The physical mortality versus the mental immortality – A demonstration of two sonnets
William Shakespeare and John Donne, two of the greatest British culture poets, dealt among other issues, with the passing of time and human mortality.
In Sonnet 18 by William Shakespeare, the speaker asks to compare his beloved to a summer’s day, yet the lover is more lovely and stable. Sometimes there are rough winds in the summer, it’s a short season, and the sun is periodically too hot or is often obscured by clouds. Although beauty will not cease forever, either by misfortune or by nature, the lover will always stay young and beautiful. Even though the sonnet can be interpreted as a love song to a female, many scholars contend that it is addressed to a young man. The speaker weaves the lifelines of his lover with those of the sonnet; thus as long as people live and enjoy the poem, the lover will forever remain fresh and handsome.
In Holy Sonnet 10 by John Donne, the speaker teases death. He personifies it and claims it’s not as mighty and dreadful as people might think. Death doesn’t overthrow people – they’re purely asleep. The idea of death as a form of sleeping reminds me of Katherine Mansfield’s The Garden Party. She describes a dead young man who is calmly sleeping in his bed, given away to his eternal dreams, distant from everyday’s trifles. He will forever remain wonderful and beautiful.
The Essay on Trends in Sudden Cardiovascular Death in Young Competitive Athletes
Playing sports carries certain risks to the player. One of the most dangerous risks is sudden cardiovascular death during the course of engaging in a sports activity. The majority of these athletes that die are found to have previously unsuspected heart disease (Corrado, et al, 1593). This article addresses this issue and aims “to analyze trends in incidence rates and cardiovascular causes of ...
Despite the rotten flesh and dry bones, the soul remains free. I dare comparing this notion to Milton’s freedom of mind in Paradise Lost. I would like to suggest that the soul, like the mind, is eternal and borderless. It doesn’t matter where one stays, whether in heaven or hell, as long as he’s the master of his own mind and soul.
The poet despises death. He claims that death is dependent. It is a slave who depends on others deeds: fate, chance, kings, desperate man, poison, war and sickness. Again, I would dare comparing the notion of death in war to Gulliver’s description of the art of war in Swift’s Gulliver’s Travels. One cannot stay indifferent to the horrors depicted in Gulliver’s brutal description of Yahoos deeds of war. The poet also mentions that death doesn’t always have to be painful. People can also fall into eternal sleep by opium or charms, so death is not as powerful as it might think and therefore should not be dreadful and is actually redundant.
Losing a close person is painful. Yet I believe that as long as this person remains in our hearts (and minds) and as long as we deliver his idea to the following generations, he will have eternal life despite the physical inexistence.
References
Mabillard, Amanda. An Analysis of Shakespeare’s Sonnet 18. Shakespeare Online. 20 December 2010 < http://www.shakespeare-online.com/sonnets/18detail.html >.
Beck-Watt Sebastian, Poetry explication: Holy Sonnet 10, John Donne’s address to death. 20 December 2010 <http://www.helium.com/items/677411-poetry-explication-holy-sonnet-10-john-donnes-address-to-death>