The New York New Music Ensemble began with a bang, literally. This ensemble has been around for twenty-three years and it is considered to be “the raising standard” in contemporary chamber music. On Thursday afternoon, I saw the ensemble perform three pieces: Trio, Notturno, and Marxville Songbook. These three possess very similar tone color and composition. The ensemble’s first piece, Trio, was composed by Donald Martino.
This musician pursued his interest in music at a very young age. By age fifteen, he did not only know how to play various instruments, but he also started composing. Martino excelled as a member of American Academy of Arts and Letters and was rewarded scholarships. In 1974, Martino’s classic sextet, Notturno, won him the Pulitzer Prize in music. In Notturno there are three large parts, which could be described as movements that maintain the music’s continuity.
Within these three movements, there are nineteen smaller parts. The first and last movements have nine parts that make up the contrasting sounds in the music. The final movement concentrates more on the pitch transformation. Structurally, this format would be a recapitulation, but the use of pitch transforms it into something new. To emphasize the pitch fluctuation, three different kinds of flutes were played. Because of the pitch variation in this piece, there were many melodies to follow.
In a way, the music sounded like sound effects to a horror flick. For example, the tone color of the piece would be nice and calm then all of a sudden the percussion would contribute a crashing sound and disturb the quiet. Towards the end of the piece, the musicians tapped their instruments to add to the eerie atmosphere. In comparison to Notturno, Martino’s Trio (the first piece played) still produced the same psychotic and dramatic sound. This instrumental consisted of small packets of sound played softly then fiercely.
The Essay on Music In Shakespeare Plays
Music in Shakespeare's Plays Elizabethans, during the time of the notorious William Shakespeare (1564-1616), were extremely sensitive to beauty and grace and had an undying enthusiasm for music and poetry. Music was a vital part of Elizabethan society; it was thought that a man who could not read music or understand it was poorly educated. The common entertainment and amusement was centered on ...
The ensemble began the piece slowly and worked its way to climactic units of music throughout the set. The violin’s sound danced along the piano’s ground. The piano set the rhythm, while the clarinet and violin built on top of it. This piece was a good example of non-imitative polyphony because the clarinet and violin were playing melodies of their own. To complete the piece, the clarinet trailed off leaving the audience uneasy. The second piece the ensemble performed was the Marxville Songbook, which was composed by Jeffrey Stadelman.
Stadelman, an educated musician, studied composition at University of Wisconsin at Madison and received a Ph. D. in music from Harvard. He too, like Donald Martino, was recognized for his musical accomplishments with various awards. Today, Stadelman works as an assistant professor of music at the State University of New York, Buffalo where he teaches composition and twentieth century music. He has also written many books on musical subjects since 1986.
Stadelman’s, Marxville Songbook, has two songs that are about the same length. This piece did not seem to have a set beat, but after getting used to the harsh sounds, a rhythm can be found. In this case, the percussion had some fill-ins and served as an accompaniment to the whole ensemble. In this piece, it sounds as if the musicians were given different sheets of music and were asked to play together.
The texture of this piece was very loose. The musicians played their own melodies simultaneously making their set a little coherent. Dissonance was a major element that the composer included. There were few moments of consonance, which were quickly masked by the dissonance.
The music did not give a sense of obvious return to a single theme. The three pieces I heard were very similar to each other. If I did not take notes on the pieces, I would be completely lost. The music I heard barely had any structure because it seemed as if the musicians were improvising and hitting harsh notes at their own whim. This music is different than anything that I have ever heard because I am not used to it.
The Term Paper on The Effects of Jazz and Classical Music on Musicians
A thesis presented on the history of jazz as compared to classical music and the effects on musicians, beginning with the birth of jazz, and covering the twentieth century. Berliner (1994) impresses upon the idea that jazz music is more important to a musician’s development and an individual’s mental health than classical music. It is this author’s opinion that Jazz is superior over classical ...
The music I listen to has many reoccurring themes. The themes that the New York New Music Ensemble played were hard for my ears to pick up. The tunes were not catchy at all because the melodies kept changing. To me, Notturno and Marxville Songbook sounded alike because they included the same instruments. I found it interesting that the xylophone was included because it made the music creepier. I always associated the xylophone’s sound with something happier and orderly.
The ensemble did a good job in showing me that any instruments can be used to produce an effect. To me, the closest musician to keeping a ground bass was the pianist because all the other instruments played as an accompaniment. This music was new to me because I am accustomed to hearing drums as the basis and foundation for any group of musicians. The combination of a piano, flute, xylophone, percussion, clarinet, cello, and violin contributed to the music’s atmosphere of confusion. Overall, I thought the concert was a new experience because it opened me up to another world of music.
