the brothers point of view. The very first word in the poem is “I”. This immediately brings the reader into the poem. It opens our minds by making us think, so that the poem can be appreciated, as it should be. I sat all morning. Here the emphasis is directed on all. This simple word makes us think how long, drawn out and boring this morning mustve been for the brother (who is presumably the narrator).
Also theres a fearful expectancy, the idea of a suspenseful wait. But where was he waiting? In the college sick bay. This suggests there is something wrong with the narrator. This hints he may be ill while at the same time helping to reinforce of expecting, suspense. While he was sitting he was Counting bells. This adds to the continuously surmounting pile of anxiety, fear, expectancy and suspense.
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The writer of the poem Margaret Atwood was born in November 18, 1939 in Ottawa, Ontario, Canada. She is not only a poet, but also a novelist, a literary critic, an essayist and an environmental activist. And she is an excellent writer, a winner of the Arthur C. Clarke Award and Prince of Asturias award for Literature. Her genres of writing include historical fiction, speculative fiction, science ...
This is because he doesnt just hear the bells ringing in the background; hes counting every ring. He isnt just counting out of boredom (although this is one reason).
He is counting because the bells are Knelling classes to a close. A very sinister phrase. Knell is what funeral bells ring with. to a close. Added with the knelling this mixes to a good effect.
The bells arent mark the beginning of a new class to him, theres a final, definite ending. The alliteration here comes across ads intimidating because of the hard K sounds in counting, classes and close. In the next line two o clock is stated by the narrator. This is important as it indicates how long he has been waiting in the sick bay. Also, when bad things happen the time is etched on ones memory. This is a subconscious thing.
The important thing about two o clock is that the neighbours are driving him home. We wonder whats wrong. We think about the evidence of the closing, knelling bells, the sick bay and the neighbours driving him home. At this point I came to a conclusion that something very bad was happening. A funeral! Then begins the second verse. The first line tells us where he is (his porch) and who is there (his father).
I met my father crying. Heaneys word choice here is again representative of the atmosphere.
Instead of sobbing or weeping he chooses crying because it comes across as something very painful and paints a picture in ones head of the scene. The next line reinforces what is already a fort of atmosphere and emotion telling us more about his father reading He had always taken funerals in his stride. The third line And Big Jim Evans saying it was a hard blow It made me really feel the last word as a sinking feeling in the stomach. This is a very empathetic verse. Next comes a break, a relief. A kind of contrast like two extremes that helped me realise the extremity of the focused side of sadness, shock and confusion.
The baby cooed and laughed and rocked the pram. Theres onomatopoeia to cooed. Its almost like ones hearing it. This makes it seem more immediate. The line after begins When I came in. If poems were logical like math (which they are not and hopefully never will be) then this should be in the same line as the one before. There is a reason for this of course. The technique is called enjambment (Its French).
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In a relationship between a man and woman, what separates love from infatuation is having had endured trials through time and the bond between the two individuals only being stronger for having done so. The narrator, in Mary Wroth s Pamphilia to Amphilanthus, 68, is indeed being tried, to say the least, by the burdens of her male lover. Wroth uses a variety of poetic devices and figurative ...
It is the continuation of the sense and therefore the grammatical construction beyond the end of a line of verse or the end of a couplet. Used properly as it is here it backs up the mood and leaves one hanging with suspense even if only for a few hundredths of a second. The rest of the line is the start of another enjambment , and I was embarrassed which would continue By old men standing up to shake my hand. All this makes one think. It puts even more emphasis on the relief of the contrast. Upon further reading I noticed that the enjambment continues until the second line of the last verse but I will come to that later. Getting back to the last point, what significance does the narrator stating he was embarrassed have on the story? Well I think its a change of emotion from being sad and nauseous about the situation. It inserts an awkward uncertain atmosphere of confusion.
The next line Whispered informed strangers is probably one of the most significant contributions to the poem. One can imagine the silence of the house. Nobody is willing to speak up, out of respect and the same awkwardness of the narrator. The emphasis not put on the people but on the whispers and their affect upon the atmosphere. The alienating, isolated, confusing, and frightened atmosphere. As my mother held my hand/In hers.
