The scene of Carmen takes place in Seville, Spain during the mid 19th century. Main Characters of Carmen Carmen (soprano) Don Jose (tenor) El Dancairo (baritone) El Remendado (tenor) Escamillo (baritone) Frasquita (mezzo-soprano) Mercedes (mezzo-soprano) Micaela (soprano) Morales (bass) Zuniga (bass) Carmen – is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and LudovicHalevy, based on a novella of the same title by Prosper Merimee.
The opera was first performed at the Opera-Comique in Paris, on 3 March 1875, and at first was not particularly successful. Its initial run extended to 36 performances, before the conclusion of which Bizet died suddenly, and thus knew nothing of the opera’s later celebrity. The opera, written in the genre of operacomique with musical numbers separated by dialogue, tells the story of the downfall of Don Jose, a naive soldier who is seduced by the wiles of the fiery gypsy, Carmen.
Jose abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen’s love to the glamorous toreador Escamillo, after which Jose kills her in a jealous rage. The depictions of proletarian life, immorality and lawlessness, and the tragic outcome in which the main character dies on stage, broke new ground in French opera and were highly controversial. After the premiere, most reviews were critical, and the French public was generally indifferent.
Carmen initially gained its reputation through a series of productions outside France, and was not revived in Paris until 1883; thereafter it rapidly acquired celebrity at home and abroad, and continues to be one of the most frequently performed operas; the “Toreador song” from act 2 is among the best known of all operatic arias. Later commentators have asserted that Carmen forms the bridge between the tradition of operacomique and the realism or verismo that characterised late 19th-century Italian opera.
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The music of Carmen has been widely acclaimed for its brilliance of melody, harmony, atmosphere and orchestration, and for the skill with which Bizet represented, musically, the emotions and suffering of his characters. After the composer’s death the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and differences of view exist as to what versions best express Bizet’s intentions.
The opera has been recorded many times since the first acoustical recording in 1908, and the story has been the subject of many screen and stage adaptations. The Story of Carmen Act I In a town square in Seville, soldiers and townspeople are gathered chatting and moving about, when a young peasant girl name Micaela questions the soldiers about her love, Don Jose. The soldiers try to persuade the young girl to stay with them until Don Jose returns, but she declines and leaves. Soon, Don Jose arrives moments before the cigarette factory bell rings and a group of women, including the beautiful gypsy, Carmen, exit the building.
The soldiers flirt with the girls and asks Carmen when she will love them. Her reply is given in the famous aria, “L’amourest un oiseaurebella” a. k. a. the Habanera. When Carmen sees Don Jose she tosses a flower in front of him in order to seduce him. Don Jose picks up the flower and becomes enchanted by the beautiful Carmen. Shortly thereafter, Micaela returns with a letter and a kiss sent to Don Jose by his mother. In the letter, Don Jose’s mother has asked him to marry Micaela. Don Jose promises his fidelity and love to Micaela.
Moments later, a fight breaks out at the cigarette factory between Carmen and another woman. Carmen injures the woman before she is captured by Officer Zuniga. Zuniga commands Don Jose to escort Carmen to prison. However, Carmen charms Don Jose into letting her escape. When Don Jose is discovered for letting Carmen escape, he is thrown into jail for one month’s time. The Story of Carmen Act II At LilasPastia’s Inn, Carmen and her friends, Mercedes and Frasquita, are socializing with several soldiers including Officer Zuniga, when the victorious bullfighter, Escamillo, arrives with a celebrating entourage.
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During the Toreador song, “Votre toast, je peuxvos le rendre”, Escamilo attempts to capture Carmen’s heart. However, his attempts are unsuccessful, as are Officer Zuniga’s, who tells Carmen that he will return to the inn later to meet with her – Carmen’s heart waits for Don Jose’s release from prison. A while later, once the crowd has dispersed the smugglers Dancairo and Remendado ask for help from Carmen and her two friends. Mercedes and Frasquita agree to help, but Carmen refuses as she knows that Don Jose will be released from prison that day and meet her at the inn.
When he finally arrives, Carmen dances for him life. Her dance is cut short when a bugle sounds in the distance, signaling Don Jose to return home. Carmen mocks his obedience and tries to persuade him to remain with her and live the gypsy. Don Jose does not give in until Zuniga arrives at the inn searching for Carmen. Zuniga orders Don Jose to leave, but in a fit of jealousy, he defies his commanders’ orders. Dancairo and Remendado tackle Zuniga and take him away from the inn. After all of this, Don Jose, feeling as if he has no other choice, stays at the inn with Carmen.
The Story of Carmen Act III Don Jose, now at the smuggler’s hideout in the mountains, begins to reminisce about his former home and his mother and starts missing them dearly. Carmen, who has decided she no longer loves him, takes notice and starts taunting him to leave, but he does not. Mercedes and Frasquita tell their fortunes with a deck of cards. For the two girls, the cards reveal a life of wealth, love, and luxury. For Carmen and Don Jose, it reveals death. After discussing their plains, the smugglers and the girls leave, while Don Jose watches over the hideout.
Soon, Micaela, assisted by a guide, comes to the mountain hideout and hides behind a mound of rocks when she hears a gunshot fired by Escamillo. Escamillo enters the hideout and begins telling Don Jose about his crush on Carmen. He also tells Don Jose about Carmen’s relationship with a soldier, not knowing the story is about Don Jose. Don Jose becomes very angry and starts fighting Escamillo. The smugglers return before the fight gets worse. Escamillo invites Carmen and the others to his upcoming bullfight as he leaves the hideout.
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Micaela finally emerges from her hiding spot, and tries to convince Don Jose to return home during the aria “Je dis, querien ne m’epouvante”. Escamillo can be heard singing, and Carmen begins heading in that direction. After several unsuccessful attempts, she finally persuades him to leave by telling him his beloved mother is dying. Don Jose promises his return to Carmen and leaves with Micaela. In the distance The Story of Carmen Act IV During the procession of the toreadors, Carmen and Escamillo are seen arriving together.
Mercedes and Frasquita warn Carmen that Don Jose is lurking around the crowd plotting to kill her. She tells them that she will speak to him to resolve the matter once and for all. While Escamillo enters the bullfighting ring, a desperate Don Jose meets Carmen outside the arena. He tells her she must commit her love and fidelity to him. She explains that she no longer loves him and throws the ring he gave her on the ground. Now completely mad, Don Jose stabs Carmen in the heart with a dagger. She dies simultaneously with Escamillo’s bullfighting victory. When the arena empties, Don Jose confesses his crime to the crowd.