Man has, for the duration of history, been imposing himself upon the land: living off it and consequently changing it. The poems ‘Municipal Gum’ and ‘Australia 1970’ delineate the negative impact that mankind has on the land. Both communicate the dire negativity of industrialisation that has altered the land through human’s actions. In the poem Municipal Gum, the poet has portrayed how nature has been overpowered by human activity and thus become negatively restricted. Oodgeroo of the tribe Noonuccal gives a description of a gumtree, with the emphasis of a capital delivering its importance, whose roots have been imprisoned by and drowned in the surrounding bitumen. She/He effectively described how mankind has adversely changed the land. Similarly Judith Wright’s “Australia 1970” aggressively discusses the suffering of the land that is caused directly by humans. The purpose of both poets was to exploit the regrettable suffering of the land and immense changes it has been subjected to. Therefore both poets intend for the reader to become aware of the superfluous, harsh actions that have evidently affected all of the land.
The notion of harsh, redundant actions is supported by and established within the mood of the poem. Judith Wright incorporated specific vocabulary to evoke feelings of frustration, offense and pure hatred. The mood supports the message that the land has been devoured by mankind. This is shown through aggressive language such as “clawing, striking… a raging eye”. Such language choices attest the enormity of the impact on the land and its living inhabitants, (supported by the latter) and the intense violence of such an act. The emotions of the poem Municipal Gum were intentionally manipulated to support the reality that human beings have arrogantly attacked the land. This poem, less aggressively, communicates emotions such as contempt, frustration, bitterness, and restriction. “Strapped and buckled, its hell prolonged…Its hopelessness.” These descriptions show that man has relentlessly violated the land and taken without permission. The statement “Municipal Gum, it is dolorous to see you thus,” dictates that this impact has been out of greed – it is a mistreatment that causes sorrow and pain. However both poems’ moods support the notion that the land is in pain and through sympathetic ideologies expose a very noticeable “frowning upon” human beings.
Poems from the Kokinshu is an anthology of poems from the Japanese medieval times (Lawall. ed, 2002). The anthology is divided into different poems depicting human emotions as they vary season after season, or as people move into an entirely new environment. The principal theme of the poems revolve around the concept of love—the progression of feelings, the “entire course of the love affair, early ...
The poets have both manipulated language choices in order to illustrate the blatant disregard for the land. There is a clear repetition throughout the poem Australia 1970 which has been placed for specific emotional response. The author wishes to emphasize to the reader a sense of urgency and fact. Judith Wright commences each stanza with the word “die”: a violent, striking word that blatantly depicts that the land has no hope, and is without doubt losing health. “Die, wild country, like the eaglehawk…Suffer, wild country like the ironwood”. In admiration of the land’s glory and fierceness the poet utilises violent, harsh words to describe how the natural, wild outback is suffering but dying nobly. The positioning of such strong words entices the reader to feel sympathy for the land and to be in awe of its qualities. The poet has effectively manipulated specific language choices to make the reader believe that the land has become asphyxiated by human activity.
The suffocation of the land is very well illustrated within the poem Municipal Gum as it opens with the image of a tree in “bitumen” earth. The poet instantly brings nature into discussion on an emotional level by utilizing imagery devices. She/He manipulates personification in order for the viewer to truly connect with the message being purported: that the land is now suffering and dying. The line: “Hard bitumen around your feet” personifies the Gumtree thus enabling humans to have empathy. This compels an intense restriction. The poet extends said feelings of constraint by giving the subject a capital, “Gumtree,” as if it were a name, a pronoun. Therefore the poet has captured an emotional response from the reader. The poet has used imagery to create sympathy in order to communicate that the land has become restricted. Furthermore she compares this restriction with an alternative – “Rather you should be in the cool world of leafy forest halls”. This statement has more soft sounds to deliver sentiments of comfort and creates the image of freedom: a place where mankind is absent and nature is flourishing. It is also clear that the poet then paints a picture of a restricted, man-controlled cart horse. Such an image causes the viewer to believe that nature is being restricted, imprisoned and undoubtedly wronged. Municipal Gum gives clear images to persuade the viewer that human beings have inevitably destroyed the once beautiful landscape.
Beowulf – Significance Of Scyld Scefing Essay, Beowulf – Significance Of Scyld Scefing Significance of Scyld Scefing Scyld Scefing often deprived his enemies, many tribes of men, of their mead-benches. He terrified his foes; yet he, as a boy, had been found a waif; fate made amends for that. He prospered under heaven, won praise and honor, until the men of every neighboring tribe, ...
The unsettling, rigorous human influence upon the land is further delivered through the use of sound devices throughout both poems. “In the cool world of leafy forest halls” This description along with reference to wild birds supports that freedom comes with the absence of human interaction. The sound of this sentence echoes the space and freedom that may be found in natural, un-tampered environment. Assonance is manipulated in order to give an alternative more comforting picture of how the land could be and used to be without human influence. However the use of alliteration delivers an unsettling message. “That Poor cart-horse, castrated, broken, a thing wronged…strapped and buckled, its hell prolonged.” Such adjectives repeat consonant sounds and support the message of the poem. These sounds further deliver the sense that the land has been horribly wronged and is in sorrow. Such sounds cause the reader to become unsettled which concludes that the impact on the land is a morbid occurrence. There is a constant repetition throughout the poem Australia 1970 which compels the reader to accept the invited reading that man has over time violated the environment. In addition there are many violent harsh words and sounds that give the poem urgency and very disturbing sentiments. Both poets have utilized poetic devices to convince the reader that there is an urgent need to consider the land. The invited reading is effectively provided; the land has been evidently devoured by mankind.
Death is something that every person will have to deal with at some point in his or her life. The poems 'Dulce et Decorum Est' and 'Nothing Gold Can Stay' both deal with the concept of death, but in very different ways. They provide views of what death can be like from opposite ends of the proverbial spectrum. Death can be a very hard thing to experience, and the emotions that it evokes can be ...
Mankind has been dissolute throughout history; his hands reaching out to violate the once natural landscape. The destruction of the environment is clearly established throughout the poems Municipal Gum and Australia 1970. Both poets wish to bluntly emphasize the consistent impact on the land. Time continues to pass. The two poets have persuaded the reader to accept the message that the land is in anguish. This anguish continues and develops with the ticking of the hand on the clock. Man has and always will preponderate the land.