As well as being another as enjambment In hers shows us that she is comforting herself and he knows this. To be clear Im not saying that I think this is bad and selfish but that hes frightened even more because everyones feeling scared and he doesnt feel he has anyone to lean against and gain strength from. His mother coughed out angry tearless sighs. This shows her discomfort about her position. It conveys the forced nature of her sighs. Sighs is onomatopoeia, which is strange when combined with coughed out. Angry.
This sways me to thinking that she may be mad at the driver or just the fact of coming to terms with the death of her child. After all this waiting the ambulance comes with the child. The importance here is the exact time stated. At ten o clock the ambulance arrived. Just as before with the narrator waiting in the sick bay there is emphasis on the dramatic nature of the event. The ambulance was carrying the corpse not the expected child with some adjectives as garnish spread sparsely around.
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1. When I do count the clock that tells the time, 2. And see the brave day sunk in hideous night; 3. When I behold the violet past prime, 4. And sable curls, all silvered o'er with white; 5. When lofty trees I see barren of leaves, 6. Which erst from heat did canopy the herd, 7. And summer's green all girded up in sheaves, 8. Borne on the bier with white and bristly beard, 9. Then of thy beauty do ...
Corpse is quite a medical word and gives a feeling of the remoteness of the dead person. Stanched and bandaged. Well first of all Ill deal with stanched. It represents the definitive stop, simply as it exists in the poem. The next part is very interesting if you get the hidden agenda, which is surprisingly flower association. Dating back to medieval times. Flowers used to be used to symbolize many things. Such as romance (rose), orchid (beauty) etc. onto snowdrops which are used in this poem as they represent renewal.
This is the second piece of relief from contrast in the story. I saw him/ for the first time in six weeks is a very good use of enjambment as it is used for shock not suspense. It then reads Paler now. Emphasis being set on the now like its a big shock. It creates a new atmosphere of reflection and quiet. Next comes a reference to Remembrance Day in the form of a poppy bruise on his left temple. This also provides a literal contrast of the vivid bruise to the pale skin.
Some indication of the date is given by the four foot box as in his cot This tells me that the story must have been set a long time ago. Most likely pre 60s. I say this as funeral parlors selling coffins made by craftsmen only came about after the 50s and became gradually more popular as time passed by. The poem was written in 1966 and because of the layout, tenses, and overall feeling I think its quite obvious it was written about a personal experience of the writers past. My point being that the box was probably homemade or done by a friend with some kind of carpentry experience. No gaudy scars.
The word gaudy suggests excessive colours, so to me this is a good word choice. It shows the image of the very clean pigment lacking skin with the one vivid bruise where the bumper knocked him clear. Knocked him clear is ironic as the bumper really did knock him clear whereas it could easily have been taken as something else or worded differently. The most literally amazing and by far the most bleaching (mark-leaving) line is the very last. The poem going from sad to happy back to sad then reflective to the end. All these changes are anti-climaxes but all are totally shadowed by the last line which is the climax not cut short by the end but leaving an aftertaste in the mind from all the stimulation. Now, for the last line.
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In this essay I will be look at two different poems and what image they make of London, and their views. Wordsworth has written his poem 'Composed Upon Westminster Bridge' in a sonnet form, which is usually only used for poems about love, this implies that Wordsworth's poem will be about how much he likes London. Blake has written his poem in quatrain verse, which at the time was the most common ...
A four foot box, a foot for every year. There is alliteration of the soft f, the colossal impact, the fact that it epitaphs the preceding line as two beautiful couplets together, the incredible sadness of it all crammed into one line, the last line! This poem is definitely one of my favourites now that I have took the opportunity to read it so closely. The simple, direct and plain language throughout put forward the stark realism of the event which to me make it even sadder that it isnt glorified. Its completely bare. My theory is that the poem was written as an incredibly, beautiful snowball of words and colours. It gains size and in doing so has more force to impact.
There are points that its not growing in force but this time is spent gazing at the bottom of the hill in awe. It grows and grows and grows until the end where BOOM! It all hits you and youre left buried in it swimming in the words and colours as by that time youre inside it.
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